
THE CAGED BIRD Florence Price
01/18/21 • 51 min
5 Listeners
In an abandoned house in Illinois, an astonishing treasure trove of handwritten sheet music was discovered in 2009. That cache was the life’s work of composer Florence Price, the first African-American woman to have her work performed by major orchestras. But Price’s story is so much bigger – and so much wilder! – than even that headline-grabbing discovery could show. Her astonishing contributions to classical music are finally getting the attention – and the praise – they deserve.
Our guests are Dr. Guthrie Ramsey and Dr. Karen Walwyn, with music by Chineke! Orchestra, Dr. Ollie Watts Davis, Dr. Casey Robards, The Women’s Philharmonic, and Karen Walwyn.
A complete transcript of this episode can be found here.
Guest Guthrie P. Ramsey, Jr. is a music historian, pianist, composer, and the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania. He’s the author of Race Music: Black Cultures from Bebop to Hip-Hop, and The Amazing Bud Powell: Black Genius, Jazz History and the Challenge of Bebop and recently edited and wrote a foreword for Rae Linda Brown’s The Heart of A Woman: The Life and Music of Florence B. Price. As a producer, label head, and bandleader, he’s released five recording projects, including A Spiritual Vibe, vol. 1 and has performed at The Blue Note, The Annenberg Center for the Performing Arts, and Harlem Stage. He recently scored the 2019 prize-winning documentary Making Sweet Tea: Black Gay Men of the South and his documentary Amazing: The Tests and Triumph of Bud Powell was a selection of the BlackStar Film Festival. He co-curated the National Museum of African American History and Culture’s 2009 exhibition Ain’t Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment and was a consultant and narrator in the 2020 Emmy Award winning HBO documentary Apollo: The Soul of American Culture.
Guest Karen Walwyn, Concert Pianist, Composer and an Albany Recording Artist, is the first female African American pianist/ composer to receive the Steinway Artist Award. As a Composer, she received the Global Award: Gold Medal -Award of Excellence for her recording of her composition entitled Reflections on 9/11, which was first premiered in full at the Kennedy Center in Washington, D.C. As a Mellon Faculty Fellow at the John Hope Franklin Institute, Duke University, Walwyn composed her debut choral work entitled Of Dance & Struggle: A Musical Tribute on the Life of Nelson Mandela. She is Area Coordinator of Keyboard Studies at Howard University, and has performed throughout the contiguous United States, Hawaii, West Indies and the Virgin Islands.
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In an abandoned house in Illinois, an astonishing treasure trove of handwritten sheet music was discovered in 2009. That cache was the life’s work of composer Florence Price, the first African-American woman to have her work performed by major orchestras. But Price’s story is so much bigger – and so much wilder! – than even that headline-grabbing discovery could show. Her astonishing contributions to classical music are finally getting the attention – and the praise – they deserve.
Our guests are Dr. Guthrie Ramsey and Dr. Karen Walwyn, with music by Chineke! Orchestra, Dr. Ollie Watts Davis, Dr. Casey Robards, The Women’s Philharmonic, and Karen Walwyn.
A complete transcript of this episode can be found here.
Guest Guthrie P. Ramsey, Jr. is a music historian, pianist, composer, and the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania. He’s the author of Race Music: Black Cultures from Bebop to Hip-Hop, and The Amazing Bud Powell: Black Genius, Jazz History and the Challenge of Bebop and recently edited and wrote a foreword for Rae Linda Brown’s The Heart of A Woman: The Life and Music of Florence B. Price. As a producer, label head, and bandleader, he’s released five recording projects, including A Spiritual Vibe, vol. 1 and has performed at The Blue Note, The Annenberg Center for the Performing Arts, and Harlem Stage. He recently scored the 2019 prize-winning documentary Making Sweet Tea: Black Gay Men of the South and his documentary Amazing: The Tests and Triumph of Bud Powell was a selection of the BlackStar Film Festival. He co-curated the National Museum of African American History and Culture’s 2009 exhibition Ain’t Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment and was a consultant and narrator in the 2020 Emmy Award winning HBO documentary Apollo: The Soul of American Culture.
Guest Karen Walwyn, Concert Pianist, Composer and an Albany Recording Artist, is the first female African American pianist/ composer to receive the Steinway Artist Award. As a Composer, she received the Global Award: Gold Medal -Award of Excellence for her recording of her composition entitled Reflections on 9/11, which was first premiered in full at the Kennedy Center in Washington, D.C. As a Mellon Faculty Fellow at the John Hope Franklin Institute, Duke University, Walwyn composed her debut choral work entitled Of Dance & Struggle: A Musical Tribute on the Life of Nelson Mandela. She is Area Coordinator of Keyboard Studies at Howard University, and has performed throughout the contiguous United States, Hawaii, West Indies and the Virgin Islands.
Want to help us “make history”? Become a Patron or Donate here!
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Previous Episode

THE ILLUSTRATOR Tasha Tudor – 2020 Christmas Special
Tasha Tudor’s charming and warm-hearted illustrations of over 100 books, plus her nostalgic advent calendars and Christmas cards, earned her devoted fans around the world. But her way of life fascinated people as much as her illustrations. Even though she lived to 2008, she lived with conscious intention as if it were 1830. Her life was rooted in simplicity, creativity, and taking it slow. In this Christmas Special, we read from her Christmas classic, Take Joy! – joining her family in a nostalgic month-long celebration of her favorite time of year.
Music featured in this episode was provided by Marc Nelson, Kevin MacLeod, Wayne Jones and Aaron Kenny.
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Next Episode

THE SUFFRAGIST SENATOR Martha Hughes Cannon
In 1896, Martha Hughes Cannon ran for state senate against her polygamist husband, and won! But becoming America’s first female state senator was only one chapter of Cannon’s story. A whirlwind of triumph and heartbreak dominated her life: wagon trains, Victorian medicine, the suffrage movement, evading federal prosecution, she lived it all!
Read Martha Hughes Cannon’s Speech to the Senate Judiciary Committee, or her Senate Health Bill (including rules on quarantine and school safety!) Or read her 1885 letter to a friend which discusses her fears of being forced to testify before a grand jury about her knowledge of polygamous marriages.
Visit the Better Days 2020 website for more information on women’s suffrage in Utah. There you can also download a free Martha Hughes Cannon coloring page! The Exponent II Magazine continues the work of the original Women’s Exponent today.
Guest Rebekah Clark is co-author of the recently-released book Thinking Women: A Timeline of Suffrage in Utah. She holds a law degree from the J. Reuben Clark Law School at Brigham Young University and studied as a visiting student at Harvard Law School. She graduated with a degree in American History and Literature from Harvard University, where her honors thesis focused on Utah women’s activism in the national suffrage movement. Her work has appeared in journals such as the Utah State Historical Quarterly, Journal of Mormon History, BYU Studies, Pioneer Magazine, and BYU Law Review and in podcasts by the National Conference of State Legislatures, Zion Art Society, Church News, and the Maxwell Institute for Religious Scholarship. She serves on the board of the Mormon Women’s History Initiative Team and currently works as the Historical Research Associate at Better Days, a nonprofit public history organization dedicated to expanding education about Utah women’s history.
Music featured in this episode was used by permission of the University of Glasgow Chapel Choir and the Smithsonian.
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