What'sHerName

In an abandoned house in Illinois, an astonishing treasure trove of handwritten sheet music was discovered in 2009. That cache was the life’s work of composer Florence Price, the first African-American woman to have her work performed by major orchestras. But Price’s story is so much bigger – and so much wilder! – than even that headline-grabbing discovery could show. Her astonishing contributions to classical music are finally getting the attention – and the praise – they deserve.

Our guests are Dr. Guthrie Ramsey and Dr. Karen Walwyn, with music by Chineke! Orchestra, Dr. Ollie Watts Davis, Dr. Casey Robards, The Women’s Philharmonic, and Karen Walwyn.

A complete transcript of this episode can be found here.

Guest Guthrie P. Ramsey, Jr. is a music historian, pianist, composer, and the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania. He’s the author of Race Music: Black Cultures from Bebop to Hip-Hop, and The Amazing Bud Powell: Black Genius, Jazz History and the Challenge of Bebop and recently edited and wrote a foreword for Rae Linda Brown’s The Heart of A Woman: The Life and Music of Florence B. Price. As a producer, label head, and bandleader, he’s released five recording projects, including A Spiritual Vibe, vol. 1 and has performed at The Blue Note, The Annenberg Center for the Performing Arts, and Harlem Stage. He recently scored the 2019 prize-winning documentary Making Sweet Tea: Black Gay Men of the South and his documentary Amazing: The Tests and Triumph of Bud Powell was a selection of the BlackStar Film Festival. He co-curated the National Museum of African American History and Culture’s 2009 exhibition Ain’t Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment and was a consultant and narrator in the 2020 Emmy Award winning HBO documentary Apollo: The Soul of American Culture.

Guest Karen Walwyn, Concert Pianist, Composer and an Albany Recording Artist, is the first female African American pianist/ composer to receive the Steinway Artist Award. As a Composer, she received the Global Award: Gold Medal -Award of Excellence for her recording of her composition entitled Reflections on 9/11, which was first premiered in full at the Kennedy Center in Washington, D.C. As a Mellon Faculty Fellow at the John Hope Franklin Institute, Duke University, Walwyn composed her debut choral work entitled Of Dance & Struggle: A Musical Tribute on the Life of Nelson Mandela. She is Area Coordinator of Keyboard Studies at Howard University, and has performed throughout the contiguous United States, Hawaii, West Indies and the Virgin Islands.

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Stefania Turkevych was one of Galicia’s most talented and prolific classical composers – and then the Russian Revolution turned her world upside down. When she fled the USSR to find a new home, through Italy, Ireland, and to her final home in England, her work was lauded all across the continent.

But fame is fickle when nobody speaks your language! Discover this forgotten star – Ukraine’s first female classical composer – with our guest Dr. Erica Glenn.

Erica Glenn is a current Fulbright Scholar and Director of Choral Activities at Brigham Young University – Hawaii. Previously, she worked at Arizona State University, conducting the Women’s Chorus, teaching Beginning Conducting (Teaching Excellence Award), and serving as chorus master for operas. She also co-founded the Arizona Women’s Collaborative and Phoenix Singing. Glenn holds a BM/MM in Music Composition and an Ed.M. in The Arts in Education (Harvard). She is the 2020 recipient of an American Councils Grant, a Knowledge Mobilization Award, a Creative Constellation Grant, and Melikian Center funding for her research into Stefania Turkevych, Ukraine’s first female composer. Glenn recently presented at the Ukrainian Institute of America and the Longy New Music Festival, and she has led interest sessions at ACDA and AATSEEL. Her original opera Dreamweaver won the International VocalWorks Competition, and her musical The Weaver of Raveloe was performed at both the NY Musical Theatre Festival and the American Repertory Theatre.

All music for this episode was composed by Stefania Turkevych and is used by kind permission of Erica Glenn.

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Say you join a revolution in the name of liberty and equality. Then someone hands you a crown. Could you do more good, with that power? Or will everything fall apart? Come with us to Haiti and across Europe in the twisty-turny tale of THE QUEEN OF HAITI, Marie-Louise Christophe.

Katie's guest is Vanessa Riley, author of Queen of Exiles.

To learn more about the sound recordings by anthropologist Alan Lomax, check out CulturalEquity.org, and the American Folklife Center. We featured "Valtz Creole" by Musique Creole Group, and a number of voodoo ceremony recordings.

Additional music was composed by ELPHNT, Kevin Macleod, Jimena Contreras, Quincas Moreira, Sir Cubworth, Aaron Kenny, Brian Bolger, Beethoven and Mendelssohn.

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Some say Tituba was the easy target in 1692, as an enslaved woman of color. But surprise! She confessed to witchcraft, offering elaborate descriptions of a widespread Satanic conspiracy. Her tales launched Salem, Massachusetts into an unparalleled witch mania. No one was safe...except Tituba herself. How did she start it all, and how did she escape? Join Katie on location in Salem, Massachusetts for this year’s Halloween special.

Our guest, army vet, playwright, and military historian David Tullis guides off-the-beaten-track tours of Salem and works as a historical pewtersmith.

Music featured in this episode by Aaron Kenny, Esther Abrami, Kevin MacLeod, and Elena Naumova, used by permission.

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The Pharaoh Hatshepsut is probably the most successful woman king Egypt ever had - so why doesn't anyone know how to say her name? Discover this enigmatic, fascinating woman with returning guest and fan-favorite Egyptologist Kara Cooney.

Music featured in this episode used by kind permission of Michael Levy, Remon Sakr, Kevin MacLeod and Quincas Moreira.

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