The Cinematologists Podcast
The Cinematologists
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Top 10 The Cinematologists Podcast Episodes
Goodpods has curated a list of the 10 best The Cinematologists Podcast episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to The Cinematologists Podcast for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite The Cinematologists Podcast episode by adding your comments to the episode page.
Independent Magazines
The Cinematologists Podcast
10/02/21 • 103 min
In this slightly longer than normal episode, Neil indulges his love of magazines by having conversations with editors of print magazines with a varying focus on film about setting up print enterprises in the digital age. He talks to Maria J Pérez Cuervo about her folk horror magazine Hellebore, Gabriel Solomons about illustrated film magazine Beneficial Shock and Cathy Lomax & Lucy Bolton about a special British film edition of art and culture periodical Garageland. All the conversations revolve around a love of magazines and we are grateful to all the contributors for their time.
Around these conversations Neil and Dario discuss collecting, objects and mortality, the physical v the digital and what they want from cultural experiences and how magazines can play into that. They also talk about Dario’s visit to the ICA to see Annette and a Leos Carax Q&A and Neil recommends the new BFI Blu-ray of Powell & Pressburger’s 1942 propaganda classic One of our Aircraft is Missing.
To buy Hellebore click here.
To buy Beneficial Shock (who have a new issue imminent) click here.
To buy Garageland click here.
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Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
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You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.
We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
1 Listener
2021 review
The Cinematologists Podcast
12/28/21 • 82 min
A United Nations translator, negotiating through the Serbian occupation of Srebrenica; the avant-garde queerness of one the world's most influential bands; a working-class writer's climb towards artistic and social recognition; the gallows humour of asylum seekers in the UK immigration system; a young orphan search for a story of the self; a neurosurgeon fighting to understand her own consciousness; radical technology as the bait of a heist gone wrong; the deep trauma of stoic gambler, and a reckoning between tragedy and love on the road and in the theatre.
These are just some of the themes Dario and Neil discuss in the films that feature on the Cinematologists end of year review. We thank you so much for your support over the year and hope you enjoy this look back over our cinematic highlights. We wish you a merry christmas and a happy New Year.
You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.
We also really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
1 Listener
(Repost) Ep106 Peter Bogdanovich (from Sept 2020)
The Cinematologists Podcast
01/07/22 • 79 min
It was one of the highlights of The Cinematologists to have Peter Bogdanovich come on the podcast. One of the key links between Old and New Hollywood his passing is just another sign that 20th-century cinema culture is receding further into history. Our chat is focused very much on his film The Great Buster and it was fantastic this he gave us so much time. We hope you enjoy this repost of the interview where we focus on his Buster Keaton documentary The Great Buster.
1 Listener
Michel Chion, in Conversation (Part 2)
The Cinematologists Podcast
02/04/22 • 66 min
This is part two of our interview with the seminal film scholar, critic, and composer Michel Chion. From the late 70s onwards Chion has been one of the leading voices at the intersection of film scholarship and cinephilic criticism. His work spans a huge roster of filmmakers and subjects, but it's his work on film sound with which he is arguably most identified. Books such as The Voice in Cinema (1982), Audio/Vision (1993), Music in Cinema (1995) & Film, A Sound Art in many ways defined the sub-field of film sound criticism. Chion also wrote for Cahiers du Cinéma in the 1980s and has written books on the work of Jacques Tati, Andrei Tarkovsky, Stanley Kubrick and David Lynch.
Before turning to cinema, Chion was part of the experimental school of Music Concrete under the mentorship of Pierre Schaeffer, the "godfather" of avant-garde electronic music in France. He continues to compose to this day.
Chion asked that he give his answers in French so I enlisted the help of a colleague from the University of Brighton, the sound artist, composer, and performer Johanna Bramli (check out her work here), to help with the translation. This is another interesting first for the podcast.
At the end of part 2 of this double episode, Neil and Dario discuss many aspects of the interview and Chion's approach to film scholarship. We hope you enjoy what we think is a fantastic start to the new season.
Shownotes
Chion biography (Experimental music): https://electrocd.com/en/artiste/chion_mi/Michel_Chion/biographie
Pierre Schaeffer and Music Concrete - https://www.frieze.com/article/music-22
Ercan Bouliase - https://www.nytimes.com/2016/01/07/arts/music/pierre-boulez-french-composer-dies-90.html
GRM: Group Recherché Musical https://www.musicainformatica.org/topics/groupe-de-recherches-musicales.php
Luciano Berio - https://www.universaledition.com/luciano-berio-54
Transition music for this episode taken from Michel Chion’s
La vie on Prose: https://www.youtube.com/watch?v=aK3xqAv65r0
Requiem: https://www.youtube.com/watch?v=Q4XfD3yrYHI
La Grand Nettoyage: https://www.youtube.com/watch?v=iUUkA8wqlxQ
Johanna Bramil: http://www.johannabramli.com/
You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.
We also really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
1 Listener
Cape Fear (live @TheGardenCinema)
The Cinematologists Podcast
07/08/22 • 97 min
It's our season finale and we were delighted to get back into a cinema for a live screening and podcast recording, our first one since Covid. The venue was the spectacular Garden cinema in Covent Garden, a beautiful art-deco retro venue where we hope to be holding regular screenings in the autumn.
As part of their celebrating Film Noir season, we screened and discussed the 1962 psychological noir Cape Fear directed J. Lee Thompson. The film features what is considered one of the most powerfully chilling performances in cinema history: Robert Mitchum as Max Cady. Also starring Gregory Peck, Polly Bergen Lori Martin, Martin Balsam and Telly Savalas, and featuring a Bernard Herrmann score, it's a film that tested social attitudes and the censors with its subject matter.
Dario presented the screening with guest Mary Wild (@psycstar on Twitter), the co-host of the Projections Podcast (@ProjectionsPod). As an expert in psychoanalytic film theory it was fantastic to have Mary's critical insight on a film and genre that really does lend itself to psychological reading.
Dario and Neil continue the conversation and also reflect on the 15th season of the podcast. Something we can hardly believe. We thank you for your continued support of the show and look forward to season 16 beginning in September 2022.
Show Notes
The Garden Cinema, Covent Garden.
The new season of Mary's Projections Podcast which she co-hosts with Sarah Cleaver.
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You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.
We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing
1 Listener
Cannes 2022
The Cinematologists Podcast
05/27/22 • 94 min
In this episode, Neil records an audio diary from the 2022 International Festival de Cannes. He reflects on being part of the team presenting Mark Jenkin’s Enys Men to the world, the weirdness of Cannes, and some of the films he saw while there. Titles discussed are Patricio Guzmán’s My Imaginary Country, Mia Hansen' Løve’s One Fine Morning, the 1972 anthology film about the Munich Olympics Visions of Eight and De Humani Corporis Fabrica by Lucien Castaing-Taylor and Véréna Paravel (who directed the experimental fishing documentary Leviathan). Guests include critic and podcaster John Bleasdale, academic and producer Kingsley Marshall and some of the team behind Enys Men, director Mark Jenkin and actor Mary Woodvine.
Elsewhere Neil and Dario discuss Patricio Guzmán, the film festival bubble and some recent positive comments from listeners, as well as Neil’s reflection on the final film he saw in Cannes, Annie Ernaux and David Ernaux-Briot’s The Super 8 Years.
Although, Neil forgot to tell his Louis Garrel story, so that will have to wait until the next episode.
Also, some of the diary entries are a bit peaky due to mediterranean winds, so please bear with some of the audio segments of the diary.
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You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.
We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing
1 Listener
Berlinale 2020 Part 1
The Cinematologists Podcast
03/01/20 • 86 min
It's Berlinale time. Our annual sojourn to our favorite European Film Festival is one of the highlights of the year and the programme looks intriguing with a host of big names in art-house cinema showing their latest work. This is the first of a two-part episode in which we bring our thoughts to bear on the big competition entries and fiction and documentary films from other sections of Berlin's extensive programme. We also interview various critics also in the city no only on their festival picks but on any emergent themes of this year's event. Wild mushroom picking, toxic masculinity and signature central sequences were just some of the obvious motifs.
Dario and Neil see a film together (Hang Songsoo's wonderful The Woman Who Ran) at the festival for the first time and they ruminate, as usual, on all aspects of the experience. Please enjoy.
Thanks so much to the following critics for giving up their time. Please check out their writing and share/support it on your networks:
Joseph Owen - https://www.theupcoming.co.uk/2020/02/24/berlin-film-festival-2020-first-cow-review/
Savina Petkova - https://savinapetkova.contently.com/
Alex Billington - https://www.firstshowing.net/
Serena Scateni - https://vaguevisages.com/2020/02/25/berlinale-2020-review-hong-sang-soos-the-woman-who-ran/
The films discussed in this episode are:
First Cow - Kelly Reichardt
The Salt of Tears - Philippe Garrel
Undine Christian - Petzold
Never Really Sometimes Always - Eliza Hittman
Pinocchio - Matteo Garrone
Little Girl - Sébastien Lifshitz
Malkkrog - Cristi Puiu
Shirley - Josephine Decker
The Assistant - Kitty Green
Mogul Mowgli - Bassam Tariq
The Woman Who Ran - Hong SangSoo
You can also listen to The Cinematologists here:
www.cinematologists.com
Spotify: https://open.spotify.com/show/0RjNz8XDkLdbKZuj9Pktyh
iTunes: https://itunes.apple.com/gb/podcast/the-cinematologists-podcast/id981479854?mt=2
PlayerFM: https://player.fm/series/series-2416725
Film Editing with Katie Bryer
The Cinematologists Podcast
07/04/20 • 89 min
Katie Bryer is a freelance film editor whose brilliant work on Bruce Lee and the Outlaw, Maiden, and Virunga demonstrates the diverse possibilities of documentary storytelling. In this episode, Katie discusses the development of her craft, working through student shorts, children's television, and for the BBC on Holby City. The gaining of confidence and building of skills and experience in a role, clearly underpins the idea that doing the work, having a complete commitment to one's passion, is the key to 'getting good'. Katie discusses with Dario some of the key elements of editing as fundamental to the filmmaking process: cutting between different types of footage, focusing on character, how to define time and space, and whether one truly finds the film in the edit. Dario and Neil discuss editing in a broader sense, including highlights of some of their favourite films from an editing perspective.
The episode also features chat about recently viewed films both new and old including The Last Black Man in San Francisco (Joe Talbot), The Vast of Night (Andrew Patterson), Interview with the Vampire (Neil Jordan), The Lost Boys (Joel Schumacher), A Foreign Affair (Billy Wilder), Mr Vampire (Ricky Lau), Criss Cross (Robert Siodmak), Little Joe (Jessica Hauser), Fanny Lye Deliver'd (Thomas Clay).
Show Notes
Mark Kermode's Review of The Vast of Night
You can also subscribe to The Cinematologists on:
Apple Podcasts: https://podcasts.apple.com/za/podcast/the-cinematologists-podcast/id981479854
Spotify: https://open.spotify.com/show/0RjNz8XDkLdbKZuj9Pktyh
Podchaser: https://www.podchaser.com/users/thecinematologists
We also produce an extensive monthly newsletter and bonus/entended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.
We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
Romanian Cinema (w/Film Critic Andrei Gorzo)
The Cinematologists Podcast
03/12/21 • 83 min
In this episode we talk to top Bucharest film critic and academic Andrei Gorzo about the aesthetics, history and political context of Romanian cinema. Andrei outlines how the fall of Nicolae Ceaușescu in 1989 effected a liberalisation of society, culture and the arts. But it not would be for another 10 years until the Romanian New Wave and directors like Cristi Puiu, Cornelie Porumboiu and Cristian Mungiu would spark a distinctive cinema emerge that would attained international acclaim. Andrei's research and writing is anchored by an encyclopaedic knowledge of international cinema and the connections between the emergence of the New Wave, Romania's communist history, the post-war European canon and popular cinema of the West. In this wide-ranging discussion, Andrei outlines the adoption of specific kind of realism, the problem of the concept of a national cinema with regards to Romania, the varying responses to the post-communist malaise, and the complex depiction of the uncertain relationship between the state and capitalism.
Also in this episode, Neil reviews the soon to be released BFI Blu-Ray of Romeo is Bleeding, directed by Peter Medak, and starring Gary Oldman and Lena Olin.
You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.
We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
Top Gun: Maverick; Hustle; Lingui, The Sacred Bonds (and more)
The Cinematologists Podcast
06/16/22 • 63 min
In episode 144, Neil and Dario discuss a few recent films viewed with a critical eye with regards to how they fit into film culture and more broadly how they reflect (or don't) current political attitudes.
Dario wrote in detail about the star persona of Tom Cruise in the most recent Patreon newsletter, and both Neil and Dario reflect on the experiential pleasures and reductive nostalgia of Tom Gun: Maverick along with the obvious ideological criticism around its propagandistic militarism.
Sports movies are a recurring focus of the podcast and the recent Netflix production Hustle starring Adam Sandler and half the roster of the NBA is under discussion.
Lastly, we focus on Lingui, The Sacred Bonds by Chadian filmmaker Mahamat-Saleh Haroun, a lyrical, gripping story of a mother trying to arrange an abortion for her daughter in the face of patriarchal theocracy.
This is our penultimate episode. For our end-of-season finale, we are recording a live podcast at The Garden Cinema in Covent Garden, London, on the 5th of July, 6pm. Tickets are available from The Garden Cinema Website. We are really looking forward to catching up with an audience IRL.
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You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.
We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing
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FAQ
How many episodes does The Cinematologists Podcast have?
The Cinematologists Podcast currently has 209 episodes available.
What topics does The Cinematologists Podcast cover?
The podcast is about Film Interviews, Podcasts and Tv & Film.
What is the most popular episode on The Cinematologists Podcast?
The episode title 'Cape Fear (live @TheGardenCinema)' is the most popular.
What is the average episode length on The Cinematologists Podcast?
The average episode length on The Cinematologists Podcast is 87 minutes.
How often are episodes of The Cinematologists Podcast released?
Episodes of The Cinematologists Podcast are typically released every 14 days, 6 hours.
When was the first episode of The Cinematologists Podcast?
The first episode of The Cinematologists Podcast was released on Oct 4, 2015.
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