Cape Fear (live @TheGardenCinema)
07/08/22 • 97 min
1 Listener
It's our season finale and we were delighted to get back into a cinema for a live screening and podcast recording, our first one since Covid. The venue was the spectacular Garden cinema in Covent Garden, a beautiful art-deco retro venue where we hope to be holding regular screenings in the autumn.
As part of their celebrating Film Noir season, we screened and discussed the 1962 psychological noir Cape Fear directed J. Lee Thompson. The film features what is considered one of the most powerfully chilling performances in cinema history: Robert Mitchum as Max Cady. Also starring Gregory Peck, Polly Bergen Lori Martin, Martin Balsam and Telly Savalas, and featuring a Bernard Herrmann score, it's a film that tested social attitudes and the censors with its subject matter.
Dario presented the screening with guest Mary Wild (@psycstar on Twitter), the co-host of the Projections Podcast (@ProjectionsPod). As an expert in psychoanalytic film theory it was fantastic to have Mary's critical insight on a film and genre that really does lend itself to psychological reading.
Dario and Neil continue the conversation and also reflect on the 15th season of the podcast. Something we can hardly believe. We thank you for your continued support of the show and look forward to season 16 beginning in September 2022.
Show Notes
The Garden Cinema, Covent Garden.
The new season of Mary's Projections Podcast which she co-hosts with Sarah Cleaver.
____
You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.
We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing
It's our season finale and we were delighted to get back into a cinema for a live screening and podcast recording, our first one since Covid. The venue was the spectacular Garden cinema in Covent Garden, a beautiful art-deco retro venue where we hope to be holding regular screenings in the autumn.
As part of their celebrating Film Noir season, we screened and discussed the 1962 psychological noir Cape Fear directed J. Lee Thompson. The film features what is considered one of the most powerfully chilling performances in cinema history: Robert Mitchum as Max Cady. Also starring Gregory Peck, Polly Bergen Lori Martin, Martin Balsam and Telly Savalas, and featuring a Bernard Herrmann score, it's a film that tested social attitudes and the censors with its subject matter.
Dario presented the screening with guest Mary Wild (@psycstar on Twitter), the co-host of the Projections Podcast (@ProjectionsPod). As an expert in psychoanalytic film theory it was fantastic to have Mary's critical insight on a film and genre that really does lend itself to psychological reading.
Dario and Neil continue the conversation and also reflect on the 15th season of the podcast. Something we can hardly believe. We thank you for your continued support of the show and look forward to season 16 beginning in September 2022.
Show Notes
The Garden Cinema, Covent Garden.
The new season of Mary's Projections Podcast which she co-hosts with Sarah Cleaver.
____
You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.
We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing
Previous Episode
Top Gun: Maverick; Hustle; Lingui, The Sacred Bonds (and more)
In episode 144, Neil and Dario discuss a few recent films viewed with a critical eye with regards to how they fit into film culture and more broadly how they reflect (or don't) current political attitudes.
Dario wrote in detail about the star persona of Tom Cruise in the most recent Patreon newsletter, and both Neil and Dario reflect on the experiential pleasures and reductive nostalgia of Tom Gun: Maverick along with the obvious ideological criticism around its propagandistic militarism.
Sports movies are a recurring focus of the podcast and the recent Netflix production Hustle starring Adam Sandler and half the roster of the NBA is under discussion.
Lastly, we focus on Lingui, The Sacred Bonds by Chadian filmmaker Mahamat-Saleh Haroun, a lyrical, gripping story of a mother trying to arrange an abortion for her daughter in the face of patriarchal theocracy.
This is our penultimate episode. For our end-of-season finale, we are recording a live podcast at The Garden Cinema in Covent Garden, London, on the 5th of July, 6pm. Tickets are available from The Garden Cinema Website. We are really looking forward to catching up with an audience IRL.
———
You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.
We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing
Next Episode
Jonah who will be 25 in the Year 2000 (w/ Caroline Catz and James Dean)
Eight prophets of the everyday struggle for love, justice, political autonomy, dignity, and in the end survival, in Alain Tanner's incredibly powerful, moving, emotionally and intellectually complex film: Jonah who will be 25 in the Year 2000. In our return episode for season sixteen of the podcast, we are delighted to be joined by the director, producer and actor Caroline Catz who selected this film as one of her all time favourites and joined us in Manchester's Home cinema for this very rare screening. Alain Tanner had passed away only three days before the screening which gave a bittersweet context to proceedings, but perhaps even amplified the prescience that the film possesses. Caroline also notes that the film is co-written by John Berger, an influence to so many artists and critics. "Jonah's" themes are incredibly wide-ranging: the oppression of the working-class, education and it's methods and aims, state oppression, the concept of family, hierarchy of the sexes, and, fundamentally, why a socialist utopia is so hard to create in practice.
As you will hear the Q&A resonated with emotion. Several of the audience members had a personal connection to the film which they discuss in beautifully elegiac ways. And indeed the conversation returned back to the radical nature of hope. Dario was also joined by the producer James Dean who came to the screening and recorded his thoughts on the film and the Q&A.
Shownotes:
A version of the film is available on YouTube (no English Subs however)
Future Perfect: The Class Struggle Of "Jonah who will be 25 in the Year 2000" by Ray Pride
_____
You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.
We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.
We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
_____
Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing
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