In Writing with Hattie Crisell

This week, from my living room in London, I speak to Robert Webb in his loft study (also in London). By the time Robert published his memoir How Not To Be A Boy in 2017, he’d already achieved huge success as an actor and performer (memorably, of course, in Peep Show). We discuss that book and his new novel Come Again; how his instinct to entertain translates from the screen to the page, and how years of writing comedy sketches gave him insight into characterisation.

Mhairi McFarlane is the author of six great novels in the genre of romantic comedy/chick lit (delete as preferred), including her most recent, If I Never Met You. This week she speaks to me from her front room – she does not have or want a study – about the process of rewriting her first book, You Had Me At Hello, and what she learned along the way, plus the essential components of a good romcom.

This week’s guest is the sharp and funny Hugo Rifkind, award-winning columnist for The Times. In the attic of his house in north London – not long before recording a podcast in person started to look like insanity – we had a great discussion about his journalistic career, how he approaches the (nightmarish) challenge of a weekly opinion column, and what he’s learnt about writing satire from his very funny diary series, My Week.

The second series of In Writing is here in the midst of a pandemic, and while going into writers’ workspaces may not be practical for a while, that doesn’t mean we can’t pretend. This week, from my duvet fort in London, I speak to Curtis Sittenfeld in her small, distraction-free study (which she likens to Harry Potter’s under-stair bedroom) in Minneapolis, Minnesota. Curtis is the author of five bestselling novels, including Prep, American Wife and Eligible, and a book of short stories, You Think It, I’ll Say It; she’s now promoting her sixth novel, Rodham, which tantalisingly imagines what might have happened if Hillary Clinton had decided not to marry Bill. In our interview, she shares her insight into structuring a book (and why that process is so crucial); the value of a well-placed sex scene; and how to “set yourself up for writing success” with some serious time management.

Kit de Waal, whose books include My Name Is Leon, The Trick to Time and the new short story collection Supporting Cast, joins me this week from her home in the West Midlands. Kit started writing in her mid-forties, and remembers being stunned by how hard it was. In our chat she reflects honestly on that time, the stories that worked, the novels that didn’t, and how getting too interested in her characters tripped her up. She also spills the beans on her plotting spreadsheet, her knack for tackling heartbreaking subjects with lightness and warmth, and how she cracked the problem of description.