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The Cinematologists Podcast - Michel Chion, in Conversation (Part 2)

Michel Chion, in Conversation (Part 2)

02/04/22 • 66 min

1 Listener

The Cinematologists Podcast

This is part two of our interview with the seminal film scholar, critic, and composer Michel Chion. From the late 70s onwards Chion has been one of the leading voices at the intersection of film scholarship and cinephilic criticism. His work spans a huge roster of filmmakers and subjects, but it's his work on film sound with which he is arguably most identified. Books such as The Voice in Cinema (1982), Audio/Vision (1993), Music in Cinema (1995) & Film, A Sound Art in many ways defined the sub-field of film sound criticism. Chion also wrote for Cahiers du Cinéma in the 1980s and has written books on the work of Jacques Tati, Andrei Tarkovsky, Stanley Kubrick and David Lynch.

Before turning to cinema, Chion was part of the experimental school of Music Concrete under the mentorship of Pierre Schaeffer, the "godfather" of avant-garde electronic music in France. He continues to compose to this day.

Chion asked that he give his answers in French so I enlisted the help of a colleague from the University of Brighton, the sound artist, composer, and performer Johanna Bramli (check out her work here), to help with the translation. This is another interesting first for the podcast.

At the end of part 2 of this double episode, Neil and Dario discuss many aspects of the interview and Chion's approach to film scholarship. We hope you enjoy what we think is a fantastic start to the new season.

Shownotes

Chion biography (Experimental music): https://electrocd.com/en/artiste/chion_mi/Michel_Chion/biographie

Pierre Schaeffer and Music Concrete - https://www.frieze.com/article/music-22

Ercan Bouliase - https://www.nytimes.com/2016/01/07/arts/music/pierre-boulez-french-composer-dies-90.html

GRM: Group Recherché Musical https://www.musicainformatica.org/topics/groupe-de-recherches-musicales.php

Luciano Berio - https://www.universaledition.com/luciano-berio-54

Transition music for this episode taken from Michel Chion’s

La vie on Prose: https://www.youtube.com/watch?v=aK3xqAv65r0

Requiem: https://www.youtube.com/watch?v=Q4XfD3yrYHI

La Grand Nettoyage: https://www.youtube.com/watch?v=iUUkA8wqlxQ

Johanna Bramil: http://www.johannabramli.com/

You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.

We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.

We also really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

_____

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

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This is part two of our interview with the seminal film scholar, critic, and composer Michel Chion. From the late 70s onwards Chion has been one of the leading voices at the intersection of film scholarship and cinephilic criticism. His work spans a huge roster of filmmakers and subjects, but it's his work on film sound with which he is arguably most identified. Books such as The Voice in Cinema (1982), Audio/Vision (1993), Music in Cinema (1995) & Film, A Sound Art in many ways defined the sub-field of film sound criticism. Chion also wrote for Cahiers du Cinéma in the 1980s and has written books on the work of Jacques Tati, Andrei Tarkovsky, Stanley Kubrick and David Lynch.

Before turning to cinema, Chion was part of the experimental school of Music Concrete under the mentorship of Pierre Schaeffer, the "godfather" of avant-garde electronic music in France. He continues to compose to this day.

Chion asked that he give his answers in French so I enlisted the help of a colleague from the University of Brighton, the sound artist, composer, and performer Johanna Bramli (check out her work here), to help with the translation. This is another interesting first for the podcast.

At the end of part 2 of this double episode, Neil and Dario discuss many aspects of the interview and Chion's approach to film scholarship. We hope you enjoy what we think is a fantastic start to the new season.

Shownotes

Chion biography (Experimental music): https://electrocd.com/en/artiste/chion_mi/Michel_Chion/biographie

Pierre Schaeffer and Music Concrete - https://www.frieze.com/article/music-22

Ercan Bouliase - https://www.nytimes.com/2016/01/07/arts/music/pierre-boulez-french-composer-dies-90.html

GRM: Group Recherché Musical https://www.musicainformatica.org/topics/groupe-de-recherches-musicales.php

Luciano Berio - https://www.universaledition.com/luciano-berio-54

Transition music for this episode taken from Michel Chion’s

La vie on Prose: https://www.youtube.com/watch?v=aK3xqAv65r0

Requiem: https://www.youtube.com/watch?v=Q4XfD3yrYHI

La Grand Nettoyage: https://www.youtube.com/watch?v=iUUkA8wqlxQ

Johanna Bramil: http://www.johannabramli.com/

You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.

We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.

We also really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

_____

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

Previous Episode

undefined - Michel Chion, in conversation (Part 1)

Michel Chion, in conversation (Part 1)

We are back with Season 15 of The Cinematologists podcast. To begin our new run we are starting with a real high point: a double episode featuring the seminal film scholar, critic, and composer Michel Chion.

From the late 70s onwards Chion has been one of the leading voices at the intersection of film scholarship and cinephilic criticism. His work spans a huge roster of filmmakers and subjects, but it's his work on film sound with which he is arguably most identified. Books such as The Voice in Cinema (1982), Audio/Vision (1993), Music in Cinema (1995) & Film, A Sound Art in many ways defined the sub-field of film sound criticism. Chion also wrote for Cahiers du Cinéma in the 1980s and has written books on the work of Jacques Tati, Andrei Tarkovsky, Stanley Kubrick and David Lynch.

Before turning to cinema, Chion was part of the experimental school of Music Concrete under the mentorship of Pierre Schaeffer, the "godfather" of avant-garde electronic music in France. He continues to compose to this day.

Chion asked that he give his answers in French so I enlisted the help of a colleague from the University of Brighton, the sound artist, composer, and performer Johanna Bramli (check out her work here), to help with the translation. This is another interesting first for the podcast.

At the end of part 2 of this double episode, Neil and Dario discuss many aspects of the interview and Chion's approach to film scholarship. We hope you enjoy what we think is a fantastic start to the new season.

Shownotes

Chion biography (Experimental music): https://electrocd.com/en/artiste/chion_mi/Michel_Chion/biographie

Pierre Schaeffer and Music Concrete - https://www.frieze.com/article/music-22

Ercan Bouliase - https://www.nytimes.com/2016/01/07/arts/music/pierre-boulez-french-composer-dies-90.html

GRM: Group Recherché Musical https://www.musicainformatica.org/topics/groupe-de-recherches-musicales.php

Luciano Berio - https://www.universaledition.com/luciano-berio-54

Transition music for this episode taken from Michel Chion’s

La vie on Prose: https://www.youtube.com/watch?v=aK3xqAv65r0

Requiem: https://www.youtube.com/watch?v=Q4XfD3yrYHI

La Grand Nettoyage: https://www.youtube.com/watch?v=iUUkA8wqlxQ

Johanna Bramil: http://www.johannabramli.com/

You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.

We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.

We also really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

_____

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

Next Episode

undefined - Bill Douglas Cinema Museum

Bill Douglas Cinema Museum

In this latest episode, Neil takes listeners inside the Bill Douglas Cinema Museum at the University of Exeter with the help of lead curator Phil Wickham.

Phil guides Neil around the museum's different exhibits that stretch from pre-cinema to the present day, they take an amble round the archive stacks and Neil reflects on the spaces of museums, archives and libraries as place of tactile proximity to history, art and knowledge.

Elsewhere Neil and Dario discuss the role of libraries and museums in contemporary education and society.

Thanks to Phil for the invitation and tour. Thanks to Dr. Helen Hanson for lunch, Pamela Hutchinson for the nudge, and Scott Barley for the use of his track Fugue (available on his Bandcamp here) to guide the journey.

You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow.

We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50.

We also really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

_____

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

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