(Repost) Ep106 Peter Bogdanovich (from Sept 2020)

01/07/22 • 79 min

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It was one of the highlights of The Cinematologists to have Peter Bogdanovich come on the podcast. One of the key links between Old and New Hollywood his passing is just another sign that 20th-century cinema culture is receding further into history. Our chat is focused very much on his film The Great Buster and it was fantastic this he gave us so much time. We hope you enjoy this repost of the interview where we focus on his Buster Keaton documentary The Great Buster.

Previous Episode

2021 review

A United Nations translator, negotiating through the Serbian occupation of Srebrenica; the avant-garde queerness of one the world's most influential bands; a working-class writer's climb towards artistic and social recognition; the gallows humour of asylum seekers in the UK immigration system; a young orphan search for a story of the self; a neurosurgeon fighting to understand her own consciousness; radical technology as the bait of a heist gone wrong; the deep trauma of stoic gambler, and a reckoning between tragedy and love on the road and in the theatre.

These are just some of the themes Dario and Neil discuss in the films that feature on the Cinematologists end of year review. We thank you so much for your support over the year and hope you enjoy this look back over our cinematic highlights. We wish you a merry christmas and a happy New Year.

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Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

Next Episode

Michel Chion, in conversation (Part 1)

We are back with Season 15 of The Cinematologists podcast. To begin our new run we are starting with a real high point: a double episode featuring the seminal film scholar, critic, and composer Michel Chion.

From the late 70s onwards Chion has been one of the leading voices at the intersection of film scholarship and cinephilic criticism. His work spans a huge roster of filmmakers and subjects, but it's his work on film sound with which he is arguably most identified. Books such as The Voice in Cinema (1982), Audio/Vision (1993), Music in Cinema (1995) & Film, A Sound Art in many ways defined the sub-field of film sound criticism. Chion also wrote for Cahiers du Cinéma in the 1980s and has written books on the work of Jacques Tati, Andrei Tarkovsky, Stanley Kubrick and David Lynch.

Before turning to cinema, Chion was part of the experimental school of Music Concrete under the mentorship of Pierre Schaeffer, the "godfather" of avant-garde electronic music in France. He continues to compose to this day.

Chion asked that he give his answers in French so I enlisted the help of a colleague from the University of Brighton, the sound artist, composer, and performer Johanna Bramli (check out her work here), to help with the translation. This is another interesting first for the podcast.

At the end of part 2 of this double episode, Neil and Dario discuss many aspects of the interview and Chion's approach to film scholarship. We hope you enjoy what we think is a fantastic start to the new season.

Shownotes

Chion biography (Experimental music): https://electrocd.com/en/artiste/chion_mi/Michel_Chion/biographie

Pierre Schaeffer and Music Concrete - https://www.frieze.com/article/music-22

Ercan Bouliase - https://www.nytimes.com/2016/01/07/arts/music/pierre-boulez-french-composer-dies-90.html

GRM: Group Recherché Musical https://www.musicainformatica.org/topics/groupe-de-recherches-musicales.php

Luciano Berio - https://www.universaledition.com/luciano-berio-54

Transition music for this episode taken from Michel Chion’s

La vie on Prose: https://www.youtube.com/watch?v=aK3xqAv65r0

Requiem: https://www.youtube.com/watch?v=Q4XfD3yrYHI