
The Variable Man with Gary Goldman and Angus Fletcher | Development Hell
02/29/24 • 40 min
2 Listeners
Gary Goldman was a writer on “Total Recall”, a Philip K. Dick adaptation directed by Paul Verhoeven and starring Arnold Schwarzeneger. It was a big hit. So why do Gary and his writing partner, Angus Fletcher, have so much trouble selling another Philip K. Dick adaptation? They tell Malcolm that it all came down to a roller coaster ride of plot twists that even A-List action actors couldn’t stomach, and an early attempt at AI that was too dumb to pick a smart script.
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Gary Goldman was a writer on “Total Recall”, a Philip K. Dick adaptation directed by Paul Verhoeven and starring Arnold Schwarzeneger. It was a big hit. So why do Gary and his writing partner, Angus Fletcher, have so much trouble selling another Philip K. Dick adaptation? They tell Malcolm that it all came down to a roller coaster ride of plot twists that even A-List action actors couldn’t stomach, and an early attempt at AI that was too dumb to pick a smart script.
See omnystudio.com/listener for privacy information.
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Blink with Stephen Gaghan | Development Hell
It’s the mid-2000s, Malcolm and writer/producer Stephen Gaghan (“Traffic”, “Syriana”) are running around Hollywood pitching their scripted adaptation of Blink. This conversation starts with a failed vampire love story, takes a ride in Leonardo DiCaprio’s Prius, before making an unexpectedly heartbreaking turn that leads Stephen to walk away from the project forever.
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Oscar Season with Talk Easy
Development Hell will return on Thursday with an all-new episode about a chimpanzee. In the meantime, here's a Hollywood-related episode from our friends at Talk Easy. Host Sam Fragoso talks with the New York Times critic Wesley Morris about all things Oscars, his career, and the state of the film industry. Find more Talk Easy at talkeasypod.com.
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Revisionist History - The Variable Man with Gary Goldman and Angus Fletcher | Development Hell
Transcript
Pushkin.
Speaker 2Welcome to episode two of Development Hell, our revisionist history series based on the radical notion of the best Hollywood stories are the ones that never got made into movies. Last time, we kicked out the series with the story of how my book Blink failed to make it under the big screen. If you haven't heard that one yet, you really really should, because it explains why failed stor
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