Blankets and Quilts: Threads of Identity

07/16/24 • 40 min

Immaterial: 5,000 Years of Art, One Material at a Time

What happens when our most intimate possessions end up in art museums?

Blankets comfort and keep us warm. They accompany us through our lives. They are keepers of some of our most intimate stories. We look at a group of artists who harness this power of blankets and quilts as totems for memory, community and cultural survival.

Guests:

Loretta Pettway Bennett, Gee's Bend quilt maker

Marie Watt, artist

Ally Barlow, associate conservator, Department of Textile Conservation, The Met

Louisiana P. Bendolph, Gee's Bend quilt maker

Louise Williams, board president, Freedom Quilting Bee Legacy

Featured artworks:

Qunnie Pettway, Housetop, ca. 1975: https://www.soulsgrowndeep.org/artist/qunnie-pettway/work/housetop

Marie Watt, Untitled (Dream Catcher), 2014: https://www.metmuseum.org/art/collection/search/849042

Louisiana P. Bendolph, Housetop quilt, 2003: https://www.metmuseum.org/art/collection/search/654095

Annie E. Pettway, “Flying Geese” Variation, ca. 1935: https://www.soulsgrowndeep.org/artist/annie-e-pettway/work/flying-geese-variation

Willie "Ma Willie" Abrams, Roman Stripes quilt, ca. 1975: https://www.metmuseum.org/art/collection/search/654081

For a transcript of the episode and more information, visit metmuseum.org/immaterialblankets

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.
Sensitivity listening by Adwoa Gyimyah-Brempong.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Eva Labson, Scott Browning, Curator Amelia Peck, and Avery Trufelman.

See omnystudio.com/listener for privacy information.

What happens when our most intimate possessions end up in art museums?

Guests:

Loretta Pettway Bennett, Gee's Bend quilt maker

Marie Watt, artist

Ally Barlow, associate conservator, Department of Textile Conservation, The Met

Louisiana P. Bendolph, Gee's Bend quilt maker

Louise Williams, board president, Freedom Quilting Bee Legacy

Featured artworks:

Qunnie Pettway, Housetop, ca. 1975: https://www.soulsgrowndeep.org/artist/qunnie-pettway/work/housetop

Marie Watt, Untitled (Dream Catcher), 2014: https://www.metmuseum.org/art/collection/search/849042

Louisiana P. Bendolph, Housetop quilt, 2003: https://www.metmuseum.org/art/collection/search/654095

Annie E. Pettway, “Flying Geese” Variation, ca. 1935: https://www.soulsgrowndeep.org/artist/annie-e-pettway/work/flying-geese-variation

Willie "Ma Willie" Abrams, Roman Stripes quilt, ca. 1975: https://www.metmuseum.org/art/collection/search/654081

For a transcript of the episode and more information, visit metmuseum.org/immaterialblankets

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.
Sensitivity listening by Adwoa Gyimyah-Brempong.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Eva Labson, Scott Browning, Curator Amelia Peck, and Avery Trufelman.

See omnystudio.com/listener for privacy information.

Previous Episode

Space, Part 2: Behind the Scenes at The Met

What is hidden in the 'empty' spaces of an art museum?

The Met is more than a museum of art. It is a city unto itself: population 2,000, with a transient population of 5 million. The Met is 21 buildings nested together like puzzle pieces, and it takes 400,000 light bulbs to illuminate all the spaces. But who actually changes those light bulbs? In this episode, peek behind the curtain and meet the people who maintain the hidden ecosystem of The Met.

Guests:

Marco Leona, David H. Koch Scientist in Charge, The Met

Eric Breitung, research scientist, The Met

Anna Serotta, conservator, Objects Conservation, The Met

Louisa Lam, security officer, The Met

Frida Escobedo, architect

Featured artworks:

Coffin of Irtirutja, 332–250 BCE. Egypt: https://www.metmuseum.org/art/collection/search/551163

Vincent Van Gogh, Cypresses, 1889: https://www.metmuseum.org/art/collection/search/437980

For a transcript of the episode and more information, visit metmuseum.org/immaterialspacepart2

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Maureen Catbagan, Iva Keselicova, Michael Millican, Elizabeth Reyes Moreno, Sarah Freshnock, Avery Trufelman, and Jennie C. Jones.

See omnystudio.com/listener for privacy information.

Next Episode

Chia: Beyond Superfoods and Infomercials

What can the tiny chia seed reveal about the history of oil painting?

For centuries, one of the most prized mediums of art at museums like the Met has been oil painting, a European tradition embodied by the so-called "old masters." This is the story of how the oil of the chia seed — yes, the same one that’s a staple add-on for smoothies and acai bowls — and its origins in Mexico could help us look at oil painting and our world with fresh eyes.

Guests:

Elsa Arroyo, Mexican paintings conservator

Ronda Kasl, Curator of Latin American Art, The American Wing, The Met

Monica Katz, Conservator, Hispanic Society

José Luis Lazarte Luna, Assistant Conservator, Paintings Conservation, The Met

Roger Danilo Carmona, General Manager, Kremer Pigments Inc.

Julie Arslanoglu, Research Scientist, The Met

Mario Gaspar, Lacquerware artist

Featured artworks:

José Manuel de la Cerda, Turnus Provoked into War by Aeneas, ca. 1764: https://www.metmuseum.org/art/collection/search/841656

Juan Correa, The Virgin of Valvanera, ca. 1710: https://www.denverartmuseum.org/en/object/2008.832

Juan Correa, Allegory of the Holy Sacrament, ca. 1690: https://www.denverartmuseum.org/en/object/2015.570

Juran Correa, Angel Carrying a Cypress (Ángel portando un ciprés), ca. 1680-1690: https://collections.lacma.org/node/1034999

For a transcript of the episode and more information, visit metmuseum.org/immaterialchia

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.
Special thanks to Adwoa Gyimyah-Brempong.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

And special thanks to Aleks Popowich, Alfonso Miranda Marquez, Beatriz Ortega, Marco Leona, and Avery Trufelman.

The research presented within has been made possible in part by the National Endowment for the Humanities: Democracy demands wisdom.

See omnystudio.com/listener for privacy information.