
Intel from literary manager on inclusive representation, queer stories, how to work with your rep, and their campaign of aggressive kindness: AE Jones
07/26/22 • 119 min
AE Jones is a television literary manager at Stagecoach Entertainment, where they keep the rapidly shifting television market in constant perspective for clients, placing them on such shows as THE EQUALIZER (CBS) and the upcoming WALKER: INDEPENDENCE (CW). Jones is also the associate producer of the award-winning short film “Enough Room” – their first project developed intentionally to include gender & racial diversity in front of and behind the camera that mimicked the true demographics of Los Angeles.
Their experience spans above and below the line representation, television production, and business and creative development with companies such as Kaplan Stahler, Paradigm, NBCUniversal, Red Bull Media House, and Manatt, Phelps, and Phillips, LLP. AE uses these experiences to advise their writing clients on how to develop creative and business opportunities to grow their careers in pragmatic, equitable, and inclusive ways.
In addition to their work as a manager, Jones is a volunteer mentor for #StartWith8Hollywood and Boston University’s Career Advisory Network.
https://www.enoughroomproject.com/
https://twitter.com/NESlumberParty
Learn more about your ad choices. Visit megaphone.fm/adchoices
AE Jones is a television literary manager at Stagecoach Entertainment, where they keep the rapidly shifting television market in constant perspective for clients, placing them on such shows as THE EQUALIZER (CBS) and the upcoming WALKER: INDEPENDENCE (CW). Jones is also the associate producer of the award-winning short film “Enough Room” – their first project developed intentionally to include gender & racial diversity in front of and behind the camera that mimicked the true demographics of Los Angeles.
Their experience spans above and below the line representation, television production, and business and creative development with companies such as Kaplan Stahler, Paradigm, NBCUniversal, Red Bull Media House, and Manatt, Phelps, and Phillips, LLP. AE uses these experiences to advise their writing clients on how to develop creative and business opportunities to grow their careers in pragmatic, equitable, and inclusive ways.
In addition to their work as a manager, Jones is a volunteer mentor for #StartWith8Hollywood and Boston University’s Career Advisory Network.
https://www.enoughroomproject.com/
https://twitter.com/NESlumberParty
Learn more about your ad choices. Visit megaphone.fm/adchoices
Previous Episode

With the overturning of Roe V. Wade by the Supreme Court, Hollywood has a renewed responsibility to portray abortion on screen in an inclusive and accurate manner: Steph Herold
Steph Herold, MPH, is a Research Analyst who studies the portrayal of abortion on television and in film as part of the Abortion Onscreen team. Steph has over fifteen years of experience in the reproductive health, rights, and justice fields, and has won several awards, including the Rosie Jimenez Award from the Women’s Medical Fund. Steph has co-authored a dozen peer-reviewed publications and grey literature papers mainly focusing on abortion onscreen, abortion stigma, and self-managed abortion. Steph currently serves on the Board of Directors of All-Options. Her past board tenure includes serving on the Advisory Board of ReproAction, the Board of Directors of the New York Abortion Access Fund, the inaugural Steering Committee of the International Network for the Reduction of Abortion Discrimination and Stigma, and the Board of Directors of ACCESS: Women’s Health Justice. Steph earned her MPH from Columbia University and her BA from Bryn Mawr College.
Connect with your host Kaia Alexander:
https://entertainmentbusinessleague.com/
https://twitter.com/thisiskaia
Produced by Stuart W. Volkow P.G.A.
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Next Episode

The future of representation and inclusion from Jason Momoa's development exec, and how Hawaii is next - Paris Herbert-Taylor
Born in Australia, with a childhood in Macau, Hong Kong, and Kuala Lumpur, Paris Herbert-Taylor fed on a mixture of British education, American TV, and Asian culture, She grew up to be a global story seeker interested in finding the humor in cultural and generational divides.
As a freelance producer she has worked across mediums, and with a range of budgets, with a goal to create a safe, fun, and collaborative environments for talent and the brands.
Paris spent the last decade working in Film and Television in Toronto and Los Angeles.
https://www.parisherberttaylor.com
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