Interview with Gus Englehorn

Explicit content warning

03/21/22 • 32 min

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We had the pleasure of interviewing Gus Englehorn over Zoom video!
Montreal singer-songwriter Gus Englehorn announces his sophomore album Dungeon Master, the cutest, heaviest, strangest rock’n’roll record you will hear this year. Set for release on April 29 via Secret City Records, the news is accompanied with a new single + video directed by Englehorn and Estée Preda; the stomping, paranoid “Tarantula.” Englehorn says, “This song is about uninvited recurring irrational thoughts and fears. I decided to make a little fable where a tarantula is whispering bad things into your ear. Most of the time I have to use a lot of words to get my point across, so I was particularly pleased with this one because there’s only 15 words in it.” The release follows previous lead single “The Gate,” a delirious, headbanging allegory about facing your own mortality. In March, Englehorn will also feature as an official artist at SXSW in Austin, Texas.
Dungeon Master, Englehorn’s Secret City Records debut, is an outsider opus that sparkles with Dada spirit — a playful juxtaposition of isolation, alienation and mildish OCD. Surprising, paranoid, and studded with synths and strings, Dungeon Master is deeper than a cellar and blunter than a club — a shivering introduction to an artist who’s finally arrived. “I let my subconscious do the driving,” Gus admits, and as you listen to these 10 tunes, it’s difficult not to do the same: to sit back like a dog with a two-legged daydream; like a fisherwoman with her net; like a snowboarder with a mouth full of powder.
Before he made the record in a cabin in the woods, he lived in Salt Lake City, Utah, where he fell in love at first sight with a woman from Québec, a girl named Estée Preda, who plays drums like Moe Tucker on salvia. In those days, Gus was a professional snowboarder — crisscrossing the world as a weird and world-class talent, kick-flipping through videos, shredding the gnar, posing in corporate-sponsored sunglasses. Before that he lived in Hawaii — on a lava field off-grid, with his folks. And before that in Alaska — in a hamlet called Ninilchik, where his parents fished for salmon and he and his brothers ate moose and pizza, played Nintendo, and also pretended to be wizards.
For almost all of Gus’s life — from Big Island’s sunsets to snowy Utah pistes — he dreamed of being a songwriter. If he couldn’t be Dylan, maybe he’d be Daniel Johnston, or Frank Black and The Pixies, or maybe Darby Crash and The Germs. And when he finally emerged — first on 2020’s Death & Transfiguration and now here on the 34-year-old’s label debut — he had found a sound that was dark and delightful, fun and demented, packed with dynamics and the chug of a hysterical guitar.
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Interview with Dustin Collins

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We had the pleasure of interviewing Dustin Collins over Zoom video!
Momentum continues to build for Billboard No. 1 singer-songwriter and Georgia-born Dustin Collins, who recently announced his forthcoming Working Man album, as he signs with New Vision Artist Management’s Mike Kraski and New Revolution Entertainment’s Jeff Solima.
Kraski began his career in sales and distribution at CBS Records and eventually made his way to Sony Music Nashville, where he worked with Dolly Parton, Johnny Cash, Montgomery Gentry among many others, and was eventually elevated to executive VP and general manager for the Nashville division. In 2003, Kraski left Sony and launched an artist friendly label that was aptly named Equity Records. As President and CEO, he launched the career of Little Big Town. Since 2007, Kraski has worked in artist management, consulting and music publishing at Tenacity Management and at M-Pact Music Group and recently partnered with legendary artist manager John Dorris to launch New Vision Artist Management.
Solima, whose career started at Music Matters, who managed Tracy Lawrence (16 of 17 singles were all No. 1) and Clay Walker (debut single No. 1), opened the multi-award-winning Hitsquad Promotions in 1993. In 2006, he co-founded New Revolution with partner Rob Dalton, and in 2008, he co-founded Bigger Picture Promotions with partner Michael Powers. Bigger Picture became the No. 5 record label in 18 months, setting the No. 1 record at the time of 9 consecutive No. 1 singles, and launched Craig Campbell, Chris Janson, and relaunched Chris Cagle, Uncle Kracker’s “Smile,” and Kid Rock. New Revolution clients have included Tim McGraw, Brantley Gilbert, Martina McBride, Lee Brice, Gloriana, Uncle Kracker, Jesse James Decker, among others, while delivering Emerson Drive’s only No. 1 with “Moments” and relaunching Big & Rich with four consecutive Top 15 singles.
Produced by industry veterans Buddy Cannon (Kenny Chesney, Willie Nelson, Reba McEntire) and Bill McDermott (Tim McGraw, Martina McBride, Brad Paisley), Working Man is slated for release this summer from DCDL Entertainment. A portion of proceeds from the lead single and album will benefit GUMI (Glad You Made It) Camp USA. GUMI focuses on providing U.S. veterans with the tools they need to help them heal after deployment overseas and enable them to re-enter society.
Working Man follows Collins’ latest album, It’s Been Awhile, which debuted at No. 1 on the Billboard Heatseekers South Central Albums chart. His independent single “Cold Dead Hands” ascended to No. 1 on the Billboard Singles Sales chart. Collins also earned a slot on Aaron Watson’s Vaquero Tour and has opened for Tanya Tucker, Shenandoah, Clay Walker, Chris Janson, Kane Brown and many more.
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Interview with Greensky Bluegrass

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We had the pleasure of interviewing Greensky Bluegrass over Zoom video!
Greensky Bluegrass are thrilled to announce their return to Colorado for four unforgettable performances. The band will kick things off with An Evening With Greensky Bluegrass Sept 14 and 15 at the Dillon Amphiteater. Then, the band will head down the mountain to Morrison for two more fun-filled evenings at Red Rocks Sepr 16 and 17. Special guests for Red Rocks TBA. For more information and all up to date news and tour info visit greenskybluegrass.com.
Earlier this year, the band released their eighth studio album Stress Dreams via Thirty Tigers.
Ahead of the release, Stress Dreams received high praise from critics. Garden & Gun calls the album "one of the most complete and engaging of the group’s more than twenty-year career" and Glide says “Stress Dreams perfectly exemplifies, once again, why Greensky Bluegrass is heralded as one of the most important & influential bands of the modern progressive-bluegrass era.”
About Greensky Bluegrass:
Since their 2000 formation in Kalamazoo, MI, the quartet—Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [mandolin]—have unassumingly progressed into a phenomenon on their own terms with the undying support of a devout audience. Rolling back and forth across North America on successive tours, they’ve sold out multiple dates at Red Rocks Amphitheatre, the Ryman Auditorium, the Fillmore Detroit, Riviera Theater Chicago, and many more. Beyond standout sets at Bonnaroo, Outside Lands, New Orleans Jazz Festival, Telluride Bluegrass Festival, and Austin City Limits, they co-own and have headlined 4848 Festival and Strings & Sol. In 2019, "All For Money" marked their second #1 debut on the Billboard Top Bluegrass Albums Chart and third straight Top 3 entry. They’ve also earned critical acclaim from Billboard, Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new generation.”
For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances.
When touring ceased in 2020 in the face of the global pandemic, the band hunkered down and compiled demos individually at first, sharing emails and voice notes. In July 2020, they got together for the first time in four months, dedicating rehearsals to the development of the new material. Once circumstances safely permitted, they recorded what would become Stress Dreams during a session in Guilford, VT and two sessions in Asheville, NC with frequent collaborator “and old friend” Dominic John Davis as producer and “wizard engineer” Glenn Brown mixing. They preserved the hallmarks of their sound while widening its expanse.
“Greensky is and always has been very unique in our world,” says Paul Hoffman. “We put our love, energy, and focus into what we appreciate about our music. We come together as a band in a way that’s organic. We take a lot of pride in how we grow and challenge each other too. We’re maturing together. I think we get more Greensky all of the time.”
We want to hear from you! Please email [email protected].
www.BringinitBackwards.com
#podcast #interview #bringinbackpod #GreenskyBluegrass #StressDreams #musicinterview #MusicPodcast #NewMusic #zoom
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