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Who Arted: Weekly Art History for All Ages - Henri Matisse - The Dessert: Harmony in Red (Encore)

Henri Matisse - The Dessert: Harmony in Red (Encore)

05/02/22 • 33 min

4 Listeners

Who Arted: Weekly Art History for All Ages

This is an encore presentation of the episode about Henri Matisse and his painting The Dessert: Harmony in Red from 1908.

Who ARTed is an Airwave Media Podcast.

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As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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This is an encore presentation of the episode about Henri Matisse and his painting The Dessert: Harmony in Red from 1908.

Who ARTed is an Airwave Media Podcast.

Connect with me:

Website | Twitter | Instagram | Tiktok

Support the show:

Merch from TeePublic | Buy me a coffee

As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Previous Episode

undefined - Louis Sullivan & the Carson Pirie Scott Building (Fun Fact Friday)

Louis Sullivan & the Carson Pirie Scott Building (Fun Fact Friday)

In 1896, Louis Sullivan wrote about skyscrapers and architectural design in “The Tall Building Artistically Considered” This was the origin of the famous phrase, “form follows function.” What Sullivan actually said was “form must ever follow function” but regardless of phrasing, the meaning remains the same - architects should first consider how a building will be used then base the design on that.

I remember when I was in school hearing my art history professor describe the early modern architectural philosophy like a layer cake. Sullivan argued that the building should be considered in tiers. At the base level, the business should be easily accessible to the public. It should be light and open and the second story should also be easily accessed by stairways. Above that, there should be offices. The offices should be uniform. They should look the same to unify the design and because they are all serving the same purpose. This section can have as many stories as needed and desired, then finally the attic at the top. Sullivan argued the attic story should have distinctive molding or a cornice to add not only a decorative flourish but to mark an end point to the building. Simultaneously this decorative topper would serve to set the building apart from others in the skyline.

While the building bears Sullivan’s name today, and he was a very important and influential architect, he was not an easy man to work with. One of the things many people leave out of the story of this building is the fact that a different architect, Daniel Burnham was hired to complete the last phase of the building in 1906. Louis Sullivan had a reputation for being great artist but awful human and his career suffered because of it. In the end, Sullivan died penniless. Another great architect, Frank Lloyd Wright, actually took up a collection and paid for Sullivan’s burial and stone inscribed to pay tribute to Sullivan’s legacy. While the man may be gone, his words that “form must ever follow function” have been repeated in textbooks and etched in stone to live on influencing generations to come.

Who ARTed is an Airwave Media Podcast.

Connect with me:

Website | Twitter | Instagram | Tiktok

Support the show:

Merch from TeePublic | Buy me a coffee

As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Next Episode

undefined - Olowe of Ise | Veranda Post (Fun Fact Friday)

Olowe of Ise | Veranda Post (Fun Fact Friday)

1 Recommendations

The bulk of Olowe’s carvings seem to have been both decorative and functional artworks for the Yoruba kings and prominent families. One of his celebrated works for example is the veranda post that sits in the collection at the Art Institute of Chicago. In that piece we see the elongated neck and oval faces that were a part of his signature style. Traditionally Yoruba artists used scale and proportion to indicate hierarchy. The more important a figure, the larger they are within the composition. The status of the king’s senior wife is shown by her size while the king is seated central to the post. His crown eye level to the viewer and the king sits with his feat up above the ground signifying his transcendent nature. His eyes are cast down expressing a contemplative mood as he looks down on the world beyond. The crown has four ancestral faces signifying the legitimacy of his royal lineage, the divine line and wisdom running through it.

Who ARTed is an Airwave Media Podcast.

Connect with me:

Website | Twitter | Instagram | Tiktok

Support the show:

Merch from TeePublic | Buy me a coffee

As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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