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Who Arted: Weekly Art History for All Ages - Fun Fact Friday - Red

Fun Fact Friday - Red

02/05/21 • 6 min

9 Listeners

Who Arted: Weekly Art History for All Ages

Last week I began a series of mini episodes exploring color. For this week's episode, I share some interesting bits about the color red. The color red is associated with both love and anger. While many mistakenly believe red will anger a bull, people looking at the color red have been known to experience an increase in their heart rate. Listen to this mini episode to find out a little more about the color red.

If you enjoy the podcast, please like, subscribe and leave a review. Follow me on twitter @WoodArtEd and find more on the website www.WhoArtEdPodcast.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

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Last week I began a series of mini episodes exploring color. For this week's episode, I share some interesting bits about the color red. The color red is associated with both love and anger. While many mistakenly believe red will anger a bull, people looking at the color red have been known to experience an increase in their heart rate. Listen to this mini episode to find out a little more about the color red.

If you enjoy the podcast, please like, subscribe and leave a review. Follow me on twitter @WoodArtEd and find more on the website www.WhoArtEdPodcast.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

Previous Episode

undefined - Claude Monet

Claude Monet

The Impressionist movement has been appealing to art lovers for about 150 years. While Claude Monet was not the sole inventor of the style, the movement was actually named after one of his paintings. Claude Monet was born in 1840. The 19th century brought us innovations that drastically changed how artists saw their role and their process. The advent of photography allowed artists to shift their focus away from use of paint as a means of recording what important people, places and things looked like. Artists started to shift their focus toward being more creative in their paintings focusing on color, and the expressive qualities that a camera could not capture. The tube of paint was also a 19th century invention. While it does not seem like such a big deal, the tube of paint made a wider range of hues available to artists and made those paints more portable. Monet and the Impressionists were well known to love painting outside. They stood in the landscape carefully capturing the colors as they saw them rather than staying in the studio painting from memory. While audiences today might look at paintings by Monet and other Impressionists as pleasant compositions that are fairly realistic, at the time, Impressionist paintings were revolutionary and viewed as scandalously sloppy when compared to the more traditional works that would have been seen in the Paris Salon. For this episode, we discussed one of Monet‘s water lilies paintings from what is perhaps his best known and most beloved series. Check out Water Lilies for 1906 at this link or on the website www.WhoArtEdPodcast.com

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Next Episode

undefined - Grant Wood

Grant Wood

1 Recommendations

Grant Wood was the American regionalist painter who rose to prominence almost overnight with his 1930 painting, American Gothic. In this episode, I spoke with Mike Divelbiss about Wood, his biography and his iconic work. Grant Wood was born in rural Iowa in 1891. His mother moved the family to the more urban Cedar Rapids in 1901 after his father passed away. Grant Wood showed a proclivity for the arts from an early age and after high school he pursued a broad based education at the Minneapolis Institute of Design and Handicraft. While he is best known today for his painting, Grant Wood worked in diverse media including functional art designing and building furniture as well as jewelry. In 1913, he moved to Chicago where he found work as a silversmith and eventually opened his own shop. During that time, he continued his education studying at The School of the Art Institute of Chicago. A few years later, he moved back to Iowa to help take care of his mother and he found work as an art teacher. While teaching art, he also served as the local jack of all trades artist. He was commissioned to make a stained glass piece honoring veterans of World War I in addition to building furniture, painting etc. In 1930, Grant Wood submitted American Gothic in an exhibition at the Art Institute of Chicago. The piece was immediately popular and acquired by the museum. This elevated Wood‘s stature in the art world and opened opportunities for him such as teaching at the University of Iowa. He used his prominence to continue to do good in his community starting an artist colony, and during The Great Depression, he led the government jobs program overseeing artists painting murals around Iowa. American Gothic has been an interesting icon of American and particularly midwestern art for decades. In Iowa, there was an immediate backlash to the piece by people who felt it portrayed them in an unflattering light. Of course as years went on, in the grips of the depression, the painting came to be viewed more as portraying the strength and quiet dignity of working people. Personally I would argue that there is truth in both interpretations. I would argue that Grant Wood has a deep love and fondness for his subjects and his community, but infused his work with a little bit of the caustic humor that is typical of the culture. He is a bit playful with his work on some level making fun of some of the stiffness of some of conventions of the art world and what he viewed as the absurd and pretentious ”gothic” window on a small rural home (interesting fact, the window that Wood found so pretentious was actually functional and purchased from a Sears catalog) but simultaneously he has a deep love and affection for everyone and everything he is portraying in his work. You can find a picture of American Gothic linked here, and as always on the website www.WhoArtEdPodcast.com

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