Writing Romance Masterclass

02/28/22 • 46 min

2 Listeners

In today's BONUS EPISODE, we do a deep dive into the romance genre. Bianca first chats with Farah Heron, author of Accidentally Engaged and Tahira in Bloom, about the sub-genres of romance; how romance is defined; the difference between romance and women’s fiction; The Bridgerton Effect; structure and plotting for romance; and tropes in the romance genre.

After which, Bianca chats with publishing phenomenon, Elena Armas, author of The Spanish Love Deception, about her journey from bookstagrammer to bestselling author; the power of Tik Tok; indie-publishing editing vs. traditionally published editing; how to make your own book covers; and how to write steamy sex scenes.
Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Website: www.biancamarais.com
Farah Heron can be found at www.farahheron.com and on Twitter at @FarahHeron and on Instagram at @FarahHeronAuthor
Elena Armas can be found at www.authorelenaarmas.com and on Instagram at @thebibliotheque and on Twitter at @elenaarmasbooks

Our Sponsors:
* Check out Quince: https://quince.com/tsnotyaw
* Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.com
Advertising Inquiries: https://redcircle.com/brands

Previous Episode

Why You Need to Be Your Most Sympathetic Critic

In today's Books with Hooks, Carly and CeCe are joined by Mire and Katy who have submitted their work for critique. They discuss not losing the plot in a quest for being true to the emotionality of the story; making sure that one character isn’t just a vessel for the other in a dual POV story; toeing the line between making the reader curious and leaving them frustrated; making sure that if you focus on one POV in your query letter, you still include who the other POVs will be; giving context so the reader understands certain details; limiting the number of ppl in your opening pages so as not to confuse the reader; and being present with your protagonist.
After which, Bianca is joined once again by Femi Omotade who interviews Marlon James, award-winning and bestselling author of Moon Witch, Spider King, about why Marlon is attracted to fantasy as a genre; how the best stories are about making new myths; how a novel can be born from research into something you’re interested in without knowing it’s going to be a novel; drawing from your mythological history; being careful what resources you pick for your research; how readers can feel like tourists in a work you’re creating but characters needs to be at home there; believing both your protagonist and your antagonist, and leaving it up to the reader to decide who’s telling the truth; and how where you begin writing isn’t necessarily the beginning of the novel.
Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Website: www.biancamarais.com
Marlon James can be found at www.marlonjameswriter.com and on Twitter at @MarlonJames5
Femi Omotade can be found on Instagram at @thebookalert

Next Episode

Writerly Insights with Bestselling Author, Elin Hilderbrand

1 Recommendations

In today's Books with Hooks, Carly and CeCe tackle two queries each. In the process, they discuss how you have less time to get to the inciting incident in a YA novel; being mindful of ‘telling’ that doesn’t move the storyline forward or is irrelevant; why too much interiority isn’t good in a query letter and how to replace interiority with plot; avoiding redundancies and repetition in your query letter and pages ; and how building mystery requires specificity by the author.
After which, CeCe chats with bestselling author, Elin Hilderbrand, about how to make unlikeable characters whole and real; the benefits of third-person close, and why you can get even closer than with first-person; why Elin will never write in first person; how the University of Iowa writing program made Elin miserable; how Elin’s literary background has contributed to her commercial success; how classic techniques can be transformed into fresh ways of thinking and writing (the Greek chorus in Elin’s case); how Elin deals with writer’s block; how writing isn’t magic but hard work; and Elin's plans for retirement.

Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Website: www.biancamarais.com
Elin Hilderbrand can be found at www. elinhilderbrand.net and on Instagram and Twitter at: @elinhilderbrand