
132 | The Thematic DNA of Scenes w/ Jane Anderson (+ Musings On Good Dialogue)
04/06/23 • 61 min
Jane Anderson is an award-winning writer of plays, television, and movies, with over three decades of produced material, some of which she herself directed. Jane's work is known for its rich and complicated depictions of female life, with films like THE WIFE, which was Oscar-nominated, and shows like OLIVE KITTERIDGE, which won multiple Emmys, including two for Jane.
ANNE LAMOTT EPISODE: https://podcasts.apple.com/us/podcast/33-anne-lamott-make-your-writing-fears-work-for-you/id1501641442?i=1000510993110
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
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Jane Anderson is an award-winning writer of plays, television, and movies, with over three decades of produced material, some of which she herself directed. Jane's work is known for its rich and complicated depictions of female life, with films like THE WIFE, which was Oscar-nominated, and shows like OLIVE KITTERIDGE, which won multiple Emmys, including two for Jane.
ANNE LAMOTT EPISODE: https://podcasts.apple.com/us/podcast/33-anne-lamott-make-your-writing-fears-work-for-you/id1501641442?i=1000510993110
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
Learn more about your ad choices. Visit megaphone.fm/adchoices
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131 | John Lee Hancock (The Blind Side, Saving Mr. Banks) On Empathy In Our Writing And Directing
John Lee Hancock is an award-winning writer/director whose extensive career includes writing and directing The Blind Side, directing Saving Mr. Banks, and most recently writing and directing Mr. Harrigan's Phone for Netflix. Across nearly three decades of his career, John has worked as a producer, writer, and director in multiple genres including stirring sports biopics, high concept genre movies, and even teen horror. On today's show, we discuss the beginning of his career, adaptation, and directing/writing with kindness.
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133 | Turning Red Writers Domee Shi and Julia Cho Discuss Personal Storytelling Techniques
Jump behind the scenes with us to experience the highs and lows of producing one of Pixar's most celebrated and subversive films: Turning Red from the minds of Domee Shi and Julia Cho, who wrote it.
Domee Shi began as a story intern at Pixar Animation Studios in June 2011, and was soon hired as a story artist on the Academy Award-winning feature film INSIDE OUT. In 2015 she began pitching ideas for short films, and soon was green lit to write and direct BAO which won the Academy Award® for Best Animated Short Film. Shi most recently made her feature film directorial debut on TURNING RED which was also Oscar-nominated. Her TURNING RED co-writer Julia Cho began her career in the New York Theater scene, writing a number of celebrated plays which scored her the Windham-Campbell Literary Prize in 2020 celebrating her body of her work. Her work as a playwright earned her spots in a number of prestigious writers' rooms including BIG LOVE, HALT AND CATCH FIRE, and PAPER GIRLS, which she co-executive produced.
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
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