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The Screenwriting Life with Meg LeFauve and Lorien McKenna - 115 | Can We Write Characters that Don't Reflect Our Experience? (ft. Dr. Yalda T Uhls)
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115 | Can We Write Characters that Don't Reflect Our Experience? (ft. Dr. Yalda T Uhls)

12/12/22 • 54 min

The Screenwriting Life with Meg LeFauve and Lorien McKenna

It's becoming and increasingly common (and important) question: are we allowed to tell stories about characters whose lives don't reflect our own? On today's show, UCLA psychologist Dr. Yalda T. Uhls answers this question, in addition to addressing questions around TV programming for kids and adolescent viewers, and unconcious bias in our writing.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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It's becoming and increasingly common (and important) question: are we allowed to tell stories about characters whose lives don't reflect our own? On today's show, UCLA psychologist Dr. Yalda T. Uhls answers this question, in addition to addressing questions around TV programming for kids and adolescent viewers, and unconcious bias in our writing.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Previous Episode

undefined - 114 | How Writers Collaborate With Animated Directors ft. Nora Twomey

114 | How Writers Collaborate With Animated Directors ft. Nora Twomey

One of Netflix's most celebrated animated movies of the year comes from our very own Meg LeFauve, whose beautiful script for "My Father's Dragon" was brought to life by Nora Twomey, one of our industry's most celebrated animated directors. Nora and Meg discuss how the movie came to fruition, what the development process looked like, and why precision and attention to detail in our storytelling is the key to finding success in our work. Thanks Nora!

Learn more about your ad choices. Visit megaphone.fm/adchoices

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116 | How To Stay Focused and Motivated Through Rewrites (Pick A Pony)

Diving back into your work after a round of notes can feel overwhelming, especially when we get thoughtful notes that can feel contradictory. How can we possibly incorporate every suggestion into our next draft? Spoiler alert: you can't. Instead, focusing on one ELEMENT of your rewrite can be the ticket to moving forward. Keep it simple; pick a pony.

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