
The Wild Robot Review
10/11/24 • 73 min
At a time when so much of public discourse surrounding A.I. swirls in fear and doom, it is rare to find a movie about a robot that does not tap into that sentiment. From Minority Report (2002) to Ex Machina (2014), Hollywood often adopts the position of a canary in the coal mine, trying to warn everyone about our robot overlords. And considering corporate interest in using artificial intelligence to replace human creators, I don’t necessarily blame them for wanting to do that, especially now.
Chris Sanders’ The Wild Robot, however, defies that popular narrative, with a fresh take has been welcomed by critics. Many go so far as to suggest that the film deserves to be nominated not only for Best Animated Feature at the Oscars, but for Best Picture, joining the ranks of the few animated films that have made that jump: Beauty and the Beast (1991), Up (2009), and Toy Story 3 (2010). But how justified is that hype?
In this episode of The Long Take Review, P.T., Greg, Antonio, and I debate how well the film could do (and deserves to do). We also discuss what parts of the film had an emotional impact on us, what the film is trying to say about A.I., how this adaptation differs from its source material, what voice performances stand out, and more.
Before we dive into The Wild Robot, however, we check in to discuss our picks for Vulture’s Movie Fantasy League, in which players must draft 8 movies that were pre-priced based on buzz. Who made a big play for box office numbers? Who went for potential awards attention? Who just went with their heart? Listen to about the first 30 minutes of this episode to find out! Registration for the draft has closed, but if you already registered, you can still join us by emailing [email protected] to say that you’d like “The Long Take Review” to be your “mini-league” before October 14th. We are just one person short of being able to compete for prizes, so please help us out if you can! Plus, our highest-scoring mini-league member will be able to come on the show and discuss a film of their choice.
The Movie Fantasy League talk ends at 30:46 when we start the Short Take on The Wild Robot. We later go into SPOILER MODE at the 42:24 minute mark. If you’re still not yet sure whether you want to check out the film, pause there!
Image Credit: Vulture
You can listen to The Long Take Review on Substack, Spotify, Apple, YouTube, or wherever you get your podcasts.
All music licensed through Epidemic Sound.
Logo art: Illustration 73265080 © Worldofvector | Dreamstime.com
Get full access to The Long Take at thelongtake.substack.com/subscribe
At a time when so much of public discourse surrounding A.I. swirls in fear and doom, it is rare to find a movie about a robot that does not tap into that sentiment. From Minority Report (2002) to Ex Machina (2014), Hollywood often adopts the position of a canary in the coal mine, trying to warn everyone about our robot overlords. And considering corporate interest in using artificial intelligence to replace human creators, I don’t necessarily blame them for wanting to do that, especially now.
Chris Sanders’ The Wild Robot, however, defies that popular narrative, with a fresh take has been welcomed by critics. Many go so far as to suggest that the film deserves to be nominated not only for Best Animated Feature at the Oscars, but for Best Picture, joining the ranks of the few animated films that have made that jump: Beauty and the Beast (1991), Up (2009), and Toy Story 3 (2010). But how justified is that hype?
In this episode of The Long Take Review, P.T., Greg, Antonio, and I debate how well the film could do (and deserves to do). We also discuss what parts of the film had an emotional impact on us, what the film is trying to say about A.I., how this adaptation differs from its source material, what voice performances stand out, and more.
Before we dive into The Wild Robot, however, we check in to discuss our picks for Vulture’s Movie Fantasy League, in which players must draft 8 movies that were pre-priced based on buzz. Who made a big play for box office numbers? Who went for potential awards attention? Who just went with their heart? Listen to about the first 30 minutes of this episode to find out! Registration for the draft has closed, but if you already registered, you can still join us by emailing [email protected] to say that you’d like “The Long Take Review” to be your “mini-league” before October 14th. We are just one person short of being able to compete for prizes, so please help us out if you can! Plus, our highest-scoring mini-league member will be able to come on the show and discuss a film of their choice.
The Movie Fantasy League talk ends at 30:46 when we start the Short Take on The Wild Robot. We later go into SPOILER MODE at the 42:24 minute mark. If you’re still not yet sure whether you want to check out the film, pause there!
Image Credit: Vulture
You can listen to The Long Take Review on Substack, Spotify, Apple, YouTube, or wherever you get your podcasts.
All music licensed through Epidemic Sound.
Logo art: Illustration 73265080 © Worldofvector | Dreamstime.com
Get full access to The Long Take at thelongtake.substack.com/subscribe
Previous Episode

His Three Daughters Review
What if The Scarlet Witch from the MCU, Nora Durst from The Leftovers, and Charlie Cale from Poker Face were trapped in a tiny New York City apartment for several days? I jest, in part; Elizabeth Olsen, Carrie Coon, and Natasha Lyonne play characters who are distinct from their more well-known roles, but they do get to flex their acting muscles in His Three Daughters, a dramatic chamber piece now streaming on Netflix.
The film’s story follows three semi-estranged women who reunite to guide their father through his final days of life. The astringent dialogue offers a thoughtful character study as the claustrophobic milieu facilitates a poignant meditation on death and dying. But could this film be too small and too insular to get any Oscar love?
In this episode of The Long Take Review, P.T., Antonio, and I laud all three of these actresses for their outstanding work and, at the end of the episode, contemplate the film’s Oscar prospects. When dissecting the film itself, we contemplate why it feels so much like a stage play, debate why that might enhance or detract from the film, consider what the film has to say about death, dying, and family, and, because we couldn’t help ourselves, we share which of the three daughters we would each be.
You can hear our official plug for this at the very end of the episode, but we’d love for listeners to join us in Vulture’s Movie Fantasy League, in which players must draft 8 movies that have been pre-priced based on buzz. After registration closes tomorrow night, Thursday October 3rd at 11:59, your team can gain points for box office success (if it hasn’t come out yet), critical reception, and awards recognition. You can play this game with us by entering “The Long Take Review” as your “mini-league.” Join us in movie nerdom and all the Oscar season insanity!
We go into SPOILER MODE around the 21:57 minute mark. If you’re not yet sure whether you want to check out the film, listen up until then.
You can listen to The Long Take Review on Substack, Spotify, Apple, YouTube, or wherever you get your podcasts.
Image Credit: LA Times
All music licensed through Epidemic Sound.
Logo art: Illustration 73265080 © Worldofvector | Dreamstime.com
Get full access to The Long Take at thelongtake.substack.com/subscribe
Next Episode

Saturday Night Review
Next year, 2025, will mark the 50th anniversary of Saturday Night Live (SNL), and NBC is planning a big live special in February to celebrate. In the meantime, though, Director Jason Reitman, whose own father, Ivan, had a close connection to the sketch comedy series, has made Saturday Night, out in theaters now. The film careens in “real” time towards the moment the first episode of SNL aired in 1975, and stars Gabriel LaBelle (The Fabelmans) as Lorne Michaels, along with a vast ensemble of exciting young actors playing the original SNL cast and well-loved veterans like J.K. Simmons and Willem Dafoe in supporting roles.
After premiering at the Telluride Film Festival to mixed-positive reviews, Saturday Night has been doing okay but not exceptionally well at the box office. Will that hurt its Oscar chances? Will the film meet the same fate as many seasons of SNL, with everyone too busy debating whether or not it’s good that they forget to appreciate the thing itself?
In this episode of The Long Take Review, P.T., Greg, Antonio, and I dissect our own reactions and value judgments of the “put on a show” psuedo-biopic comedy. We shoutout our favorite performances, share our own personal histories with SNL, and contemplate the film’s use of time and space. After our usual Oscars Watch, we do our own SNL cast member draft! After you listen to the episode, vote in the poll below for who you think won.
We (hastily) go into SPOILER MODE at the 23:19 minute mark. If you’re still not yet sure whether you want to check out the film, pause there! Our SNL Cast Draft, which should also be spoiler free, starts at 1:09:06.
Image Credit: IndieWire
You can listen to The Long Take Review on Substack, Spotify, Apple, YouTube, or wherever you get your podcasts.
All music licensed through Epidemic Sound.
Logo art: Illustration 73265080 © Worldofvector | Dreamstime.com
Get full access to The Long Take at thelongtake.substack.com/subscribe
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