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The Great Women Artists - Catherine Opie

Catherine Opie

11/02/22 • 41 min

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The Great Women Artists
THIS WEEK on the GWA Podcast, we interview one of the most renowned photographers working in the world right now, Catherine Opie! A photographer of portraits of people, landscapes, the urban environment and American society, Opie uses the tool of the camera to explore sexual and cultural identity. First picking up a camera aged nine, it was in the 1990s that she began to gain recognition for her studio portraits of gay and transgender communities who appear painterly and defiant, powerful and regal. Travelling across the world, and in particular different areas of North America, Opie has documented masculinity through high school footballers; politics and culture through her images of the 2008 presidential election; the landscape through images of sparse urban environments; and memorial through images of house belongings once owned by Elizabeth Taylor. Linked by notions of complexity, community, visibility and empathy, Opie’s photographs tell a story about the society in which we live. Speaking about her work she has said, “From early on, I wanted to create a language that showed how complex the idea of community really is, how we categorize who we are as human beings in relation to places we live.” Born in Ohio, and now based in Los Angeles, where she is a professor of photography and the chair of the UCLA department of art, Opie has exhibited in the world’s most prestigious museums, from MOCA Los Angeles to the Guggenheim in New York, and at the Whitney Biennial and many more. But the reason why we are speaking with Opie today is because this summer she opened a solo show at Thomas Dane Gallery in London – To What We Think We Remember. Taking its title from a Joan Didion quote, this exhibition focuses on community, collective responsibility and how to move forward while faced with the potentially devastating challenges of climate change, and the erasure of personal and political freedoms. -- LINKS: Thomas Dane show: https://www.thomasdanegallery.com/exhibitions/268/ New Yorker: https://www.newyorker.com/magazine/2017/03/13/catherine-opie-all-american-subversive New York Times 2021: https://www.nytimes.com/2021/08/18/arts/design/catherine-opie-photography-monograph.html Art review: https://artreview.com/catherine-opie/ Opie essay for CNN: https://edition.cnn.com/style/article/catherine-opie-beauty/index.html Hilton Als 2021: https://www.regenprojects.com/attachment/en/54522d19cfaf3430698b4568/Press/610b3b9460b7b53c1b733db9 i–D: https://i-d.vice.com/en_uk/article/g5gvk7/catherine-opie-interview-2021-life-in-photos New York Times 2019: https://www.nytimes.com/2019/10/02/t-magazine/catherine-opie.html?action=click&module=RelatedLinks&pgtype=Article -- Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com
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THIS WEEK on the GWA Podcast, we interview one of the most renowned photographers working in the world right now, Catherine Opie! A photographer of portraits of people, landscapes, the urban environment and American society, Opie uses the tool of the camera to explore sexual and cultural identity. First picking up a camera aged nine, it was in the 1990s that she began to gain recognition for her studio portraits of gay and transgender communities who appear painterly and defiant, powerful and regal. Travelling across the world, and in particular different areas of North America, Opie has documented masculinity through high school footballers; politics and culture through her images of the 2008 presidential election; the landscape through images of sparse urban environments; and memorial through images of house belongings once owned by Elizabeth Taylor. Linked by notions of complexity, community, visibility and empathy, Opie’s photographs tell a story about the society in which we live. Speaking about her work she has said, “From early on, I wanted to create a language that showed how complex the idea of community really is, how we categorize who we are as human beings in relation to places we live.” Born in Ohio, and now based in Los Angeles, where she is a professor of photography and the chair of the UCLA department of art, Opie has exhibited in the world’s most prestigious museums, from MOCA Los Angeles to the Guggenheim in New York, and at the Whitney Biennial and many more. But the reason why we are speaking with Opie today is because this summer she opened a solo show at Thomas Dane Gallery in London – To What We Think We Remember. Taking its title from a Joan Didion quote, this exhibition focuses on community, collective responsibility and how to move forward while faced with the potentially devastating challenges of climate change, and the erasure of personal and political freedoms. -- LINKS: Thomas Dane show: https://www.thomasdanegallery.com/exhibitions/268/ New Yorker: https://www.newyorker.com/magazine/2017/03/13/catherine-opie-all-american-subversive New York Times 2021: https://www.nytimes.com/2021/08/18/arts/design/catherine-opie-photography-monograph.html Art review: https://artreview.com/catherine-opie/ Opie essay for CNN: https://edition.cnn.com/style/article/catherine-opie-beauty/index.html Hilton Als 2021: https://www.regenprojects.com/attachment/en/54522d19cfaf3430698b4568/Press/610b3b9460b7b53c1b733db9 i–D: https://i-d.vice.com/en_uk/article/g5gvk7/catherine-opie-interview-2021-life-in-photos New York Times 2019: https://www.nytimes.com/2019/10/02/t-magazine/catherine-opie.html?action=click&module=RelatedLinks&pgtype=Article -- Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com

Previous Episode

undefined - Bloum Cardenas on Niki de Saint Phalle

Bloum Cardenas on Niki de Saint Phalle

THIS WEEK on the GWA Podcast, we interview Bloum Cardenas, none other than the granddaughter of the trailblazing, French-American sculptor, painter, performance artist and more, NIKI DE SAINT PHALLE!! Born in 1930 in France and living throughout the 20th century between America and Europe – she passed in 2002 – Saint Phalle is one of the century’s greatest creative personalities. She pioneered not only the boundaries between painting, performance and conceptual art in Paris during the 1960s, but explored large scale immersive environments through her joyous, glittering sculptures. These include the Tarot Garden in Tuscany – this incredible paradisal sculpture park filled with these colossal Nana-style sculptures of these bulbous women, glittering in mosaics – or her 1966 work at Moderna Museet in Stockholm, Hon - the Cathedral, where visitors would enter through the giant open legs of one of her Nana figures a world complete with a 12-seat cinema, a bar, a playground for kids, a fish pond and sandwich vending machine. In the early 1960s she worked on her Shooting Paintings – violently shooting at canvases with bags of coloured paint that exploded and dripped onto a plaster surface. She used her ‘shooting events’ to fight against political corruption and the patriarchy. Employing large-scale canvases and masochistic gestures to emulate (and poke fun at) her male contemporaries, it was also through chance encounters and group efforts that Saint Phalle pioneered early concepts of Performance Art. By the mid-1960s, Saint Phalle had taken a different direction, abandoning her Shooting Paintings for her Nana sculptures: voluptuous and bulbous figures that reclaim the female form and celebrate the ‘everywoman’. Speaking about them in 1972, she said: ‘Why the nanas? Well, first because I am one myself. Because my work is very personal and I try to express what I feel. It is the theme that touches me most closely. Since women are oppressed in today’s society I have tried, in my own personal way, to contribute to the Women’s Liberation Movement.’ Bloum Cardenas, from 1985–1990, Bloum worked in the archives of her grandmother and in 1997, moved to San Francisco to help organise Saint Phalle’s archived there. Since 2002, she has been a trustee for the for the Niki Charitable Art Foundation. She is also the president of the beloved Tarot Garden in Tuscany. ENJOY!!! -- Peter Schjendahl: https://www.newyorker.com/magazine/2021/04/05/the-pioneering-feminism-of-niki-de-saint-phalle New Yorker on The Tarot Garden 2016: https://www.newyorker.com/magazine/2016/04/18/niki-de-saint-phalles-tarot-garden New York Times 2021: https://www.nytimes.com/2021/04/08/arts/design/Niki-de-Saint-Phalle-MoMA-PS1-Salon-94.html Artforum: https://www.artforum.com/print/202105/johanna-fateman-on-the-art-of-niki-de-saint-phalle-85478 Niki de Saint Phalle Foundation website: http://nikidesaintphalle.org/niki-de-saint-phalle/biography/#1930-1949 Tate etc on living with Niki: https://www.tate.org.uk/tate-etc/issue-12-spring-2008/living-niki Tate shots on Niki de Saint Phalle: https://www.youtube.com/watch?v=XV7aJ7XHeB4 Nouveau Réalisme: https://www.tate.org.uk/art/art-terms/n/nouveau-realisme Gutai: https://www.tate.org.uk/art/art-terms/g/gutai Shooting Paintings / Tirs https://www.moma.org/collection/works/150143 Hon - A Cathedral http://nikidesaintphalle.org/50-years-since-hon/ // https://www.youtube.com/watch?v=jNfQt2FsUD4&feature=emb_logo // https://womennart.com/2018/08/22/hon-by-niki-de-saint-phalle/ The Tarot Garden http://ilgiardinodeitarocchi.it/en/ -- Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com

Next Episode

undefined - Jenna Gribbon

Jenna Gribbon

THIS WEEK on the GWA Podcast, we interview one of the most exciting painters working today, Jenna Gribbon. Drawing on the traditions of oil paint by focussing on figuration, Jenna Gribbon is known for her sensual, washy and almost electrically-coloured canvases that predominantly portray her partner, Mackenzie, as well as her son. Working on a surface, which, when witnessed in real life, appears to be constantly moving, the bodies in Jenna’s paintings erupt like landscapes or waterfalls collapsing in on each other. Get up close, and revealed are three, four, five, SIX layers of unexpected colour: light blues, purples, oranges, yellows, hot pinks. Existing in both natural and synthetically-lit source – I am especially drawn to those with electric lights, almost appearing as a spiritualist glow – Jenna’s paintings transport you to places of both intimacy and isolation, such as that moment when you’re with one other person and it feels like you’re the only people in the world. Although we often see the same people crop up, by their very nature the paintings feel universal, like fleeting memories that you want to hold onto forever, and, most significantly, intimate – the latter being a key aspect of her work. Based in Brooklyn, NYC, where we are recording today, Jenna has exhibited across the globe at Fredericks and Freiser in New York, Massimo de Carlo in London, most recently at the Frick Madison which paired her work with Old Master Paintings in the Met Breuer’s former brutalist building. Current exhibitions include at the Collezione Maramotti in Reggio Emilia, and she is housed in museum collections across the globe. Jenna Gribbon in conversation at the Frick: https://www.youtube.com/watch?v=Qt1ot3Cy2UY Cultured Magazine: https://www.culturedmag.com/article/2022/02/16/jenna-gribbon-and-her-musician-muse-mackenzie-scott-blend-love-and-paint Interview with Juxtapoz https://www.juxtapoz.com/news/magazine/features/jenna-gribbon-the-pleasure-of-looking/ Interview with Whitehot Magazine: https://whitehotmagazine.com/articles/dialogue-with-painter-jenna-gribbon/3880 Frieze: https://www.frieze.com/article/five-up-coming-painters-follow Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com

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