
Apple Intelligence - Nonthreatening to Photographers, for Now - TDS Photo Podcast
06/11/24 • 31 min
This is The Digital Story Podcast #951, June 11, 2024. Today's theme is "Apple Intelligence - Nonthreatening to Photographers, for Now." I'm Derrick Story.
Opening Monologue
Unlike our friends at Adobe, Apple isn't targeting the photo shoot with their AI integration into the upcoming versions of its OS and photo apps. There are lots of new goodies in the toy box, and many of them will be useful for photo enthusiasts. In today's show, I'll provide an overview from a photographer's perspective and also discuss Adobe's latest controversy. I hope you enjoy the show.
Digital Photography Podcast 951Tune-In Via Your Favorite Podcast App!
Apple Podcasts -- Spotify Podcasts -- Stitcher
Podbean Podcasts -- Podbay FM -- Tune In
Apple Intelligence - Nonthreatening to Photographers, for Now
Apple Intelligence is Apple's branding of Artificial intelligence into its operating system and apps. They are aiming to apply this technology in ways that make your life easier and more creative while at the same time keeping your privacy intact. They're calling it AI for the rest of us.
To some degree, based on the keynote presentation at WWDC, I think the marketing is lining up with real-world application. Apple Intelligence powers new writing tools to put your written communications in the best light, you can create new Pixar-like images with Genmoji, you can generate illustrations from scratch with Image Playground, and you can create professional-looking movies easily that are based on the pictures you have captured and stored in your Photos library.
Most of the generated images in the keynote were illustrative rather than photographic. I didn't see anything that resembled the output from my digital camera. But, according to the documentation, Image Playground does have the ability to transform sketches into polished photographs. And I can't see this happening on-device, so the user would have to venture out into the Cloud for this capability.
But generally speaking, if you want to create a custom emoji for a text message or an illustration for a school paper, Apple Intelligence will do a nice job.
When applied to the Photos app, this technology will further improve search capabilities, provide better organizing options, and even give us a nifty Clean Up tool for removing unwanted items from a composition.
To tap this tech you will need an iPhone 15 Pro or Pro Max, a Mac with Apple Silicon, or a M-powered iPad. The hardware requirements are steep because Apple's approach is to do as much AI processing on the device as possible, with options for venturing out into the Cloud as needed. Users will have control over where the processing occurs, which is a good option for most of us.
The unknown is, however, what will developers want to do with this technology, and what will Apple allow them to put on its platform? Apple is providing an SDK with App Intents, APIs, and frameworks to make it easy for developers to integrate system-level features like Writing Tools and Image Playground into their apps.
Of particular interest to our community is the SDK for Image Playground. Here's what Apple is saying to developers:
"Image Playground delivers an easy-to-use experience to create fun, playful images in apps like Messages, Notes, Keynote, Pages and more. Using the Image Playground API, you can add the same experience to your app and enable your users to quickly create delightful images using context from within your app. And because images are created entirely on device, you don't have to develop or host your own models for your users to enjoy creating new images in your app."
Again, sounds fun and lighthearted. And it very well may stay that way. And it's going to be very interesting to see what savvy software companies like Pixelmator do with all of this new capability.
macOS Sequoia and iOS 18 will be released this Fall. Betas will be available to the gene...
This is The Digital Story Podcast #951, June 11, 2024. Today's theme is "Apple Intelligence - Nonthreatening to Photographers, for Now." I'm Derrick Story.
Opening Monologue
Unlike our friends at Adobe, Apple isn't targeting the photo shoot with their AI integration into the upcoming versions of its OS and photo apps. There are lots of new goodies in the toy box, and many of them will be useful for photo enthusiasts. In today's show, I'll provide an overview from a photographer's perspective and also discuss Adobe's latest controversy. I hope you enjoy the show.
Digital Photography Podcast 951Tune-In Via Your Favorite Podcast App!
Apple Podcasts -- Spotify Podcasts -- Stitcher
Podbean Podcasts -- Podbay FM -- Tune In
Apple Intelligence - Nonthreatening to Photographers, for Now
Apple Intelligence is Apple's branding of Artificial intelligence into its operating system and apps. They are aiming to apply this technology in ways that make your life easier and more creative while at the same time keeping your privacy intact. They're calling it AI for the rest of us.
To some degree, based on the keynote presentation at WWDC, I think the marketing is lining up with real-world application. Apple Intelligence powers new writing tools to put your written communications in the best light, you can create new Pixar-like images with Genmoji, you can generate illustrations from scratch with Image Playground, and you can create professional-looking movies easily that are based on the pictures you have captured and stored in your Photos library.
Most of the generated images in the keynote were illustrative rather than photographic. I didn't see anything that resembled the output from my digital camera. But, according to the documentation, Image Playground does have the ability to transform sketches into polished photographs. And I can't see this happening on-device, so the user would have to venture out into the Cloud for this capability.
But generally speaking, if you want to create a custom emoji for a text message or an illustration for a school paper, Apple Intelligence will do a nice job.
When applied to the Photos app, this technology will further improve search capabilities, provide better organizing options, and even give us a nifty Clean Up tool for removing unwanted items from a composition.
To tap this tech you will need an iPhone 15 Pro or Pro Max, a Mac with Apple Silicon, or a M-powered iPad. The hardware requirements are steep because Apple's approach is to do as much AI processing on the device as possible, with options for venturing out into the Cloud as needed. Users will have control over where the processing occurs, which is a good option for most of us.
The unknown is, however, what will developers want to do with this technology, and what will Apple allow them to put on its platform? Apple is providing an SDK with App Intents, APIs, and frameworks to make it easy for developers to integrate system-level features like Writing Tools and Image Playground into their apps.
Of particular interest to our community is the SDK for Image Playground. Here's what Apple is saying to developers:
"Image Playground delivers an easy-to-use experience to create fun, playful images in apps like Messages, Notes, Keynote, Pages and more. Using the Image Playground API, you can add the same experience to your app and enable your users to quickly create delightful images using context from within your app. And because images are created entirely on device, you don't have to develop or host your own models for your users to enjoy creating new images in your app."
Again, sounds fun and lighthearted. And it very well may stay that way. And it's going to be very interesting to see what savvy software companies like Pixelmator do with all of this new capability.
macOS Sequoia and iOS 18 will be released this Fall. Betas will be available to the gene...
Previous Episode

A Yay Lens, a Nay Lens, and an It Depends Lens - TDS Photography Podcast
This is The Digital Story Podcast #950, June 4, 2024. Today's theme is "A Yay Lens, a Nay Lens, and an It Depends Lens." I'm Derrick Story.
Opening Monologue
There's been lots to talk about regarding photography gear lately. Sigma has been on an impressive roll, Panasonic released the full-frame S9 with a companion pancake lens, and Viltrox continues its steady march to fame and fortune. And as you can imagine, all lenses are not created the same, and there are definitely yays and nays with these latest announcements. In today's TDS Photography Podcast, we will separate the cheers from the jeers. I hope you enjoy the show.
Digital Photography Podcast 950Tune-In Via Your Favorite Podcast App!
Apple Podcasts -- Spotify Podcasts -- Stitcher
Podbean Podcasts -- Podbay FM -- Tune In
A Yay Lens, a Nay Lens, and an It Depends Lens
The Yay: The Sigma 28-45mm f/1.8 DG DN Art Lens (Sony E)
The 28-45mm f/1.8 DG DN Art Lens, the world's first zoom lens for full-frame mirrorless cameras with an f/1.8 aperture throughout the entire zoom range. Featuring prime-like optical performance and video-friendly design and functionality, its wide-to-normal focal range means a lighter kit bag without surrendering image quality.
Things to like about the Sigma 28-45mm
- Two AFL buttons
- Focus mode switch
- Super multilayer and nanoporous coatings
- Water- and oil-repellent coating on the front element
- Dust- and splash-resistant design
- Durable brass bayonet mount
The lens features a total of 18 elements in 15 groups, with three aspherical and five Special Low Dispersion elements to minimize flare and ghosting and suppress various aberrations. This results in an optical performance that meets or exceeds that of other Sigma Art lenses, including the primes. Along with its 11-blade, rounded diaphragm, the design promotes sharpness and a large, smooth bokeh when used wide open.
In addition to the f/1.8 maximum aperture, the lens also maintains an 11.9" minimum focusing distance across the entire zoom range. It achieves a maximum magnification ratio of 1:4 at its longest focal length, increasing depth of field and versatility in tight spaces.
On the downside, there is size and weight. Dimensions are 3.5 x 6", weight is 2.1 lb, and the front filter size is 82mm.
You can preorder the Sigma 28-45mm f/1.8 DG DN Art Lens (Sony E) for $1,349. It will also be available in the Leica L mount.
The Nay: The Panasonic 26mm f/8
This little pancake lens was designed to go with the new full frame Panasonic S9 camera. In terms of aesthetics, it accomplishes that goal. In order to convey the compactness of the S9 body, you want a small optic. That makes sense.
But, in terms of usefulness, this little guy really falls short. Here are a few examples why.
- Manual focus with no AF
- No focusing scale to help you estimate
- Locked f/8 aperture
- No filter ring
- Plastic lens mount
- $198 price tag
Yes, we've seen lenses like this in the past, but they weren't intended to be the primary shooters, and they cost half the amount. Up the road, this would be a fun addition. But as the introductory optic with a debut camera, not a great choice.
All that being said, if you want one of these, you can preorder the Panasonic Lumix S 26mm f/8 Lens (Leica L) for $198.
The It Depends Lens: The Viltrox AF 16mm f/1.8 FE Lens (Nikon Z)
Featuring an ultra-wide angle of view for Nikon Z-mount full-frame cameras, the V...
Next Episode

Pentax Actually Did It - The Pentax 17 Film Camera - TDS Photo Podcast
This is The Digital Story Podcast #952, June 18, 2024. Today's theme is "Pentax Actually Did It - The Pentax 17 Film Camera." I'm Derrick Story.
Opening Monologue
Talk about having some serious moxie... Not only did Pentax debut the their first film camera in decades, they did it on the same day Nikon announced the highly anticipated Z6 Mark III. And guess which camera we're going to talk about first? All of this and more, much more, on today's TDS Photography Podcast. I hope you enjoy the show.
Digital Photography Podcast 952Tune-In Via Your Favorite Podcast App!
Apple Podcasts -- Spotify Podcasts -- Stitcher
Podbean Podcasts -- Podbay FM -- Tune In
Pentax Actually Did It - The Pentax 17 Film Camera
The Pentax 17 is a half-frame 35mm film camera with auto exposure, manual film advance, manual rewind, ISO selection dial, exposure compensation, built-in flash, and a whole lot of style.
Along with its magnesium top and bottom plates, the 17 borrows many legacy details from past cameras to inform its distinct design: the film rewind knob is taken from the Pentax LX, the ISO dial from the SP, the flash and shutter release from the KP, the lens housing from the Espio Mini, the front logo text from the 67, the knurled battery cover from the DA WR series of lenses, the film advance lever from the Auto 110, and the top plate from a special edition LX.
The viewfinder includes Pentax's own classic logo along with the Asahi AOCo logo and a film plane indicator taken from their line of DSLRs.
And it looks great. The protruding grip houses the CR2 lithium battery, the viewfinder housing is absolutely beautiful, the textured wrap and back memo holder contrast the silver top plate, and the lug straps are arranged so you can wear the camera horizontally or vertically.
Distinct from 35mm "full-frame" cameras with a 36 x 24mm format, the Pentax 17 is a half-frame format camera with a recording area of 17 x 24mm. This smaller, more unique format has a few added benefits.
Let's review the key specs and features.
- 35mm Half-Frame Film Camera (72 exposures on roll of 36)
- HD PENTAX HF 25mm f/3.5 Traditional Lens (37mm equivalent) f/3.5-f/16
- Manual Zone Focus with Macro Setting
- Window-style optical viewfinder (non TTL) with brightline frame lines for composition accuracy; these lines also include two notches to help compensate for parallax when using the close-up focus setting.
- Autoexposure, Program, and Bokeh Modes - 1/350th to 4 seconds
- Built-In Flash, Flash AE Modes - sync at 1/125th
- Exposure Compensation (-2.0/+2.0) and ISO Dials (50, 100, 200, 400, 800, 1600, 3200)
- Manual Film Advance Lever & Film Rewind
- Takes 1x CR2 Battery
- 2.5mm Remote Cable Switch Terminal
- 40.5mm filter ring with light meter sensor in the lens housing behind the filter.
Focusing is accomplished with what I call intelligent zones. You choose a basic zone, but the camera will fine-tune the focusing by adding more or less depth of field depending on your exposure setting. The zones are:
- Macro/Flower: 0.82' / 0.25 m
- Close-Up/Knife & Fork: 1.7' / 0.5 m
- Single Person: 4' / 1.2 m
- Two People: 5.6' / 1.7 m
- Group of People: 10' / 3 m
- Mountain/Infinity
The fixed prime lens is an HD PENTAX HF 25mm f/3.5 Traditional; it's a slightly wide-angle lens offering excellent sharpness and color rendering. It features Pentax's contemporary HD anti-reflective coating, helping to boost contrast and clarity.
The exposure dial is also unique. Your basic choices are programmed exposure or full auto, but with a twist.
The mode dial is divided into two sections: flash off or flash on. Within the flash on section...
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