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The Bulletproof Musician

The Bulletproof Musician

Noa Kageyama

Ever wonder why you can practice for hours, sound great in the practice room, and still be frustratingly hit or miss on stage? Join performance psychologist and Juilliard alumnus/faculty Noa Kageyama, and explore research-based “practice hacks” for beating anxiety, practicing more effectively, and playing up to your full abilities when it matters most.

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Top 10 The Bulletproof Musician Episodes

Goodpods has curated a list of the 10 best The Bulletproof Musician episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to The Bulletproof Musician for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite The Bulletproof Musician episode by adding your comments to the episode page.

The Bulletproof Musician - Can We Train Ourselves to Worry Less About Others’ Opinions?
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01/26/25 • 9 min

I came across a study years ago which found that fear of negative evaluation was one of the key drivers of performance anxiety in musicians. Which of course makes perfect sense, as we're being evaluated all the time. Often, with meaningful consequences attached.
But that doesn't mean it's helpful - or very pleasant to experience either! So is there anything we can do to be less sensitive to what others around us might be thinking about us? At least in rehearsals, auditions, performances, or even dates for that matter, when it's way more useful for us to focus on the things that we can actually control?
A 2007 study provides some clues on how we could potentially reduce our stress levels, increase self-esteem, exude more confidence in public, and even perform more effectively, by working on a particular kind of focus in our daily lives.
Get all the nerdy details and learn how to start working on this particular kind of selective attention right here:
Can We Train Ourselves to Worry Less About Others’ Opinions?

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Has performance anxiety been a nagging issue that tends to get in the way of your playing, no matter how prepared you feel before performances, auditions - or even lessons? Or have you just been feeling a little stuck, like you’re not making much progress in the practice room?

If you’ve been wanting to experience more joy in the practice room and play more like yourself on stage, but haven’t been quite sure how to make that happen, starting April 6, 2025, I’ll be teaching a live, online, 4-week class on the most essential mental skills and practice strategies that can make a difference in your practicing and performing.

We’ll meet once a week via Zoom and explore the relevant research in four essential areas, experiment with a curated set of exercises and techniques together as a group, and to make sure the ideas become consistent habits, I'll show you how to gently integrate these new skills into your (or your students’) daily practice through bite-sized practice challenges alongside a supportive group of practice buddies from around the world.

Registration closes Sunday, March 30, 2024.

Over 2000 musicians, educators, and students and learners of all ages have participated in the course to date. You can get all the details and learn how to join Cohort 22 at:

👉 bulletproofmusician.com/essentials

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The Bulletproof Musician - How Important is Listening to Recordings, Really?
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10/30/22 • 8 min

You've probably had teachers who encouraged you to listen to recordings, and one of the Suzuki method's core elements is the importance of listening to recordings. But does this actually help learning? Or is it just one of those things that we do because it sounds like the right thing to do, and we've always done it that way? A 2012 study provides some answers - and additional insights on different types of listening: passive listening and distracted listening. How Important is Listening to Recordings, Really?
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Kim Laskowski has been the associate principal bassoonist of the NY Philharmonic since 2003, winning her position at age 48 - without a prior symphonic background. She shares her story in this episode, as well as tons of insights on practice and preparation, from how to listen, how to do repetitions in your practice without your brain going on autopilot, and much more.
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We are often encouraged to maintain a positive mental attitude. And there are tons of books and blog posts devoted to explaining how important this is as well. But sometimes it can be exhausting to keep it up! So how important is it really, to maintain a positivity 24/7? Or could there be some hidden downsides? A 2018 study provides some counterintuitive findings, related not just to overall mental health and well-being, but performance as well. Why Trying to "Think Positive" All the Time Could Make You Feel Worse
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Most people intuitively assume that the best way to address performance anxiety is to calm down, but research suggests that this may actually result in worse performances. A 2013 paper describes three studies in different performance domains that give us a counterintuitive - and more effective - way to respond to performance anxiety. ==== Performing optimally under pressure isn’t about jumping from latest shiny practice hack to the next, no matter how much research supports the use of each one, and as tempting as that can be. It’s important to have an integrated system of tools that work together. For instance, it helps to be able to practice effectively. But it’s also important to practice not just for accuracy, but for flexibility so as to be prepared for the unpredictability of performance. And aside from making sure the physical skills are there, it’s also helpful to have tools that enable us to get into a more optimal mental state right before we begin playing - so that our thoughts aren’t racing, our mind isn’t blanking out, and we’re not worrying about all the worst things that could happen. And once we begin playing, it helps to have strategies for staying focused throughout the performance. So our mind doesn’t wander off and leave us hanging in the middle of a phrase, when we suddenly come to and realize we don’t know where we are. Or so we don’t suddenly start overthinking our fingering, or have one of those out-of-body moments where we see our hands jumping across the keyboard and wonder how our hands are doing that all by themselves. What I find really cool about tthe practice and performance strategies that research has revealed over the last few decades, is that they don’t just lead to more consistently high-level performances, but they result in more engaging practice sessions too. Because many of these strategies, even if they initially came from sports, actually contribute to becoming better musicians too. You’ll probably find yourself doing more listening and score study, thinking more about the composers’ intentions, and your own musical intentions, and whether these intentions are coming across to the listener. It’s all part of the puzzle, so if nerves have been a lifelong challenge, the good news is that you probably already have many of the tools. There are probably still a few things remaining to add to the mix, but learning how everything fits together, and how to approach the work that happens before the performance, and having concrete strategies for what to do backstage, what to do on-stage, and what to do afterwards, can make a real difference. I’ve put everything you need to know about this into an online 6-part course called Beyond Practicing. You’ll learn about effective practice of course, but then we’ll go beyond that into building confidence, beating anxiety, getting into the zone, becoming fearless on stage, and building resilience. There are weekly practice plans to guide your practice, with worksheets and cheat sheets to help you put each new skill into action. There are even live add-ons, like quarterly cohort-based bootcamps, if you enjoy working alongside other musicians and learners like yourself. But starting December 1st, for 4 days only, when you enroll in the course, you’ll get a second account for free, that you can gift to a practice buddy, relative, student, teacher, or anyone else that you’d like to go through the course with, or share the experience with. Like going to the gym or on a run with a friend, it can make for a funner and richer experience. So if you’ve been thinking about signing up, now would be as good a time as any! You can learn more about the course and the 2-for-1 offer at bulletproofmusician.com/beyondpracticing
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This episode is sponsored by Musician's Maintenance - safe, simple, maintenance exercises that specifically address the muscle groups that matter most for musicians.
* * *
When you think of your favorite musicians or performers, how much fun do you think they’re having on stage? And how much fun do you think they have in the practice room?
Wait...fun in the practice room is allowed? 🤨
I recently edited and polished up an old 2016 interview from the archives with violinist Frank Almond, who shares some of the ways in which he integrates fun and play into his practice routine.
It’s reassuring to hear why this should not only be allowed, but encouraged. So if your practice sessions tend to be all work and no play, I hope this episode will not only give you permission to experience more joy in your daily practice, but also give you some ideas on how to make that happen.
Get all the nerdy details here:
Frank Almond: On Work, Fun, and the Importance of Both in Dealing with Adversity

* *
Has performance anxiety been a nagging issue that tends to get in the way of your playing, no matter how prepared you feel before performances, auditions - or even lessons? Or have you just been feeling a little stuck, like you’re not making much progress in the practice room?

If you’ve been wanting to experience more joy in the practice room and play more like yourself on stage, but haven’t been quite sure how to make that happen, starting April 6, 2025, I’ll be teaching a live, online, 4-week class on the most essential mental skills and practice strategies that can make a difference in your practicing and performing.

We’ll meet once a week via Zoom and explore the relevant research in four essential areas, experiment with a curated set of exercises and techniques together as a group, and to make sure the ideas become consistent habits, I'll show you how to gently integrate these new skills into your (or your students’) daily practice through bite-sized practice challenges alongside a supportive group of practice buddies from around the world.

Registration closes Sunday, March 30, 2024.

Over 2000 musicians, educators, and students and learners of all ages have participated in the course to date. You can get all the details and learn how to join Cohort 22 at:

👉 bulletproofmusician.com/essentials

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When I praise the family dog for doing a good thing, I'm not sure if it matters what words I say to him. He seems equally excited and happily wags his tail whether I say "good boy!" or "bad doggie!" as long as I use the same tone of voice.
Of course, people are different, and the words we use do matter in the feedback we offer.
So if we're trying to build up a student's confidence, and embolden them to take on new challenges, what kind of praise works best?
A 2014 study suggests that not all praise has the same effect. And that even if well-intentioned, one particular type of praise can backfire and even heighten a student's fear of failure. 😳
Get all the nerdy details right here:
Why the Wrong Kind of Praise Could Heighten a Student's Fear of Failure

* *
Has performance anxiety been a nagging issue that tends to get in the way of your playing, no matter how prepared you feel before performances, auditions - or even lessons? Or have you just been feeling a little stuck, like you’re not making much progress in the practice room?

If you’ve been wanting to experience more joy in the practice room and play more like yourself on stage, but haven’t been quite sure how to make that happen, starting April 6, 2025, I’ll be teaching a live, online, 4-week class on the most essential mental skills and practice strategies that can make a difference in your practicing and performing.

We’ll meet once a week via Zoom and explore the relevant research in four essential areas, experiment with a curated set of exercises and techniques together as a group, and to make sure the ideas become consistent habits, I'll show you how to gently integrate these new skills into your (or your students’) daily practice through bite-sized practice challenges alongside a supportive group of practice buddies from around the world.

Registration closes Sunday, March 30, 2024.

Over 2000 musicians, educators, and students and learners of all ages have participated in the course to date. You can get all the details and learn how to join Cohort 22 at:

👉 bulletproofmusician.com/essentials

bookmark
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A few weeks ago, my dog herniated a disk. He could barely sit, let alone walk and squat to do his business.
The vet gave him some drugs (apparently dogs take codeine?!), and told us that he needed to be kept in his crate, pretty much 24/7 for the next few weeks, to allow his spine to heal.
For the first week or so, it seemed like nothing was changing, and we began to worry - what do we do if this is how he is for the rest of his life?
But one day, suddenly, he had a smidge more pep in his step. The next day, things were better still. And he has continued to improve with each passing day.
Umm...and what does this have to do with music?
Well, have you ever had one of those days (or weeks), where nothing seems to be improving, and you start to wonder if the real problem is simply a lack of ability or talent?
It's easy for our mind to go there, but often, the issue is more a matter of having patience - and taking comfort in the knowledge that you're practicing the right way.
And how do you know if you're practicing the right way?
Whether it's learning how to play fast, be more in tune, nail those tricky shifts, or become a more expressive player, cellist Hans Jørgen Jensen shares insights on how to approach these issues in your daily practice.
Hans Jørgen Jensen: On Practicing With the Mind, Not Just the Fingers

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Has performance anxiety been a nagging issue that tends to get in the way of your playing, no matter how prepared you feel before performances, auditions - or even lessons? Or have you just been feeling a little stuck, like you’re not making much progress in the practice room?

If you’ve been wanting to experience more joy in the practice room and play more like yourself on stage, but haven’t been quite sure how to make that happen, starting April 6, 2025, I’ll be teaching a live, online, 4-week class on the most essential mental skills and practice strategies that can make a difference in your practicing and performing.

We’ll meet once a week via Zoom and explore the relevant research in four essential areas, experiment with a curated set of exercises and techniques together as a group, and to make sure the ideas become consistent habits, I'll show you how to gently integrate these new skills into your (or your students’) daily practice through bite-sized practice challenges alongside a supportive group of practice buddies from around the world.

Registration closes Sunday, March 30, 2024.

Over 2000 musicians, educators, and students and learners of all ages have participated in the course to date. You can get all the details and learn how to join Cohort 22 at:

👉 bulletproofmusician.com/essentials

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The Bulletproof Musician - How Intentional Errors Could Accelerate Learning
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03/26/23 • 9 min

We spend a lot of time and energy avoiding mistakes in the practice room and on stage. And we work super hard to make sure our students avoid doing things the "wrong way" too.
But what if that's actually holding us back?
A 2008 study suggests that if you do things the "wrong way" the right way, you might actually be able to accelerate learning pretty dramatically. Wait, what?!
Get all the nerdy details here (and be sure to read the full study - or at least the Discussion section - for key details on how to get the most out of this counterintuitive strategy): How Intentional Errors Could Accelerate Learning

* *
Has performance anxiety been a nagging issue that tends to get in the way of your playing, no matter how prepared you feel before performances, auditions - or even lessons? Or have you just been feeling a little stuck, like you’re not making much progress in the practice room?

If you’ve been wanting to experience more joy in the practice room and play more like yourself on stage, but haven’t been quite sure how to make that happen, starting April 6, 2025, I’ll be teaching a live, online, 4-week class on the most essential mental skills and practice strategies that can make a difference in your practicing and performing.

We’ll meet once a week via Zoom and explore the relevant research in four essential areas, experiment with a curated set of exercises and techniques together as a group, and to make sure the ideas become consistent habits, I'll show you how to gently integrate these new skills into your (or your students’) daily practice through bite-sized practice challenges alongside a supportive group of practice buddies from around the world.

Registration closes Sunday, March 30, 2024.

Over 2000 musicians, educators, and students and learners of all ages have participated in the course to date. You can get all the details and learn how to join Cohort 22 at:

👉 bulletproofmusician.com/essentials

bookmark
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Jennifer Montone is Principal Horn of The Philadelphia Orchestra, and teaches at teaches at the Curtis Institute of Music and The Juilliard School. Jennifer is an active chamber musician, hs performed as a guest artist or soloist with numerous orchestras, and the recipient of an Avery Fisher Career Grant, also has a Grammy Award for her performance of the Penderecki Horn Concerto with the Warsaw National Philharmonic. Today’s episode is made extra special, in that I’m joined by guest co-host Catherine Cho (violin). A top prize-winner at the Hannover, Queen Elizabeth, and Montreal competitions, Catherine maintains an active performing career, serves on the faculty at The Juilliard School, and has also recently been appointed Artistic Advisor of the biennial Starling-DeLay Symposium. In today’s episode, we’ll explore... 4:12 - Why is playing horn such a mental game? And what do horn players worry about anyway? Jennifer illustrates the mind of a horn player by walking us through one of her recent low points - and how she recovered. 8:32 - How do you separate how you feel from how you sound? As in, how do you avoid getting sucked into the mental negativity spiral of assuming that if you feel bad you must sound bad? 11:29 - What do violinists (and string players) worry about? And whether as a horn player or violinist (or any musician, really), how can one get to a better place mentally? 14:05 - Jennifer describes the three ingredients that seem to contribute to an optimal mental balance during performing. 17:10 - A funny anecdote which illustrates how different musicians approach nerves differently. 18:38 - Are young musicians nowadays more open to talking about nerves than in previous generations? Or is that just because teachers are more open to providing a space to talk about this than in the past? 23:46 - How does parenthood affect you as a musician? What are the positive impacts, and what are some of the challenges? 28:43 - Jennifer and Catherine describe their teaching journeys and how they’ve worked at the craft of teaching over the years. 35:22 - What kinds of notes do Jennifer and Catherine take during (or after) lessons? 37:44 - What it says on the refrigerator magnet that Jennifer will look to for support on tough days. 35:08 - The thing Catherine did one year with her studio that made a “very, very significant” change in the growth of her students that year. 43:06 - What is something that was really difficult for Jennifer and Catherine? And what is something that has come pretty easily? 46:02 - The approach Jennifer adopted when recovering from a serious jaw injury that helped her go from feeling like a player with lots of technical shortcomings, to feeling like a much stronger and more confident technical player. ==== And, if you’ve been feeling stuck on a practice or performance or audition plateau lately, you can check out the Beyond Practicing course mentioned in the episode at bulletproofmusician.com/beyondpracticing.
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FAQ

How many episodes does The Bulletproof Musician have?

The Bulletproof Musician currently has 376 episodes available.

What topics does The Bulletproof Musician cover?

The podcast is about Learning, Psychology, Music, Practice, Podcasts, Social Sciences, Science and Music Interviews.

What is the most popular episode on The Bulletproof Musician?

The episode title 'Why Your Playing (or Singing) Tends to Become Less Musically Expressive on Stage' is the most popular.

What is the average episode length on The Bulletproof Musician?

The average episode length on The Bulletproof Musician is 18 minutes.

How often are episodes of The Bulletproof Musician released?

Episodes of The Bulletproof Musician are typically released every 7 days.

When was the first episode of The Bulletproof Musician?

The first episode of The Bulletproof Musician was released on Jan 7, 2018.

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