That Shakespeare Life

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Hosted on Acast. See acast.com/privacy for more information.

During the century following Shakespeare’s life, the government tried to end playoing, shutting down theaters and passing orders against plays entirely. During this moment in history when it would have been easy for the legacy of William Shakespeare to die completely, one man who remembered William Shakespeare from his childhood, would champion the cause of theater, plays, and his mentor, William Shakespeare, to carry the legacy forward to survive the era of Oliver Cromwell, and potentially serve as the reason we continue to enjoy Shakespeare today. That man was William D’Avenant. Through the course of his life D’Avenent, through his charm and ability to tell great stories, worked his way up the status ladder in London to become not only a poet laureate but also a respected theater owner and playwright who worked alongside greats like ben Jonson, John Milton,and John Donne. As a holder of the only theater patent in London D’Avenant would use his stage to showcase 10 of Shakespeare’s most celebrated works. While decidedly a devotee of Shakespeare, William D’Avenant is recorded as claiming to be the son of William Shakespeare, and many historians believe he was actually Shakespeare’s godson. Here to share with us more about the life of William D’Avenant, whose childhood overlapped with the life of William Shakespeare, is our honored guest, Ralph Goldswain.

Society in Elizabethan England is well known for being divided by class. There were workers, peasants, aristocracy, and even a kind of middle class but what was the definition of a labourer? When it comes to exploring the roles of characters like Ariel and Caliban in Shakespeare’s Tempest it is important to understand the 16th century mindset towards labor. Under Catholic England, the monasteries had decided they placed a higher value on the ability to commune with your thoughts and labor at intellectual pursuits, whereas Protestant England had leanings toward a more active, physical labor as being more valuable, particularly an emphasis on trades like making gloves, shoes, or wool. The practical aspects of everyday life in England like food to eat, houses to live in, and clothes to wear were all built on the value of craftsmen, tradesmen, servants, laborers, and what Henry V might have called England’s yeomen. But what is an industrious servant precisely? Can we recognize one when we see them on stage? What are the appearances, actions, or conditions of a servant for Tudor England, and what was Shakespeare trying to draw attention to with characters like Ariel who spend most of the play, The Tempest, yearning for his freedom. To explore the realities of servanthood, including where superstition overlaps with practicality to create a suspicion of magic associated with good craftsmanship is our guest, James Tink.