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Switched on Pop - 32 Albums in, Elvis Costello is Just Getting Started

32 Albums in, Elvis Costello is Just Getting Started

01/25/22 • 34 min

2 Listeners

Switched on Pop

Elvis Costello burst onto the music scene in 1977 with the album My Aim Is True. Songs like “Alison” established him as a powerful new voice in rock. His next album, This Year’s Model, introduced hits like “Pump it Up,” which has resounded through stadiums and arenas across the country ever since.

From then on he released album after album, decade after decade, becoming a force to be reckoned with in pop music. Now, Costello has released his 32nd studio album, The Boy Named If, and it's a kaleidoscopic journey through many of the sounds and styles that he's experimented with over the years.

We spoke with Elvis about his wrong notes and open-ended lyrics, his much-publicized defense of Olivia Rodrigo, and why he turned down working with Adele

Songs Discussed:

Elvis Costello - Farewell, OK, Magnificent Hurt, Alison, Pump It Up

Richie Barrett - Some Other Guy

Olivia Rodrigo - Brutal

Chuck Berry - Too Much Monkey Business

Bob Dylan - Subterranean Homesick Blues

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Elvis Costello burst onto the music scene in 1977 with the album My Aim Is True. Songs like “Alison” established him as a powerful new voice in rock. His next album, This Year’s Model, introduced hits like “Pump it Up,” which has resounded through stadiums and arenas across the country ever since.

From then on he released album after album, decade after decade, becoming a force to be reckoned with in pop music. Now, Costello has released his 32nd studio album, The Boy Named If, and it's a kaleidoscopic journey through many of the sounds and styles that he's experimented with over the years.

We spoke with Elvis about his wrong notes and open-ended lyrics, his much-publicized defense of Olivia Rodrigo, and why he turned down working with Adele

Songs Discussed:

Elvis Costello - Farewell, OK, Magnificent Hurt, Alison, Pump It Up

Richie Barrett - Some Other Guy

Olivia Rodrigo - Brutal

Chuck Berry - Too Much Monkey Business

Bob Dylan - Subterranean Homesick Blues

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Previous Episode

undefined - Accidental K-pop star Eric Nam risks it all to go his own way

Accidental K-pop star Eric Nam risks it all to go his own way

Eric Nam is an accidental K-pop star. Growing up in Atlanta, and graduating from college in Boston, he did not expect that in his twenties he’s sign to a K-pop label, be named 2016 Man of the year by GQ Korea, and become a go-to television personality in South Korea. His music, imbued with his charisma and charm has charted globally. As fun as it is, the K-pop machine can be a real grind — it churns through young people not unlike the NFL draft. Nam is unusually candid about this experience, likely because he decided to quit the label system, and take his blossoming music career independent. On his second all English full length album There And Back Again Nam has full creative control, and all the burdens of sustaining a solo music career. Nam spoke with Switched On Pop co-host Charlie Harding about what it is like to go from K-pop star to indie musician.

SONGS DISCUSSED

Eric Nam - Ooh Ooh, Heavens Door, Good For You, Honestly, Can’t Help Myself (feat. LOCO), Lost On Me, I Don’t Know You Anymore, Wildfire, Love Die Young

Lee Hyori - 10 Minutes

MOMOLAND - BBoom BBoom

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Next Episode

undefined - We *do* talk about Bruno

We *do* talk about Bruno

3 Recommendations

The number one song on the charts is a bit of a mystery. “We Don’t Talk About Bruno” is the unlikely hit from Disney’s sleeper animated musical Encanto. Set in a mountainous village in Colombia, the film was a middling commercial success when it was released in Nov 2021. But in recent months it has become a pop culture phenomenon for a confluence of reasons: an expansive discourse on Colombian representation in media, fan videos on TikTok, and of course it's ear-wormy hits.

The musical is yet another notch in the belt for Lin Manuel Miranda (the auteur behind Hamilton and In The Heights) who wrote the now chart-topping song book. While Disney certainly commands vast commercial success, its musicals rarely see such crossover attention. The last #1 Disney musical number was “A Whole New World” from the animated Aladdin back in 1993. Where that song was literally uplifting, “We Don’t Talk About Bruno” is quite the opposite.

Bruno is the uncle of the Madrigal family, whose skill for seeing the future portends gloom and sends him into exile. In his namesake song “We Don’t Talk About Bruno,” an ensemble cast trade verses about his ghostly presence (Bruno haunts the family home, living inside its walls). It is an odd ball song, with dark and bizarre lyrics. Sure it starts with a story about rain on a wedding day (which is not ironic), but then it takes a hard left into tales of dead fish, middle aged weight gain, and creeping rats. So then what makes it a hit? A distinctive concoction of salsa piano rhythms, familiar Lin Manuel Miranda-isms, and contemporary pop connections to Camila Cabello, Britney Spears, J Balvin, Bad Bunny and Cardi B.

Listen to Switched On Pop to solve the mystery of what makes “We Don’t Talk About Bruno” a hit.

Songs Discussed

  • Lin Manuel Miranda - We Don’t Talk About Bruno, In The Heights, Helpless, Satisfied, My Shot, Wait For It, Say No To This
  • Cardi B, J Balvin, I Like It
  • Luis Fonsi, Daddy Yankee - Despacito
  • Camila Cabello, Young Thug - Havana
  • Britney Spears - Baby One More Time

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