Episode 16: Kathryn LeMaster: Using the Unseen to Craft a Home

01/21/19 • 53 min

And that interest had started years ago, with a family project. LeMaster’s father, gifted in construction, decided to build their family home from the ground up. The family lived in a mobile home while they first built a barn to house all of the building materials, and then started on the house a few years later. “I kind of felt like i grew up on a construction site,” LeMaster said.” I loved so much of that process of building our house and being able to be so involved in that process. Hanging doors, helping my mom pick out wall paper and paint colors.”

After graduating with her degree and working for a year and a half at a local firm as an intern and then a junior designer, LeMaster decided to take a break. She joined her mother again, helping her flip a house as LeMaster considered what her next step might be.

She didn’t intend to start a company.

Get more of Kathryn's work:
Instagram - https://www.instagram.com/kjlemaster/
Facebook - https://www.facebook.com/kathrynjlemaster/
Twitter - https://twitter.com/kjlemaster/
Website - https://kathrynjlemaster.com/

Sustaining Craft is a project of Hew&Weld Writing. There are no fees for artists and craftspeople to participate. Everything is funded through Hew&Weld and partnerships with friends: Jim Ciago (Seven Second Chance on iTunes and Spotify & Nomad Neighbors in the Denver area most weekends) and Local. Magazine (http://localmag411.com/).

Find more from Hew&Weld:

Each episode of Sustaining Craft comes with a companion article, which can be found at hewandweld.com/news.
Instagram, Facebook, Twitter: @hewandweld
Sustaining Craft is also on Instagram: @sustainingcraft

Special Guest: Kathryn LeMaster.

She didn’t intend to start a company.

Find more from Hew&Weld:

Each episode of Sustaining Craft comes with a companion article, which can be found at hewandweld.com/news.
Instagram, Facebook, Twitter: @hewandweld
Sustaining Craft is also on Instagram: @sustainingcraft

Special Guest: Kathryn LeMaster.

Previous Episode

Episode 15: Robert Bean: Reading a Painting Through Visual Vocabulary

Robert Bean found himself stuck between needing a job that didn’t involve his craft, wanting to spend time with friends, and still being able to practice his art. “I have to practice, I have to draw, I have to create,” Bean said. “At the same time, I don’t want my life to be nothing but, I go to work, and then I come home and go to work. ... I got creative and I said, ‘Well, what would happen if my friends were going out to dinner, or we’re going out to grab a beer or something--what happens I just take a sketch book with me?’ And so I started drawing on site. I started going out with friends and I would take a sketchbook and I would sketch while we were out. I do that all the time now.”

Bean turned the idea into a class at the Arkansas Arts Center, Urban Sketchbook, where he also serves as the Painting & Drawing Department Chair of the Museum School. “I encourage my students, if you’re sitting around in the doctor’s office, take a sketchbook,” Bean advised. “Draw in the waiting room. If you’re sitting at the DMV, draw while you’re sitting there. Waiting for your car to get fixed, sketch. You can find the time to sketch. You can find the time to keep those drawing skills alive because we have a lot more dead time in our days than we realize. It’s the idea of developing those kinds of disciplines that eventually roll around into making money. Because as soon as you start to create enough, as soon as you start to draw enough, you build body of work. Once you build that body of work, then you can show it. It took me ten years of figuring things out. I do look back at that period in my twenties and go, what if I had that mentor when I was 21 years old that would come in and say, ‘You’ve got to do this and this and this’? Maybe I would have started to make money earlier, but I was in my late twenties before I started making money somewhat consistently with my work."

Get more of Robert's work:
Gallery 26 - http://www.gallery26.com/
Instagram - https://www.instagram.com/rbfineart/
Facebook - https://www.facebook.com/RBFineArt
Website - http://www.rbfineart.com/

Sustaining Craft is a project of Hew&Weld Writing. There are no fees for artists and crafts people to participate. Everything is funded through Hew&Weld and partnerships with friends: Joshua Kurtz, Morgan Allain (The Inkling Girl), Jim Ciago (Seven Second Chance & Nomad Neighbors), and Local. Magazine.

Find more from Hew&Weld:

Each episode of Sustaining Craft comes with a companion article, which can be found at hewandweld.com/news.
Instagram, Facebook, Twitter: @hewandweld
Sustaining Craft is also on Instagram: @sustainingcraft

Special Guest: Robert Bean.

Next Episode

Episode 17: Matthew Castellano: Building Community Through Art

When the gallery was in danger of closing, Castellano decided he would take on the project. He started raising money and planning pop-ups, absorbing the risk. “I didn't want to bring anybody else down,” he shared. “I wanted to do it pretty much on my own back. I did the GoFundMe for it and I had a lot better response than I thought I've ever had. So I have to do it now. Yeah, it's like yes, okay, I get to do it and have to do it. ... It's really the community.”

He’s also built an educational element into the gallery, sharing the smaller details of working with galleries, like making sure a name is on the back of every art piece, resumes and portfolios are up-to-date, and that every “no” hits hard, but each “yes” makes up for it. “I've been rejected more times than I've been accepted but I was accepted a few times and that makes all the difference,” he said. “I want to be the person that I didn't have.”

Each artist accepted into Gallery 360 walks away learning how to work with other galleries as well. “Everyone that gets to show here is going to learn how to be an artist by the end of their show,” Castellano said. “That way, they are stronger about going into other places and being represented. A lot of times, gallerists and people that represent don't want to have to deal with people that don't know. It's a lot of work on their end. if they come in and they're completely perfect, then they have nothing but good roads ahead of them. So even the smallest things like not putting information on the back of the piece is detrimental sometimes because you never know if that could be a sale or if you're never gonna see that piece again because it can get lost.”

Find more of Matthew's work:
Art Instagram - https://www.instagram.com/matthewcastellanoart/
Gallery Instagram - https://www.instagram.com/lr_360/
Gallery Facebook - https://www.facebook.com/360Gallery/
Website - https://manvswheel.bigcartel.com/
GoFundMe - https://www.gofundme.com/gallery360
Ultraviolet - https://www.facebook.com/events/824094007942154/

Find more from Hew&Weld:

Each episode of Sustaining Craft comes with a companion article, which can be found at hewandweld.com/news.
Instagram, Facebook, Twitter: @hewandweld
Sustaining Craft is also on Instagram: @sustainingcraft

Special Guest: Matthew Castellano.