
Sustaining Craft
Elizabeth Silverstein
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Goodpods has curated a list of the 10 best Sustaining Craft episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Sustaining Craft for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Sustaining Craft episode by adding your comments to the episode page.

11/01/18 • 36 min
Determined to fulfill the vision she’d had as a child, Legenia Bearden began researching to make her dream, the Bearden Productions Center for the Arts, a reality. In 2006, she found the resources to file for her 501(c)(3) status and was approved three months later.
But it would be another eight years to fully get her vision off the ground. “I just stopped doing stuff, once we got our 501(c)(3) status,” Bearden explained. “It just wasn’t moving fast enough for me when I tried to actually start the business, so I kind of let it just sit there and nothing happened until 2014.
She taught drama for a bit, then worked for the city until 2014. “When I started Bearden Productions, I was still working at the city, and it would just be on my heart every day as I was driving to work,” Bearden shared. “And I’m like, I’m thinking, ‘Oh, I don’t want to be going to work.’ I just knew I was not supposed to be doing it. I just knew in my heart, this is not something I’m supposed to be doing. So I remember, that one particular day, I was crying on my way to work. I went to work, I sat down, and I’m still crying. I’m working. During my lunch, I said, ‘Ok, if I do this, I’m going to need a building.’”
She found the space, renting a dance studio in the basement of a church for $300 a month. “And it was ours,” Bearden said. “Just that simple, just that quick. Like all within a week. I thought about it, I moved, and I did it.”
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More of Bearden Productions Center for the Arts:
Facebook - https://www.facebook.com/beardenproductions/
Twitter - https://twitter.com/bppas_
Instagram - https://www.instagram.com/_bpca/
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Want the full article about Bearden? Head on over to http://hewandweld.com/news/.
Find Hew and Weld on Instagram, Facebook, and Twitter as hewandweld.
Special Guest: Legenia Bearden.

Episode 23: Brandy Mimms: Listening with Your Eyes
Sustaining Craft
02/12/20 • 59 min
Growing up in the hearing world, Brandy Mimms didn’t realize for years that there was an entire other community she could participate in. “I grew up mostly in the hearing world,” Brandy explained. “So we have the deaf world and we have the hearing world. I grew up in the hearing world because my family wanted me to be hearing so badly. I appreciate them, thank you, but they never really exposed me to the deaf world as a kid.”
Still, she followed her interests, which included music. To listen, she simply has to feel it. “I have to feel the vibration,” she explained. “I can hear it a little bit in my hearing aids, yes, and I’m not saying it has to be rocking loud, but it has to be loud enough for me to really feel it where I can feel, okay, this is hard or this is soft. I need to feel that. If I don’t feel it, I feel like, ah I’m lost. I don’t know where I’m going. I feel very crazy. That’s how I listen to music -- feeling the beat. And I have bluetooth hearing aids, so music is always in my ears when I’m not talking to people. I’m always listening to music. The vibration is right there. I have a love for music and music helps me with my dancing and helps me to express myself.”
Find more about Brandy:
Instagram - https://www.instagram.com/uniquethedeafdancer/
Unique the Deaf Dance Facebook - https://www.facebook.com/Unique-The-Deaf-Dancer-304624890492835/?ref=br_rs
Listen With Your Eyes Dance Troupe Facebook - https://www.facebook.com/ListenWithYourEyesDanceTroupe/
Personal Facebook - https://www.facebook.com/brandy.mimms.35
Website - http://www.brandymimms.com/
Sustaining Craft is a passion project of Hew & Weld Writing. There are no fees for artists and craftspeople to participate. Music provided by Jim Ciago (Seven Second Chance on iTunes and Spotify & Nomad Neighbors in the Denver area most weekends).
Instagram - https://www.instagram.com/sustainingcraft/
Facebook - http://facebook.com/sustainingcraft
Find more from Hew & Weld:
Website - https://www.hewandweld.com/news
Instagram - https://www.instagram.com/hewandweld/
Facebook - https://www.facebook.com/hewandweld/
Special Guest: Brandy Mimms.

09/19/18 • 35 min
Ferneau is quick to point out that he has a good team. His method of management lines up with his own personal philosophy -- being able to learn from mistakes and move forward. “Competition is natural, and you always want to be the best, but I guess you have to be beaten down a bit or be born a little bit wiser to be able to take a step back and look at your failures, rather then brush them under the rug and say they never happened,” Ferneau said. “Something I’ll say to people, if they look at it through a peephole or somewhat of a closed mind, it will piss them off, but whenever I see somebody fail, and they come and tell me about it, usually complaining, I just ask them, ‘Did you learn anything? What did you learn?’ And sometimes, if they’re already aggravated, they’re quick to think I’m being condescending with them, but literally I’m asking a question. ‘What did you learn from this? Okay, it might have cost you x amount of dollars, but what did you learn from it?’ When my cooks burn something or they mess up a stock, or just little weird things that cost me money, I’m investing in that person right there. ‘What did you learn from this? It was an expensive mistake, so tell me you learned something. ‘Cause I just don’t want to just fire you.’ It took me a long time to get there. You have to put your ego in your pocket sometimes.”
Special Guest: Donnie Ferneau.

10/22/18 • 46 min
Ever the researcher, Katy Raines discovered that becoming a graphic designer meant she could create as a career without foregoing the paycheck. There was also the freedom of creating the art she loved in her spare time. “I figured I could do the graphic design full time and then do fine art on the side and still have fun with it,” Raines said.
In 2014, Raines graduated from the University of Arkansas at Little Rock with a degree in graphic design and a job. The job started as an internship in 2013, over her senior year of college. A professor had emailed her about the position, suggesting she apply. “I saw it and I was like heck yeah,” Raines said. “It’s an internship, they just want part-time, this would be perfect for my senior year or over the summer, whatever. So I was actually in Hawaii when I found the email on my honeymoon. My husband was still asleep so I got up super early and luckily I had my laptop with me and I finished my portfolio and sent my resume. And I sent it to my current boss now and she emailed me back the same day.”
They scheduled an internship after her return. Jet lagged, Raines thought she’d bombed.
She began the internship at Colliers International soon after while she finished her degree, working 20 hours a week while going to classes. “They didn’t have a marketing department at all about a month before I started,” Raines explained. “And then my boss said, ‘We have to have a designer.’ And so now I’ve gotten to do everything from photography to web to social media to actual graphic design work.”
Read more: http://hewandweld.com/katy-raines/
Special Guest: Katy Raines.

Episode 12: Katie Childs: Problem Solving with Photographs
Sustaining Craft
10/10/18 • 28 min
Now, Katie Childs photographs over 30 weddings a year, along with family portraits. In 2018, she booked 35 weddings, but hopes to reduce to 20 yearly. That may prove challenging--she’s already booked 14 weddings for 2019. Childs also started working with the Arkansas Times this year, traveling to farms for Food and Farm, and working on family-based shoots for Savvy. Savvy has brought projects that have been familiar due to her previous work, while Food and Farm offers opportunities to learn additional photography skills. “We’ll do the farmer’s portraits and try to pull a story from their farm and situation,” Childs explained. “With the cattle and corn, I’m just doing a documentary kind of style. A lot of the time, with these shoots, I don’t get to choose what time of day or what situation the cattle or the corn is going to be in. So it might be in the middle of the day. I’m trying to make the best use of whatever’s happening. And that is its own specific challenge, but I love figuring things out like that, it’s kind of my favorite thing. If it were super easy all the time, I don’t think I’d enjoy doing it. I like being thrown into a situation and having to figure it out.”
Special Guest: Katie Childs.

09/04/18 • 26 min
Crafting a single piece of pottery can take up to three weeks. There’s the design stage, then the piece is created on the pottery wheel and must dry completely before it goes into the kiln. “If that moisture, as it leaves the clay, if it is rushed, it will crack in the kiln,” Quintanar explained. “It has to be bone dry, that’s what we call it when all the moisture is out of the pot. That takes days.”
The firing takes a few days, and then the pot is glazed and fired again. The kilns at the arts center are massive and can fit a couple of thousand pieces. With about 200 students and teachers creating throughout the week, it still takes time to fill the kilns.
Now, Quintanar is working on his end-of-residency show and experimenting with colored clay and colorful slips. “I want the show to be really bright and colorful,” Quintanar shared. “I’ve been making my own clay and mixing up my own slips, which are colorful slips that are applied on the surface.”
Slips consist of clay with water added and can be painted on a piece of pottery. Quintanar has been focused on experimenting for four months and has found some trial and error in the process. “I’ve had a lot of failures recently, after the firings, losing the colors,” he explained. “I could show you tons of tests of little white cups that are supposed to be purple and pink and blue. ... I really finally think I’ve come upon a direction that might work. I haven’t so much thought about the forms yet. Like I said, I want it to be functional. So, of course, there will be bottles, jars and cups and possibly bowls. But there’s so many design elements to choose from, so I need to do a lot of brainstorming and drawing and sketching for those things, but I think it’s going to be really exciting. It’s going to be really colorful if it all goes well.”
Special Guest: Adrian Quintanar.

Episode 8: Tabatha Reeves: Storytelling with Candle Scents
Sustaining Craft
09/10/18 • 33 min
And they keep their product lines interesting, even taking special orders. “We have these really unique niche scents in some of our candles, so they work really well for historical reenactors, but they’re not going to sell to somebody else,” Reeves said. “We have a state park that we contract to that deals with historical reenactors all the time, and one of their properties on the park is a jail. We designed an entire line of candles just for their jail, scents that would have been in a jailhouse in the mid-1800s to early 1900s when it was operational.”
One of those specialty scents is called The Sheriff. “It kind of smells like this dirty man that’s been smoking a pipe,” Reeves explained. “When I smell it, I get the thought of the cowboy with his feet up on the desk, and the big sheriff badge and a hat over his face, sleeping while his prisoners are in the cells behind him. That’s what it conjures for me. Many of our scents are like that. You can smell it and you can conjure this idea of what it is supposed to be in your head.”
But not everyone can smell the candles. “A lot of men can’t smell,” Reeves explained. “I didn’t realize this until I started dealing with men on a regular basis. Men, blue-collar workers, a lot of them can’t smell because they’ve worked around chemicals their whole life. Or they’ve worked around major smells their whole life. My dad is a maintenance man at a roofing plant. My dad can’t smell anything. Asphalt’s burned the inside of his nose. So he can’t smell candles. My dad can’t smell when something is cooking. And he’s not the only one.”
Special Guest: Tabatha Reeves.

Episode 5: Suzanne Godbold: Baking the Perfect Sugar Cookie
Sustaining Craft
08/20/18 • 31 min
When Long moved to Florida, Godbold and Cook divided the remaining responsibilities. While they at first tried splitting the baking and the decorating, they found the workflow wasn’t efficient. Cook, who has a degree in business, took over the finances, taxes, and practical business needs. Godbold took on all of the baking, decorating, social media, and marketing.
Along with refining her baking skills, Godbold learned that her customers weren’t on Instagram or Facebook. “At the beginning, I was trying to do paid ads and do all these things and market on Facebook but that really doesn’t sell for this market,” she explained. “Most of my customers didn’t find me on Facebook. It was word of mouth or they tried our cookies at someone’s event. Once I figured that out, it took a lot of stress off of social media. Social media is just fun. It’s a fun case to showcase our art and product and meet people.”
Referrals turned into regular customers, and they also started selling cookies at the Me and McGee Market, a stand dedicated to local produce, meats, cheese, products, and crafts.
“When we first started marketing, it was a little bit of a struggle trying to find who our customer is,” shared Godbold. “Who would appreciate what we do and who is looking for what we were offering because we’re not trying to compete with Walmart. We’re not even trying to compete with some of the other local storefront bakeries. You can’t call me up on a Tuesday morning and say, ‘Hey, can I have three dozen decorated cookies by this afternoon?’ It’s not going to happen because I need at least three days. It took a little bit, but once we really found our customer base, who understands us, they understand what we put into it. They know that I’m a stay-at-home mom and that I do this from 8 pm until midnight or sometimes later during the week. They appreciate our work and are willing to pay for what we’re offering.”
Special Guest: Suzanne Godbold.

04/02/20 • 16 min
In the four years since we last talked, Morgan has moved on from her Muse series, which she focused on for two years. She's branched out into working on several different series, with focus ranging from Greek mythology to folklore to mushrooms. She's also teaching herself new methods and skills. "It’s fun trying new papers and different brushes and stuff because I’ve been missing out on a lot," Morgan said. "I’m kind of sad I didn’t discover this stuff sooner because it’s working on different mediums or different papers. I have to learn how to use the paint totally differently than on other stuff that I’ve worked on. It’s really interesting and keeps me from getting bored."
Read the rest at: https://hewandweld.com/news/
Find out more about Morgan:
Instagram - https://www.instagram.com/theinklinggirl/
Patreon - https://www.patreon.com/TheInklingGirl
Etsy - https://www.etsy.com/shop/theinklinggirl/
Sustaining Craft is a passion project of Hew & Weld Writing. There are no fees for artists and craftspeople to participate. Music provided by Jim Ciago (Seven Second Chance on iTunes and Spotify).
Instagram - https://www.instagram.com/sustainingcraft/
Facebook - http://facebook.com/sustainingcraft
Find more from Hew & Weld:
Website - https://www.hewandweld.com/news
Instagram - https://www.instagram.com/hewandweld/
Facebook - https://www.facebook.com/hewandweld/
Special Guest: Morgan Allain.

Episode 32: Ti King: Podcasting for Connection
Sustaining Craft
06/02/23 • 51 min
Ti King is the CEO of American Business Engine and the co-founder of the nonprofit Arkansas Podcast Collaborative. He shared his creative journey, how he discovered podcasts, and what's next for Arkast, the only Arkansas podcast convention.
“Anyone can get started with any type of equipment. Everybody has at least a cell phone. That’s how I started way back in the day. And people aren’t worried so much about audio quality more than they are about your content. We’ll help you refine your content, what it is that you’re trying to say, and get your episodes lined up in a way that you can record them and release them and get them out to the public.” - Ti King
Watch the YouTube video here: https://youtu.be/GFBXubk81Vs
Learn more about Ti:
Instagram - https://www.instagram.com/ambizengine/
Facebook - https://www.facebook.com/americanbusinessengine
Website - https://www.americanbusinessengine.com
Arkansas Podcast Collaborative / Arkast - https://www.arkansaspodcasters.org/arkast
Sustaining Craft provides storytelling resources and shares the tales of those pursuing their art or craft. Music provided by Jim Ciago (Seven Second Chance on iTunes and Spotify & Nomad Neighbors in the Denver area most weekends).
Instagram - https://www.instagram.com/sustainingcraft/
Facebook - http://facebook.com/sustainingcraft
Website - https://www.sustainingcraft.com
Special Guest: Ti King.
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FAQ
How many episodes does Sustaining Craft have?
Sustaining Craft currently has 34 episodes available.
What topics does Sustaining Craft cover?
The podcast is about Animals, Stories, Painting, Photography, Creative Business, Art Business, Novels, Marketing, Art, Craft, Woodworking, Music, Creative, Opera, Writing, Drawing, Passion, Storytelling, Nonprofit, Podcasts, Books, Small Business, Arts, Business and Content.
What is the most popular episode on Sustaining Craft?
The episode title 'Episode 17: Matthew Castellano: Building Community Through Art' is the most popular.
What is the average episode length on Sustaining Craft?
The average episode length on Sustaining Craft is 37 minutes.
How often are episodes of Sustaining Craft released?
Episodes of Sustaining Craft are typically released every 19 days, 3 hours.
When was the first episode of Sustaining Craft?
The first episode of Sustaining Craft was released on Jul 12, 2018.
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