
Ep 5.7 // Boyhood w/ Max Goransson
05/03/23 • 85 min
1 Listener
It’s Jeremiah’s Round 5 Bonus Pick: Boyhood, the 2014 film directed by Richard Linklater.
Boyhood tells the story of a young boy, his slightly older sister, their divorced parents, and the people who come in and out of their lives over the course of 12 years, from the time the boy is 6 until he’s 18. Step-parents come and go, or even stay. Many moves are made. And we see the ways in which the parents’ decisions and actions affect their kids until they begin to have more agency and independence.
The story is told a year at a time, and, of course, the special thing about it is that it was also filmed a year at a time, so we see every main or recurring character actually age as the film progresses. The effect of the year-by-year production schedule is that each section of the film is something of a time capsule of both the era when it was shot and the time in each cast members’ life, thus lending an air of docu-realism that could never be achieved if it had been filmed more traditionally as something of a period piece. Linklater, cast, and crew would shoot for a few weeks each year, with the script being written as they went to take into account where the actors were in their lives and, to some extent, what was going on in the world and culture from year to year.
The film was budgeted at $200,000 per year of shooting – or $2.4 million total – and ended up earning $57.3 million making it a box office success, especially when considering that it was never in more than 775 theaters in the US. Critical reception was also strong, with many naming it the best, or among the best, films of its year.
Sight And Sound magazine, for the record, polled 112 international contributors and colleagues to decide their top 20 films of 2014 and ranked Boyhood #1.
The film also won the top prize of the year from a number of other critics groups and other organizations. And Patricia Arquette and Ethan Hawke, received much praise for their portrayals of the estranged parents in the film. It was nominated for 6 Academy Awards, but only Patricia Arquette won, for Best Supporting Actress. It’s other nominations were for Best Picture, Best Director, Best Supporting Actor (Ethan Hawke), Best Original Screenplay, and Best Film Editing.
As for our purposes on this podcast, Jeremiah chose this movie as one that he thought deserved to be in the conversation of the Best Films for the 2022 Sight And Sound Poll. It was chosen back before the 2022 poll was out and, as it turns out, it did not make the list. That said, of the ballots that have been made public, director George Miller noticeably had it in his top 10.
Produced by Stereoactive Media
It’s Jeremiah’s Round 5 Bonus Pick: Boyhood, the 2014 film directed by Richard Linklater.
Boyhood tells the story of a young boy, his slightly older sister, their divorced parents, and the people who come in and out of their lives over the course of 12 years, from the time the boy is 6 until he’s 18. Step-parents come and go, or even stay. Many moves are made. And we see the ways in which the parents’ decisions and actions affect their kids until they begin to have more agency and independence.
The story is told a year at a time, and, of course, the special thing about it is that it was also filmed a year at a time, so we see every main or recurring character actually age as the film progresses. The effect of the year-by-year production schedule is that each section of the film is something of a time capsule of both the era when it was shot and the time in each cast members’ life, thus lending an air of docu-realism that could never be achieved if it had been filmed more traditionally as something of a period piece. Linklater, cast, and crew would shoot for a few weeks each year, with the script being written as they went to take into account where the actors were in their lives and, to some extent, what was going on in the world and culture from year to year.
The film was budgeted at $200,000 per year of shooting – or $2.4 million total – and ended up earning $57.3 million making it a box office success, especially when considering that it was never in more than 775 theaters in the US. Critical reception was also strong, with many naming it the best, or among the best, films of its year.
Sight And Sound magazine, for the record, polled 112 international contributors and colleagues to decide their top 20 films of 2014 and ranked Boyhood #1.
The film also won the top prize of the year from a number of other critics groups and other organizations. And Patricia Arquette and Ethan Hawke, received much praise for their portrayals of the estranged parents in the film. It was nominated for 6 Academy Awards, but only Patricia Arquette won, for Best Supporting Actress. It’s other nominations were for Best Picture, Best Director, Best Supporting Actor (Ethan Hawke), Best Original Screenplay, and Best Film Editing.
As for our purposes on this podcast, Jeremiah chose this movie as one that he thought deserved to be in the conversation of the Best Films for the 2022 Sight And Sound Poll. It was chosen back before the 2022 poll was out and, as it turns out, it did not make the list. That said, of the ballots that have been made public, director George Miller noticeably had it in his top 10.
Produced by Stereoactive Media
Previous Episode

Ep 5.6 // Apocalypse Now
It’s Alicia’s 5th pick: Apocalypse Now, the 1979 film directed by Francis Ford Coppola.
Coppola’s fellow New Hollywood/Movie Brat filmmaker, John Milius first conceived of adapting ‘Heart of Darkness’ as a Vietnam War movie sometime in the late ‘60s. The original plan was for Milius to write, Coppola to produce, and for George Lucas to direct. Eventually, as Lucas became busy with other projects, Coppola became the project’s director and co-writer.
The film’s shooting schedule in the Philippines was originally set for 5 months, but ended up taking more like 14 months. A lot of the reasons why are pretty well documented in the 1991 documentary spearheaded and co-directed by Eleanor Coppola, Francis’ wife – it’s called Hearts of Darkness: A Filmmaker's Apocalypse and is totally worth checking out.
Reviews at the time were mixed, with some crowning it a high achievement from the start while others praised the impressive craft of the filmmaking, but found the storytelling wanting. Despite its mixed critical reception, it made good money at the box office and ended up winning the Palme d'Or at Cannes. It also won two Academy Awards for Best Cinematography and Best Sound, and was nominated for another 6: Best Picture; Best Director; Best Actor in a Supporting Role, Robert Duvall; Best Adapted Screenplay; Best Art Direction; Best Film Editing.
The big winner at the Oscars that year, though, was Kramer vs. Kramer.
As for our purposes, Apocalypse Now has only been in the top 10 of one of Sight And Sound’s polls once, when the directors list had it at number 6 in 2012. In the new 2022 polling, it was ranked #19 by critics and #18 by directors.
Produced by Stereoactive Media
Next Episode

Ep 6.1 // Round 6 Picks!
In our next batch of movies, we'll be traveling from the Soviet Union to Florida with stops in Sweden, Hollywood, and Djibouti along the way...
So, listen up as we reveal our picks for what we’ll be watching in Round 6 of the podcast!
Also, we introduce a special guest who’ll be joining us for all of Round 6!
Produced by Stereoactive Media
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