
Ep 2.4 // Bicycle Thieves
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05/21/21 • 76 min
It’s Lora’s 2nd pick: ‘Bicycle Thieves,’ the 1948 film directed by Vittorio De Sica. It’s an emblematic example of the neorealist movement that developed in Italy after World War II, depicting the lives of everyday people struggling to get by, and mostly cast with non-professional actors. It was voted the #1 greatest film of all time in the very first critics poll Sight & Sound magazine did back in 1952. Since then it’s placed #7 in 1962 and as a runner up in 1992. It was also on the directors poll, at #6 in 2002 and #10 in 2012.
Produced by Stereoactive Media
It’s Lora’s 2nd pick: ‘Bicycle Thieves,’ the 1948 film directed by Vittorio De Sica. It’s an emblematic example of the neorealist movement that developed in Italy after World War II, depicting the lives of everyday people struggling to get by, and mostly cast with non-professional actors. It was voted the #1 greatest film of all time in the very first critics poll Sight & Sound magazine did back in 1952. Since then it’s placed #7 in 1962 and as a runner up in 1992. It was also on the directors poll, at #6 in 2002 and #10 in 2012.
Produced by Stereoactive Media
Previous Episode

Ep 2.3 // The General
It’s Stephen’s 2nd pick: ‘The General,’ the 1926 film directed by Buster Keaton and Clyde Bruckman – and of course also starring Buster Keaton. It’s an action comedy set during the Civil War and largely centered around a stolen train and plenty of stunt work and it’s been on Sight & Sound magazine’s decennial poll of the “greatest films” twice – at #8 in 1972, then at #10 in 1982.
Produced by Stereoactive Media
Next Episode

Ep 2.5 // L’avventura
It’s Alicia’s 2nd pick: ‘L’avventura,’ the 1960 film directed by Michelangelo Antonioni. It’s departure from until-then standard plotting was something of a breakthrough and, along with other films by like-minded filmmakers of the time, helped to influence films – and style – to come. It was voted 2nd in Sight & Sound magazine’s ‘greatest films’ poll in 1962, then came in at #5 in 1972 and #7 in 1982.
Produced by Stereoactive Media
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