
Ep 1.1 // Introductions & Round 1 Movie Draft
02/09/21 • 29 min
Welcome to a new movie podcast featuring 5 friends leading discussions on movies. In our inaugural episode, we discuss the decennial Sight & Sound poll, then each pick a movie that’s appeared on the list to watch in future episodes. So, listen along to find out which movies we’ll be watching, then watch along with us–and maybe even participate in the podcast?
- 00:00 - Intro + the last good movies we saw
- 05:08 - About the show / about the Sight & Sound poll
- 11:50 - Our movie picks
- 17:34 - Potential questions/issues with the Sight & Sound poll
- 23:00 - What we were watching in 2020 / comfort movies
- 26:14 - ‘The Invisible Man’ / does Elisabeth Moss shop at “that” Target?
- 27:50 - Our 1st movie might inspire Lora to chop off her hair
- 28:41 - Outro
Produced by Stereoactive Media
Welcome to a new movie podcast featuring 5 friends leading discussions on movies. In our inaugural episode, we discuss the decennial Sight & Sound poll, then each pick a movie that’s appeared on the list to watch in future episodes. So, listen along to find out which movies we’ll be watching, then watch along with us–and maybe even participate in the podcast?
- 00:00 - Intro + the last good movies we saw
- 05:08 - About the show / about the Sight & Sound poll
- 11:50 - Our movie picks
- 17:34 - Potential questions/issues with the Sight & Sound poll
- 23:00 - What we were watching in 2020 / comfort movies
- 26:14 - ‘The Invisible Man’ / does Elisabeth Moss shop at “that” Target?
- 27:50 - Our 1st movie might inspire Lora to chop off her hair
- 28:41 - Outro
Produced by Stereoactive Media
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COMING SOON!
5 person discussions on films, starting with those on the decennial movie polls put out by Sight & Sound magazine.
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Ep 1.2 // The Passion of Joan of Arc
For our first full-fledged movie chat is about Mia’s pick... ‘The Passion of Joan of Arc.’ Directed by Carl Dreyer, the movie depicts the final days of Joan of Arc, as she was held captive by the English and stands trial at the hands of clerics who doubt her claims of being an agent of God. In it, Maria Falconetti, as Joan, depicts a would-be saint struggling to keep her faith in the face of persecution and death. As a film, it's known for its heavy reliance on close-ups, especially those of Falconetti, as you see every raw emotion on her face from moment to moment. Dreyer, a Danish filmmaker, was invited by a French company to make the film – which was itself controversial among many of the French, who believed the story of such a hero of France should be told by a French filmmaker. Almost immediately, after the film was finished, it was compromised through censorship and fire, leaving versions of the film that Dryer was unhappy with as the ones that people mainly saw for years. Even then, though, it was still considered a critical success and even a quick classic.
Produced by Stereoactive Media
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