
Bitcoin Bank Heist
11/13/24 • 39 min
4 Listeners
Imagine this: invisible robbers break into a bank and steal massive sacks of cash, but instead of running away with it they set their haul on the front stoop of the bank in a glass case. Everyone can see the money, but only the robbers can get to it. That’s how IRS Special Agent Chris Janczewski describes the 2016 Bitfinex heist – when mystery hackers made out with over $70 million in Bitcoin. By 2020, their loot had ballooned to over $4 billion. With only digital footprints to follow, federal agents tracked the criminals through the blockchain, across the dark web, and up the service elevator of a posh Manhattan apartment building in a sleuthing story that ends at the Smithsonian.
The renovated The Value of Money exhibition will be opening at the National Museum of American History in November 2024. Check it out in person or online!
Guests:
Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History
Zia Faruqui, United States Magistrate Judge at the District Court for the District of Columbia
Ari Redbord, Ari Redbord is the Global Head of Policy at TRM Labs
Chris Janczewski, Head of Global Investigations at TRM Labs, previously a special agent with IRS-CI Cyber Crimes Unit
Imagine this: invisible robbers break into a bank and steal massive sacks of cash, but instead of running away with it they set their haul on the front stoop of the bank in a glass case. Everyone can see the money, but only the robbers can get to it. That’s how IRS Special Agent Chris Janczewski describes the 2016 Bitfinex heist – when mystery hackers made out with over $70 million in Bitcoin. By 2020, their loot had ballooned to over $4 billion. With only digital footprints to follow, federal agents tracked the criminals through the blockchain, across the dark web, and up the service elevator of a posh Manhattan apartment building in a sleuthing story that ends at the Smithsonian.
The renovated The Value of Money exhibition will be opening at the National Museum of American History in November 2024. Check it out in person or online!
Guests:
Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History
Zia Faruqui, United States Magistrate Judge at the District Court for the District of Columbia
Ari Redbord, Ari Redbord is the Global Head of Policy at TRM Labs
Chris Janczewski, Head of Global Investigations at TRM Labs, previously a special agent with IRS-CI Cyber Crimes Unit
Previous Episode

The Wide Awakes
They carried torches and marched at night. Their goal: defend free speech in America. What started as a small group of young men demonstrating during the 1860 election, snowballed into a mass movement of working-class Americans marching to end slavery. They called themselves the Wide Awakes. And they’re widely seen as the political force that helped elect Abraham Lincoln and spur the Civil War. So why has their story gone untold? And why is now the time to tell it?
Guests:
Jon Grinspan, Curator of Political History at the Smithsonian's National Museum of American History. Author of Wide Awake: The Forgotten Force that Elected Lincoln and Spurred the Civil War
Kevin Waite, Associate Professor of History at Durham University. Author of West of Slavery: The Southern Dream of a Transcontinental Empire
Next Episode

Finding Cleopatra
Edmonia Lewis was the first sculptor of African American and Native American (Mississauga) descent to achieve international fame. Her 3,000-pound masterwork, “The Death of Cleopatra,” commemorated another powerful woman who broke with convention... and then the sculpture disappeared. On this return episode of Sidedoor, we find them both.
You can see "The Death of Cleopatra" at the Smithsonian American Art Museum. The new exhibition, The Shape of Power: Stories of Race and American Sculpture features 82 artworks created between 1792 and 2023, including two by Edmonia Lewis.
Guests:
Marilyn Richardson, art historian and independent curator
Kirsten Pai Buick, professor of art historian at the University of New Mexico and author of Child of the Fire: Mary Edmonia Lewis and the Problem of Art History's Black and Indian Subject
Karen Lemmey, the Lucy S. Reign Curator of Sculpture at the Smithsonian American Art Museum
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