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Shat the Movies: 80's & 90's Best Film Review - 8mm (1999)

8mm (1999)

Explicit content warning

01/01/25 • 71 min

Shat the Movies: 80's & 90's Best Film Review

Happy New Year’s Eve, movie lovers! This week, the Shat crew bids farewell to 2024 with a truly twisted trip back to 1999 and Joel Schumacher’s descent into darkness: 8mm. Nicholas Cage trades in his bees for smokes, Joaquin Phoenix dons the most questionable crop tops ever filmed, and we discover that apparently, “Are you a cop?” is still the universal password for underground crime rings.

Join Gene Lyons and Big D as they wrestle with the true horrors of the film: not just snuff movies, but also parenting during awkward sex scenes, inexplicably bad investigative decisions, and the economics of murder in an era where a 20-inch shovel costs less than a Big Mac combo. Is 8mm a misunderstood thriller or a time capsule of 1999’s obsession with edgy “dark detective” tales?

Find out if this cinematic black hole ends the year with a bang or just wipes itself out. Spoiler alert: It’s not the bees, but it might be the belly tees.

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Happy New Year’s Eve, movie lovers! This week, the Shat crew bids farewell to 2024 with a truly twisted trip back to 1999 and Joel Schumacher’s descent into darkness: 8mm. Nicholas Cage trades in his bees for smokes, Joaquin Phoenix dons the most questionable crop tops ever filmed, and we discover that apparently, “Are you a cop?” is still the universal password for underground crime rings.

Join Gene Lyons and Big D as they wrestle with the true horrors of the film: not just snuff movies, but also parenting during awkward sex scenes, inexplicably bad investigative decisions, and the economics of murder in an era where a 20-inch shovel costs less than a Big Mac combo. Is 8mm a misunderstood thriller or a time capsule of 1999’s obsession with edgy “dark detective” tales?

Find out if this cinematic black hole ends the year with a bang or just wipes itself out. Spoiler alert: It’s not the bees, but it might be the belly tees.

Subscribe Now

Help Support the Podcast

Previous Episode

undefined - The Muppet Christmas Carol (1992)

The Muppet Christmas Carol (1992)

This week, the Shat Crew dives into the heartwarming holiday classic: The Muppet Christmas Carol! Directed by Brian Henson and starring the legendary Michael Caine, this 1992 retelling of Charles Dickens’ beloved tale combines Victorian drama with whimsical Muppet humor. But does it still hold up today? 🤔

Join Gene and Big D as they explore the film’s unique blend of festive joy and unexpected darkness, dissect its memorable (and not-so-memorable) songs and debate the modern relevance of Dickens' moral lessons. Along the way, they celebrate Gonzo and Rizzo’s comedic brilliance, reminisce about Christmas traditions, and even reimagine A Christmas Carol with Jeff Bezos as Scrooge.

Whether you're curious about the behind-the-scenes magic (and controversies), this episode promises Muppet mayhem, holiday cheer, and thoughtful commentary on one of Disney’s quirkiest adaptations.

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Next Episode

undefined - Slap Shot (1977)

Slap Shot (1977)

This week on "Shat the Movies," we’re hitting the rink with Slap Shot (1977), the ultimate hockey comedy! Join us as we dive into this rowdy, irreverent film about a struggling minor league hockey team and their eccentric players, led by the unforgettable Paul Newman.

We’ll break down the film’s mix of humor, sports action, and its over-the-top characters. Whether you’re a hockey fan or just in it for the laughs, get ready for a fun discussion about this cult classic that still scores today!

Plot Summary: In the small New England town of Charlestown, the local mill is about to lay off 10,000 workers. The town’s minor league hockey team, the Charlestown Chiefs, is doing no better. After years of failure, this will be the team’s last season. Exasperated player and coach Reggie Dunlop (Paul Newman) lets the club’s recent acquisitions, the Hanson Brothers, play. The brothers’ actively violent and thuggish style of play excites the fans. Dunlop retools the team, using violence to draw big crowds. Commissioned by Jon W.

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