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Political Beats - Episode: 143: Eli Lake / Stevie Wonder [Part 2]

Episode: 143: Eli Lake / Stevie Wonder [Part 2]

02/05/25 • 166 min

Political Beats

Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Eli Lake. Lake is a columnist with the Free Press and also a contributing editor at Commentary. Find him online at the Free Press or @EliLake on Twitter/X.

Eli’s Music Pick: Stevie Wonder
It’s time to sing some songs in the key of life as we tackle the amazing and iconic second half of Stevie Wonder’s career. From his emergence as Motown’s first truly singular independent artist in in 1972, with Music of My Mind, Wonder blazed a path through the musical Seventies crossing over successfully into ever musical genre, to the point where Paul Simon infamously thanked him -- when accepting a “Best Album” Grammy in 1976 -- for not putting out an album in 1975.

Stevie owned the American 1970s commercially and artistically in a way that few other of his era did -- David Bowie is a strange but apposite analogue for his effect on British culture of that era -- and even if he tailed off into pleasant innocuousness from the Eighties onward, his musical legacy is deathless. So once again, there’s no need for a lengthy introduction to this (refreshingly brisk!) episode: Everybody knows who Stevie Wonder is, and unless you were born or moved here only five years ago, you will spend nearly half of this episode dancing out of your shoes. Isn’t it lovely?

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Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Eli Lake. Lake is a columnist with the Free Press and also a contributing editor at Commentary. Find him online at the Free Press or @EliLake on Twitter/X.

Eli’s Music Pick: Stevie Wonder
It’s time to sing some songs in the key of life as we tackle the amazing and iconic second half of Stevie Wonder’s career. From his emergence as Motown’s first truly singular independent artist in in 1972, with Music of My Mind, Wonder blazed a path through the musical Seventies crossing over successfully into ever musical genre, to the point where Paul Simon infamously thanked him -- when accepting a “Best Album” Grammy in 1976 -- for not putting out an album in 1975.

Stevie owned the American 1970s commercially and artistically in a way that few other of his era did -- David Bowie is a strange but apposite analogue for his effect on British culture of that era -- and even if he tailed off into pleasant innocuousness from the Eighties onward, his musical legacy is deathless. So once again, there’s no need for a lengthy introduction to this (refreshingly brisk!) episode: Everybody knows who Stevie Wonder is, and unless you were born or moved here only five years ago, you will spend nearly half of this episode dancing out of your shoes. Isn’t it lovely?

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Episode 142: Eli Lake / Stevie Wonder [Part 1]

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