Dolly Parton's America

We begin with a simple question: How did the queen of the boob joke become a feminist icon? Helen Morales, author of “Pilgrimage to Dollywood,” gave us a stern directive – look at the lyrics! So we dive into Dolly’s discography, starting with the early period of what Dolly calls “sad ass songs” to find remarkably prescient words of female pain, slut-shaming, domestic violence, and women being locked away in asylums by cheating husbands. We explore how Dolly took the centuries-old tradition of the Appalachian “murder ballad”—an oral tradition of men singing songs about brutally killing women—and flipped the script, singing from the woman’s point of view. And as her career progresses, the songs expand beyond the pain to tell tales of leaving abuse behind.

How can such pro-woman lyrics come from someone who despises the word feminism? Dolly explains.

As Dolly will tell you, so much of who she is - her creativity, her music, her stance on life - emanates from her faith, but what exactly is that faith? The answer is deeply surprising. In this episode, Dolly tells a story of finding God in an abandoned church filled with X-rated graffiti. And she speaks of her plans for how she'll be remembered after she’s gone—how her voice will live on for the next 50, 100, 200 years.

In this intensely divided moment, one of the few things everyone still seems to agree on is Dolly Parton—but why? That simple question leads to a deeply personal, historical, and musical rethinking of one of America’s great icons. Join us for a 9-part journey into the Dollyverse.

Hosted and created by Jad Abumrad and Shima Oliaee.

At the University of Tennessee in Knoxville, we drop in on a history class called “Dolly Parton’s America.” (We borrowed the name for our series!) Taught by Dr. Lynn Sacco, the class is filled with college students who grew up in rural Appalachia, many of whom are the first in their families to attend college. Dr Sacco gives the class an assignment: Write an essay that answers the question “What is Dolly Parton’s America?” Lurking just behind that question are thornier ones about Southern shame and identity and hillbillies and football and...well, Dolly. Is Dolly helping or hurting us? The class splits down the middle.

Editor’s Note: We made two corrections to this podcast, originally released on December 3. In referring to the location of the Battle of Blair Mountain, we changed “Southwestern Virginia” to “West Virginia.” And on the origin of the term redneck, we inserted narration that makes clear that the etymology of the term goes back farther than the Battle of Blair Mountain.

We journey into the Dollyverse dimension: "Tennessee Mountain Home."Like all law abiding Tennesseans, Jad grew up with the song on a loop. He hadn’t planned to talk with Dolly about it, but much to his surprise, he is drawn into a Tennessee Mountain Trance. The trance opens a portal to many questions about country music, authenticity, nostalgia and belonging. And to a place called Dollywood. We visit the replica of Dolly’s childhood cabin and find thousands of other pilgrims similarly entranced. Along the way, we meet Wandee Pryor, who lived in a Dolly dreamworld as a girl. And also, halfway around the world, Esther Konkara, the self-proclaimed “Kenyan Dolly Parton,” who sings "Tennessee Mountain Home" as an ode to the hills of Nairobi - hills she has not yet left. The Tennessee Mountain home begins to seem like part of a Disney fairytale.But then, Jad and Shima get a call from Dolly’s nephew and head of security Bryan Seaver, who makes an irresistible offer.