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Podcast Gym - Best Podcast Microphones

Best Podcast Microphones

09/16/20 • 6 min

Podcast Gym

Episode 8: A great microphone is an important tool of the trade so choose yours wisely. Type “Best podcast microphone” into Google, YouTube, or Pinterest, and you’re likely to find the Blue Yeti atop many lists. Before impulsively adding it to your shopping cart though, you should learn about different types of microphones and how they differ. Do your homework, because you should pick the microphone that is the best for your voice and your room.

CONDENSER VS DYNAMIC

As a podcaster, you don’t have to be a professional sound engineer, but you should know the differences between a condenser mic and a dynamic mic.

When you see a singer in a recording studio, odds are good that she’s singing into a condenser microphone. Your first clue: you’ll notice that it’s a side-address microphone. In the photo in the blog, the podcaster is correctly speaking or singing into the side of the mic — not into the top. If you take a closer look inside the head basket, you can see a diaphragm or membrane inside. Because condenser mics tend to be sensitive, they’re better suited in a sound-treated studio that doesn’t have a lot of room noise or echo.

Characteristics of studio condenser mics:

  • Greater frequency response
  • Sensitive to louder sounds
  • Requires phantom power, a.k.a. 48V
  • Cleaner and truer to reality
  • Best in a sound controlled environment
  • More costly

When you see musicians on stage, you’re likely to find dynamic microphones being used. These mics are better when there are several musicians, for example, when you’ve got vocals and instruments (guitar, bass guitar, drums.) As pictured above, the singer is correctly singing into the top of the microphone. With a dynamic microphone, sound waves hit a thin metallic diaphragm that is attached to a coil of wire. A magnetic field is part of the energy conversion. In podcasting and radio, dynamic microphones can be ideal because of durability and price. When your mouth is close to the microphone, dynamic mics sound good for spoken word while picking up less room sound.

Characteristics of dynamic mics:

  • Durable
  • Do not require power
  • Good in noisy environments
  • Less sensitive
  • Lack depth and color
  • More affordable

Now that you know the differences between condenser and dynamic microphones, evaluate your space to see which type might serve you best. I encourage you to try both, if you can, to see which type sounds best for your voice and recording environment. In lieu of sound treating a room, many podcasters improve their audio quality by recording in a closet full of clothes or underneath a blanket with both types of microphones but especially to tame sensitive condenser microphones.

XLR VS USB

As you shop for a microphone, take note of the connections. Generally, XLR connections require an external interface to connect the microphone to your computer. External interfaces often have better preamps and analog to digital converters.

USB microphones can plug directly into your computer resulting in a more straight forward setup with less expense (because you don’t need to buy an interface.) Microphones like the Audio-Technica ATR-2100 and Samson Q2U have both XLR and USB connections. Interestingly, I’m told that these conbo microphones actually sound better when plugged in via USB over XLR. It’s worth noting that quite a few very popular podcasts use budget mics like the ATR-2100 or Q2U, and they sound great.

MICS THE EXPERTS USE

Because audio is so subjective, selecting the best podcast microphone can be challenging. Rather than going by the advice of random Bloggers and YouTubers, I scanned 196 episodes of the Podcast Engineering Show and ranked the top 29 microphones by mentions by guests. In full disclosure, I had the pleasure of being a guest on PES episode 106 and talked all about my podcasting rig.

Host Chris Curran produces or has produced podcasts for Forbes, Dun & Bradstreet, Johnson & Johnson, as well as for many other companies and business authors. He has many album credits including engineer, producer, or assistant engineer on projects with Foreigner, Sarah McLachlan, Itzhak Perlman, Naughty by Nature, Ice Cube, Biggie Smalls, Puffy, Nuno Bettencourt, and many others. I trust Chris’ ear and his curated list of guests that include long-time podcasters, podcast editors, and industry luminaries.

If you want to geek out on mics, I suggest you listen to PES episode 159,

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Episode 8: A great microphone is an important tool of the trade so choose yours wisely. Type “Best podcast microphone” into Google, YouTube, or Pinterest, and you’re likely to find the Blue Yeti atop many lists. Before impulsively adding it to your shopping cart though, you should learn about different types of microphones and how they differ. Do your homework, because you should pick the microphone that is the best for your voice and your room.

CONDENSER VS DYNAMIC

As a podcaster, you don’t have to be a professional sound engineer, but you should know the differences between a condenser mic and a dynamic mic.

When you see a singer in a recording studio, odds are good that she’s singing into a condenser microphone. Your first clue: you’ll notice that it’s a side-address microphone. In the photo in the blog, the podcaster is correctly speaking or singing into the side of the mic — not into the top. If you take a closer look inside the head basket, you can see a diaphragm or membrane inside. Because condenser mics tend to be sensitive, they’re better suited in a sound-treated studio that doesn’t have a lot of room noise or echo.

Characteristics of studio condenser mics:

  • Greater frequency response
  • Sensitive to louder sounds
  • Requires phantom power, a.k.a. 48V
  • Cleaner and truer to reality
  • Best in a sound controlled environment
  • More costly

When you see musicians on stage, you’re likely to find dynamic microphones being used. These mics are better when there are several musicians, for example, when you’ve got vocals and instruments (guitar, bass guitar, drums.) As pictured above, the singer is correctly singing into the top of the microphone. With a dynamic microphone, sound waves hit a thin metallic diaphragm that is attached to a coil of wire. A magnetic field is part of the energy conversion. In podcasting and radio, dynamic microphones can be ideal because of durability and price. When your mouth is close to the microphone, dynamic mics sound good for spoken word while picking up less room sound.

Characteristics of dynamic mics:

  • Durable
  • Do not require power
  • Good in noisy environments
  • Less sensitive
  • Lack depth and color
  • More affordable

Now that you know the differences between condenser and dynamic microphones, evaluate your space to see which type might serve you best. I encourage you to try both, if you can, to see which type sounds best for your voice and recording environment. In lieu of sound treating a room, many podcasters improve their audio quality by recording in a closet full of clothes or underneath a blanket with both types of microphones but especially to tame sensitive condenser microphones.

XLR VS USB

As you shop for a microphone, take note of the connections. Generally, XLR connections require an external interface to connect the microphone to your computer. External interfaces often have better preamps and analog to digital converters.

USB microphones can plug directly into your computer resulting in a more straight forward setup with less expense (because you don’t need to buy an interface.) Microphones like the Audio-Technica ATR-2100 and Samson Q2U have both XLR and USB connections. Interestingly, I’m told that these conbo microphones actually sound better when plugged in via USB over XLR. It’s worth noting that quite a few very popular podcasts use budget mics like the ATR-2100 or Q2U, and they sound great.

MICS THE EXPERTS USE

Because audio is so subjective, selecting the best podcast microphone can be challenging. Rather than going by the advice of random Bloggers and YouTubers, I scanned 196 episodes of the Podcast Engineering Show and ranked the top 29 microphones by mentions by guests. In full disclosure, I had the pleasure of being a guest on PES episode 106 and talked all about my podcasting rig.

Host Chris Curran produces or has produced podcasts for Forbes, Dun & Bradstreet, Johnson & Johnson, as well as for many other companies and business authors. He has many album credits including engineer, producer, or assistant engineer on projects with Foreigner, Sarah McLachlan, Itzhak Perlman, Naughty by Nature, Ice Cube, Biggie Smalls, Puffy, Nuno Bettencourt, and many others. I trust Chris’ ear and his curated list of guests that include long-time podcasters, podcast editors, and industry luminaries.

If you want to geek out on mics, I suggest you listen to PES episode 159,

Previous Episode

undefined - One-Star Reviews

One-Star Reviews

Episode 7: Have you ever gotten a one-star review? Anything less than five-stars can be a crushing blow when you’ve worked so hard to build your show.

I haven’t received a bad rating yet but kind of wish that I did. Am I a glutton for punishment? Probably, but let me explain. I’ve been thinking about this, and it dawned on me that every great show has haters. Lacking any negative reviews so far, I’m concerned that it could be a sign that I’m not taking a strong enough stand. My show is not great yet.

Think about it. Howard Stern, love him or hate him? Oprah, yay or nay? And the $100+ million dollar man Joe Rogan? Search Twitter and you’ll find thousands of tweets like this one.

Arielle Nissenblatt @arithisandthatMaybe, just maybe... it’s my sole (soul) purpose in life to bring down Joe Rogan. RT if you’re with me.

Successful shows don’t just attract audiences, but they repel a segment of them. If you’re going to cultivate raving fans, you must accept the haters that come as part of the package. There’s often little middle ground. What if we strive to make our podcasts so great that a bunch of listeners hate us? If you have tips for achieving this, please let me know.

TALE OF THE 1-STAR CHEF

Have you ever eaten at Botto Bistro in the Bay area? I’ve only read about it. Restaurateur Davide Cerretini grew tired of feeling beholden to Yelp’s rating system. Even worse, he says that Yelp salespeople inundated him with calls to buy ads or else have some of his restaurant’s 5-star reviews removed. Feeling like Yelp controlled his reputation, he’d had enough. One morning in September of 2014, he placed a sign in front of Botto Bistro: Give us a one-star review on Yelp and get 25% off any pizza! Hate us on Yelp.

In just a few days, Botto Bistro’s Yelp page had more than 2,300 1-star ratings praising its delicious food and good service! Cerretini became an instant celebrity in the restaurant scene and his restaurant was branded with the unique distinction of being the worst-rated restaurant on Yelp.

Cerretini won. Whether we’ve got haters or not, we too can stand out by being different.

Should we start asking for 1-star reviews? I’m very tempted.

Next Episode

undefined - Choosing the Best Podcast Host

Choosing the Best Podcast Host

Episode 9: If you’re ready start a podcast, you’re probably asking, “Where should I host my podcast?” The good news is that you’ve got choices. The bad news is that you’ve got choices!

Don’t get overwhelmed though. A dedicated podcast host is a specialized service that offers to store and deliver media files associated with a podcast. While you could host your media files (MP3 or AAC / M4A) yourself, either on your own server or wherever you host your website, this is not recommended for most. If your podcast begins to grow, your podcast downloads could affect your bandwidth and quickly get expensive. Also, your web host specializes in delivering web pages, not media files. And if there are ever issues with your website, listeners might not be able to download your episodes.

Your dedicated podcast host should serve your media files quickly and take the load off of your website. You should also get industry-standard statistics, distribution across podcast directories/platforms, and support. You might also consider factors like an embedded player, monetization features, sponsorship opportunities, automations, and education.

When choosing your podcast host, you want one that will grow with you and meets your needs in terms of price, reliability, and support. You want to find a long-term partner because if you need to change hosts in the future, you probably won’t be able to seamlessly port your downloads and analytics. It’s not the end of the world, but choosing the right host today will save you from headaches tomorrow.

Here are three hosts that I use:

LIBSYN

Established in 2004, Libsyn (Liberated Syndication) launched as the first podcast service provider offering storage, bandwidth, and RSS creation tools. Libsyn hosts over 67,000 podcasts worldwide, delivers over 111 million unique downloads every month, and accounts for 28.2% of Apple Podcasts downloads for the top 400 US Podcasts.

I’ve hosted Inspired Money at Libsyn since launching it in September 2017. The hosting has been reliable, and Libsyn helped distribute my podcast early to Spotify, Pandora, iHeart Radio, Amazon Music/Audible, and other services. It’s great to be supported by long-time podcasters like Rob Walch, Elsie Escobar, Dave Jackson, Rob Greenlee, and others.

Pros: Strong brand reputation, host of many of the top downloaded podcasts, frequently first to market for integrations with platforms and directories, advertising and monetization (for shows with 5,000+ monthly downloads), custom app for iOS & Android (extra $10/month + other fees), The Feed The Official Libsyn Podcast.

Cons: Dated web interface, cost, one RSS per account.

Plans:

Classic 50 Starts at $5/month for 50 MB monthly storage

Classic 250 at $15/month for 250 MB monthly storage

Advanced 400 at $20/month for 400 MB monthly storage and Advanced IAB v2.0 Stats

Advanced 800 at $40/month for 800 MB monthly storage and Advanced IAB v2.0 Stats

Libsyn: Sign up and be sure to use promo code “andy” to get one month free. If you sign up on the second day of the initial month of your trial, you’ll get the rest of that current month and the following month free.

CAPTIVATE

Self-proclaimed as “The World’s Only Growth-Oriented Podcast HostTM”, Captivate was created in 2019 for independent podcasters. Captivate is the podcast hosting company of UK-based Rebel Based Media that offers a suite of podcast tools including Poductivity, Podcast Success Academy, and Podcast Websites.

The Podcast Gym podcast is happily hosted here. Founded in 2019, Captivate is a newcomer but it feels like a veteran. Mark Asquith, CEO of Rebel Base Media, has been helping podcasters to build their audio influence since 2014 and is a frequent speaker, exhibitor, and attendee at podcast events. The small but mighty team is responsive and consistently adding new features. There are lots of resources including a private Rebel Base Media Podcaster Support & Experience Facebook group, Blogs (Captivate, Rebel Base Media

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