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Local Color - Episode 72 - Amanda Mack

Episode 72 - Amanda Mack

Explicit content warning

05/10/20 • 43 min

Local Color
If I were a venture capitalist I'd fully fund Amanda Mack's brand, Crust by Mack. Why? Because unlike SOME PEOPLE who think pie FILLING is the most important part of a pie, Amanda focuses on the ACTUAL IMPORTANT PART of the pie, which is the CRUST. I can't STAND it when crusts are all flimsy and weak; I need a hearty crust on my pies and desserts. Listen as Amanda talks about the key to a good crust, the lessons (and disguised blessings) she's received on her entrepreneurial journey, and why one 4-letter F word is as important to her as another 6-letter F word.

See omnystudio.com/listener for privacy information.

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If I were a venture capitalist I'd fully fund Amanda Mack's brand, Crust by Mack. Why? Because unlike SOME PEOPLE who think pie FILLING is the most important part of a pie, Amanda focuses on the ACTUAL IMPORTANT PART of the pie, which is the CRUST. I can't STAND it when crusts are all flimsy and weak; I need a hearty crust on my pies and desserts. Listen as Amanda talks about the key to a good crust, the lessons (and disguised blessings) she's received on her entrepreneurial journey, and why one 4-letter F word is as important to her as another 6-letter F word.

See omnystudio.com/listener for privacy information.

Previous Episode

undefined - Episode 71 - Angela N Carroll

Episode 71 - Angela N Carroll

Let's get something straight off the rip. Angela Carroll is NOT a critic. Why? Well, you'll have to listen to find out. I was going to split this into two separate episodes, but the knowledge Angela graces us with is best received in a single sitting. The Maryland native went to the West Coast, and among the eldritch redwoods did she receive an education in the art of critical theory, and had her train of thought challenged in a way the East Coast could not challenge her. Angela brought that experience with her back home, and works as an artist-archivist in Charm City. She wants to give DMV artists the credit they deserve, and celebrate bodies of work that are decades in the making, and far from finished.

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