Living The Next Chapter: Inspiring Conversations with Bestselling Authors and Writing Experts - E526 - Brenda May Whiteman - UNMET NEEDS NEVER GO AWAY - A New Paradigm for Raising Our Children in the 21st Century

E526 - Brenda May Whiteman - UNMET NEEDS NEVER GO AWAY - A New Paradigm for Raising Our Children in the 21st Century

04/16/25 • 45 min

Living The Next Chapter: Inspiring Conversations with Bestselling Authors and Writing Experts

Episode 526 - Brenda May Whiteman - UNMET NEEDS NEVER GO AWAY - A New Paradigm for Raising Our Children in the 21st Century

We are all individuals with personal life experiences that shape and mold us in both constructive and challenging ways. It is necessary to integrate and metabolize the emotional, psychological, spiritual and physical components of our total life experience in order to expand and deepen our consciousness. In this way, we move towards a mature, comprehensive and stable personality, capable of experiencing the full human emotional continuum of joy, elation, love and relationship as well as the challenges of pain and sadness inherent in every person's life.

As an experienced Psychotherapist, I approach all life issues from a perspective that seeks to illuminate these fundamental aspects of our human structure that comprise the spirit of every individual.

Optimism, faith in oneself and universal creativity, positive psychology and transformative emotional experience are vital to a rewarding and uplifting life journey. This is the one true path to healing.

https://www.brendawhitemanpsychotherapy.ca/

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Episode 526 - Brenda May Whiteman - UNMET NEEDS NEVER GO AWAY - A New Paradigm for Raising Our Children in the 21st Century

https://www.brendawhitemanpsychotherapy.ca/

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undefined - E525 - Richard DeVeau - Light's Out - We Paint a Picture of a special forces veteran, CIA officer, and leader of Boston's Homeland Security team

E525 - Richard DeVeau - Light's Out - We Paint a Picture of a special forces veteran, CIA officer, and leader of Boston's Homeland Security team

Episode 525 - Richard DeVeau - Light's Out - We Paint a Picture of a special forces veteran, CIA officer, and leader of Boston's Homeland Security team

About the author

After majoring in marketing at Bentley University, Richard spent a career as a copywriter and creative director serving such clients as Red Lobster, Ducati Motorcycles, Marriott Hotels, and Clorox. He also brought his writing skills to bear for communications agencies that serve nonprofit organizations, including American Red Cross, Wounded Warrior Project, Toys for Tots, CARE, Special Olympics and many others. And he was a frequent editorial contributor to Fundraising Success Magazine.

In 2000, he helped launch acclaimed author Stephen King’s internet publishing debut and the world’s first mass- marketed e-book, Riding the Bullet. Richard wrote the online ad campaign that prompted more than 400,000 people to purchase and download the novella.

His screenplay, Graven Image, placed in the top twenty percent of the Academy of Motion Pictures’ Nicholl Fellowships international screenwriting competition in 2014.

Richard is also an accomplished fine art painter. Over the past thirty years, he has exhibited work in numerous solo and group shows. His work was represented by two commercial art galleries in his native Boston and is now represented by a gallery in Chicago, where he currently resides.

Richard and his wife have four adult children and two grandchildren.

Book: Light's Out

A retired couple are murdered in their Wisconsin home - art and other valuables are stolen. A Lake Michigan oil tanker explodes and sinks that same night.
Eve Taunt - special forces veteran, CIA officer, and leader of Boston's Homeland Security team - believes there is a connection between these two events.
She and her team quickly find themselves in pursuit of a domestic terrorist - an M.I.T. educated, military trained missile genius with Ted Bundy-like psychopathy - to stop him before he carries out his next devastating attack. This one is even more lethal than the overhwelming inferno he just unleashed on Boston.
As Eve closes in, she discovers these attacks are orchestrated by a US senator and a powerful cabal of highly placed leaders and lawmakers with a hidden agenda.

https://a.co/d/2yD92bj

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E527 - Bruce Bishop - Future Historical Fiction, A Trilogy and a new book, Grow up, Rory Rafferty

Episode 527 - Bruce Bishop - Future Historical Fiction, A Trilogy and a new book, Grow up, Rory Rafferty

Why I write fiction

Like many authors, I began writing stories from a young age. I was lucky to pursue a career in travel writing from the mid-1990s to the mid-2010s, both online and in print. Those assignments literally and figuratively opened the world to me, but it wasn't until the Covid19 pandemic that I began to take fiction writing seriously.

Oddly enough, having to stay at home for a prolonged period sparked some creative juices to flow. I devoured online instruction about the business of self-publishing.

Now that I have four novels published

I can't see a return to non-fiction writing.

(But never say never, eh?)

My "author brand"

If you had asked me what an author brand is before I self-published Unconventional Daughters in 2020,

I probably would not have known the answer.

While 'Daughters' and the interlinked two follow-up novels, Uncommon Sons and Undeniable Relations, are technically historical fiction,

I'd rather not be pigeon-holed as only that kind of author.

My newest work, Grow up, Rory Rafferty is set in Toronto in 1979, rendering it contemporary adult fiction.

It won't be considered 'historical fiction' until 2029...

but the story most definitely involves a vintage, pre-Internet era.

...and what that brand truly is

I want to give a voice to characters who are often left out in mainstream storytelling. Some may be loosely based on people I've met or known in my sixty-plus years on earth;

others are entirely figments of my imagination.

I'm comfortable in researching the backgrounds of characters who might not be White, male, or gay - characters unlike me who I feel should be given a role in historic or contemporary fiction.

I always use sensitivity readers from that minority group to ensure I'm telling the truth.

The service industry jobs I had as a young man - from being a short-order cook to waiting on tables - were of great value. They were opportunities to be a silent witness and observer.

For example, I've seen or experienced bullies, rich and poor,

from all corners of the earth.

I don't want those characters to have the last word.

The writer doesn't forget these experiences and people;

they inhabit his or her fiction.

https://brucebishopauthor.com/

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