
17. Marguerite Fahmy - Self-confessed Killer
05/01/23 • 28 min
Lucy Worsley takes a fresh look at an infamous shooting that took place at London’s Savoy Hotel, amid all the wealth and glamour of the Roaring ‘20s.
On 10th July 1923, at the height of a violent thunderstorm, Marguerite Fahmy shoots her new husband at close range with a pistol – in the corridor, outside their opulent suite. It’s clear she’s killed him, but why?
Lucy is joined by Nneka Akudolu KC, a barrister with 20 years’ experience of exactly this kind of complex case, and Lady Killers’ in-house historian Professor Rosalind Crone from the Open University, to get to the bottom of this 100 year old mystery.
Together, they untangle the complexities of Marguerite’s relationship with Ali Kamel Fahmy Bey, a super-rich Egyptian ‘playboy prince’. Ros goes to the scene of the crime to meet Savoy archivist Susan Scott and find out more about this notorious incident in the hotel’s history.
The team discover that, while the coroner’s court returns a straightforward verdict of ‘wilful murder’, when Marguerite’s case comes to trial at the Old Bailey, the story gets a whole lot murkier. She is defended by legal legend Sir Edward Marshall Hall KC and cuts a tragic figure in the dock, glamorous and apparently bereft. She alleges that Ali was violently abusive and there is huge public sympathy for her plight, with her husband cast as a 'bestial' monster.
Lucy, Nneka and Ros examine these claims and counterclaims to unpick the prejudice at work in the courtroom and ask if justice was served in this case.
Would Marguerite’s story play out any differently today?
Producer: Sarah Goodman Readers: Meena Rayann and Jonathan Keeble Sound Design: Chris Maclean Series Producer: Julia Hayball
A StoryHunter production for BBC Radio 4
Lucy Worsley takes a fresh look at an infamous shooting that took place at London’s Savoy Hotel, amid all the wealth and glamour of the Roaring ‘20s.
On 10th July 1923, at the height of a violent thunderstorm, Marguerite Fahmy shoots her new husband at close range with a pistol – in the corridor, outside their opulent suite. It’s clear she’s killed him, but why?
Lucy is joined by Nneka Akudolu KC, a barrister with 20 years’ experience of exactly this kind of complex case, and Lady Killers’ in-house historian Professor Rosalind Crone from the Open University, to get to the bottom of this 100 year old mystery.
Together, they untangle the complexities of Marguerite’s relationship with Ali Kamel Fahmy Bey, a super-rich Egyptian ‘playboy prince’. Ros goes to the scene of the crime to meet Savoy archivist Susan Scott and find out more about this notorious incident in the hotel’s history.
The team discover that, while the coroner’s court returns a straightforward verdict of ‘wilful murder’, when Marguerite’s case comes to trial at the Old Bailey, the story gets a whole lot murkier. She is defended by legal legend Sir Edward Marshall Hall KC and cuts a tragic figure in the dock, glamorous and apparently bereft. She alleges that Ali was violently abusive and there is huge public sympathy for her plight, with her husband cast as a 'bestial' monster.
Lucy, Nneka and Ros examine these claims and counterclaims to unpick the prejudice at work in the courtroom and ask if justice was served in this case.
Would Marguerite’s story play out any differently today?
Producer: Sarah Goodman Readers: Meena Rayann and Jonathan Keeble Sound Design: Chris Maclean Series Producer: Julia Hayball
A StoryHunter production for BBC Radio 4
Previous Episode

16. Edith Thompson - Modern Woman on Trial
In this episode of Lady Killers, we travel back to the Roaring 20s as Lucy Worsley and guest detective Sasha Wass KC investigate how Edith Thompson, a woman who merely witnessed the violent killing of her husband, found herself on trial for his murder.
Sasha Wass KC has taken on some of the legal system's most notable cases - involving Rosemary West, Rolf Harris and Johnny Depp. As a judge, prosecutor and defender, she has the benefit of understanding all dimensions of the criminal process, which is crucial when examining one of the most controversial cases of all time. It’s a trial that shook the nation.
Edith Thompson, with her choppy bobbed hair and jaunty dresses is the quintessential ‘Flapper’. A working woman living in the rapidly expanding London suburb of Ilford, she’s one of the new commuters, travelling to her job at Carlton and Pryor (a wholesale milliners in the City of London), producers of some very fashionable hats. She teaches herself French and goes on buying trips to Paris. She spends her own money, frequenting theatres and dancing the nights away.
But back in the suburbs, Lucy and Sasha discover how Edith Thompson lives another, less glamorous life with husband Percy. While Edith is embracing some of the new found freedoms of a 1920’s woman, Percy wants a more ‘traditional’ wife.
Then, on the night of 3rd October 1922, their life together takes a very dramatic turn when Percy is fatally stabbed by a mysterious stranger.
As Lucy and Sasha discuss the now infamous court hearing, historian Professor Rosalind Crone visits the Ilford streets where Edith lived and where our bloody murder took place, to discover what life was really like for our 1920’s ‘murderess’.
Producer: Nicola Humphries Readers: Clare Corbett and Jonathan Keeble Sound Design: Chris Maclean Series Producer Julia Hayball
A StoryHunter production for BBC Radio 4
Next Episode

18. Catherine Flannagan & Margaret Higgins
Lucy Worsley investigates the historical crimes of women from a contemporary, feminist perspective. In this episode, Lucy is joined by award-winning crime writer Lynda La Plante CBE to investigate the case of two sisters, Catherine Flanagan and Margaret Higgins. They’re part of the Irish immigrant community in Liverpool, living near the docks in a crowded, working class area, doing many different jobs to make ends meet. Professor Rosalind Crone from the Open University visits the Museum of Liverpool to find out what life would have been like for the sisters, tracing their steps as they moved around different houses in the area.
By 1881, Catherine is a life insurance broker and also a widow. Margaret is married, but her husband, Thomas Higgins, falls ill and dies. Thomas has life insurance policies so, after his death, Margaret and Catherine receive a generous payment. But Thomas’ death doesn’t make sense to his brother Patrick, who calls for a post mortem. Traces of arsenic are detected in the body and Margaret is arrested. But as the police arrive, Catherine escapes. She disappears into the warren of Liverpool’s streets and ends up in the east of the city.
After ten days on the run, Catherine is found and brought to trial with her sister. Did the sisters work together, or was one of them pressuring the other? Were the sisters actually part of a female syndicate, murdering people for monetary gain?
Lucy asks how similar this is to investigations today. Do close knit communities in cities still help each other evade the police? Producer: Hannah Fisher Readers: Clare Corbett and Jonathan Keeble Sound Design: Chris Maclean Series Producer: Julia Hayball
A StoryHunter production for BBC Radio 4
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