
EMP EP 44 Esoteric Music and Collaborations with Tom Brown and Will Skeaping part 1 of 2
11/02/20 • 41 min
In this, Episode 44 (which is part of Series 5) of the SyncLodge Exploring Music Podcast we explore the history of the legendary Lex Records, esoteric music and great, unusual collaborations, mashups and breaking new ground in music with Tom Brown and Will Skeaping. Part 1 of 2. For more information visit www.lexrecords.com
Tom Brown is the owner of Lex Records, established in 2001 and Lex Films established in 2011. Tom started his career at Warp Records where Lex was initially a Warp sub-label. Tom took it fully independent in 2005. Lex is best known for releasing music by Danger Mouse, MF DOOM, Neon Neon and BADBADNOTGOOD & Ghostface Killah.
In 2011 Lex started production on a series of short films written by Alan Moore and directed by Mitch Jenkins, the films were screened at film festivals worldwide and are now licensed to AMC's Shudder. Lex Films have produced Alan Moore and Mitch Jenkins first feature film THE and is developing an original animated series STRATA by comic book creator Tommy Lee Edwards and I Speak Machine (here’s a concept art reel https://youtu.be/t8lbZqXI3V0).
And joining Tom is Will Skeaping who studied History or Art and Italian at the University of Manchester and studied History of Art at the University of Bologna is the co-editor of best-selling Extinction Rebellion handbook 'This Is Not A Drill', which is published by Penguin Books. Will is considered a full-time activist.
When he’s not haunting meetings and social occasions as the ghost of climate & ecological future, Will is a Creative Strategist specializing in integrated, scalable, creative brand development; building platforms and campaigns that connect with audiences through culture and technology. That all sounds impressive, but where is the music in all of this? Well, he started his professional career with many years in the music industry, holding positions of radio promotions at Warp Records and then, label manager at Lex Records. Plus, he apparently has amazing taste in music and his parents are cool oddball musicians.
The music for this episode is by the Lex Records recording artist GILA from the EPs Trench Tones, and 3 Riders, including tracks Rider 3 (Absent Root), Rider 1 (Dang Wind), I Lose, and Throw This Away. For more information please visit www.lexrecords.com
The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.
This episode conversation was recorded at The Joint in the Kings Cross area of London, England. For more information on their services please visit www.thejoint.org.uk
The Exploring Music Podcast is produced by SyncLodge, the sync licensing project management system. For more information please visit www.synclodge.com
If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.
In this, Episode 44 (which is part of Series 5) of the SyncLodge Exploring Music Podcast we explore the history of the legendary Lex Records, esoteric music and great, unusual collaborations, mashups and breaking new ground in music with Tom Brown and Will Skeaping. Part 1 of 2. For more information visit www.lexrecords.com
Tom Brown is the owner of Lex Records, established in 2001 and Lex Films established in 2011. Tom started his career at Warp Records where Lex was initially a Warp sub-label. Tom took it fully independent in 2005. Lex is best known for releasing music by Danger Mouse, MF DOOM, Neon Neon and BADBADNOTGOOD & Ghostface Killah.
In 2011 Lex started production on a series of short films written by Alan Moore and directed by Mitch Jenkins, the films were screened at film festivals worldwide and are now licensed to AMC's Shudder. Lex Films have produced Alan Moore and Mitch Jenkins first feature film THE and is developing an original animated series STRATA by comic book creator Tommy Lee Edwards and I Speak Machine (here’s a concept art reel https://youtu.be/t8lbZqXI3V0).
And joining Tom is Will Skeaping who studied History or Art and Italian at the University of Manchester and studied History of Art at the University of Bologna is the co-editor of best-selling Extinction Rebellion handbook 'This Is Not A Drill', which is published by Penguin Books. Will is considered a full-time activist.
When he’s not haunting meetings and social occasions as the ghost of climate & ecological future, Will is a Creative Strategist specializing in integrated, scalable, creative brand development; building platforms and campaigns that connect with audiences through culture and technology. That all sounds impressive, but where is the music in all of this? Well, he started his professional career with many years in the music industry, holding positions of radio promotions at Warp Records and then, label manager at Lex Records. Plus, he apparently has amazing taste in music and his parents are cool oddball musicians.
The music for this episode is by the Lex Records recording artist GILA from the EPs Trench Tones, and 3 Riders, including tracks Rider 3 (Absent Root), Rider 1 (Dang Wind), I Lose, and Throw This Away. For more information please visit www.lexrecords.com
The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.
This episode conversation was recorded at The Joint in the Kings Cross area of London, England. For more information on their services please visit www.thejoint.org.uk
The Exploring Music Podcast is produced by SyncLodge, the sync licensing project management system. For more information please visit www.synclodge.com
If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.
Previous Episode

Exploring Music E42 The Long Arc of Jazz part 1 of 2 with Rens Newland and Martin Fuss
For this episode, which is titled ‘The Long Arch of Jazz’ we are very fortunate to have with us, Rens Newland and Martin Fuss, who collectively run Jive Music Austria with Rens handling the label and marketing management and Martin handling the financial side with both of them managing the A&R duties.
Rens is a master guitarist from Holland who has made his unique mark on the music scene through decades of tireless, dedicated work. Starting with his early years as a pop guitarist, he quickly transitioned into Blues and Jazz. This evolution led him to be a part of the Jazz-Rock revolution, and the USA Billboards Charts’ success of his first album with the band Scope. Among his notable accomplishments over his more than 4-decades musical career, is his work as musical Director and Guitarist for Gloria Gaynor and for The Supremes. Rens is a quadruple musical threat. He is a guitarist, producer, composer, and orchestrator, he has recorded over a dozen - mostly Jazz or Fusion jazz - albums under his own name, plus many more with other projects like the famous Ostinato, plus he is on numerous albums as a side-man.
http://www.rensnewland.com/
http://jivemusic.at/index.php/artists/n/rens-newland
Martin’s musical education started at the age of 12 with classical clarinet lessons - but shortly after he changed to the tenorsax. He completed his studies at the Conservatory of Music, Vienna (master of arts) and the Berklee College of Music(Boston/USA). He is one of the most demanded studio and session players as well as jazz soloist in styles ranging from small jazz groups to big band and also plays in orchestral settings. Since 1991 he is teaching at the University of Music in Vienna and is endorser for Schagerl Saxophones and D'ADDARIO PERFORMING ARTISTS.
http://martinfuss.com/
http://jivemusic.at/index.php/artists/f/martin-fuss
The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.
This episode conversation was recorded at Bizzyman Studio of Vienna, Austria.
If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.
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