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Digital Works Podcast - Episode 031 - Seb Chan (ACMI) on the power of 'digital imagination', the importance of experience-focused roles in museums, and understanding the importance of capital in predicting the future

Episode 031 - Seb Chan (ACMI) on the power of 'digital imagination', the importance of experience-focused roles in museums, and understanding the importance of capital in predicting the future

08/14/23 • 76 min

Digital Works Podcast

An incredibly wide-ranging conversation with Seb Chan, CEO and Director of ACMI (Australian Centre for the Moving Image).
Seb talks about his background in community radio, 'looking under the hood' of the early internet, the importance of experience-focused roles in museums, the power of cultural leaders developing a 'digital imagination', understanding the importance of capital in predicting where the future is heading, and loads more.
Prior to joining ACMI as their first Chief Experience Office (CXO) in 2015, Seb led digital change projects at the Cooper Hewitt Smithsonian Museum of Design in New York. Seb is Adjunct Professor, School of Media and Communications, in the College of Design and Social Context at RMIT, an international advisory board member of Art Science Museum (Singapore) and board member of the National Communications Museum (Melbourne). He is an alumnus of the Getty Leadership Institute, Salzburg Global Seminar and UNSW.

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An incredibly wide-ranging conversation with Seb Chan, CEO and Director of ACMI (Australian Centre for the Moving Image).
Seb talks about his background in community radio, 'looking under the hood' of the early internet, the importance of experience-focused roles in museums, the power of cultural leaders developing a 'digital imagination', understanding the importance of capital in predicting where the future is heading, and loads more.
Prior to joining ACMI as their first Chief Experience Office (CXO) in 2015, Seb led digital change projects at the Cooper Hewitt Smithsonian Museum of Design in New York. Seb is Adjunct Professor, School of Media and Communications, in the College of Design and Social Context at RMIT, an international advisory board member of Art Science Museum (Singapore) and board member of the National Communications Museum (Melbourne). He is an alumnus of the Getty Leadership Institute, Salzburg Global Seminar and UNSW.

Previous Episode

undefined - Episode 030 - Fiona Morris (The Space) on what makes a successful digital project, the importance of digital skills, and the meaninglessness of the word 'digital'

Episode 030 - Fiona Morris (The Space) on what makes a successful digital project, the importance of digital skills, and the meaninglessness of the word 'digital'

A conversation with CEO and Creative Director of The Space, Fiona Morris.
The Space was founded in 2013 by Arts Council England and the BBC and is now an independent not-for-profit organisation. The Space's primary goal is to enable the arts, culture and heritage sector to engage audiences using digital and broadcast content and platforms. Over the last 6 years The Space has commissioned 300+ digital projects from arts organisations around the UK.
Fiona and I discuss what makes a successful digital project, how digital programming requires a shift in thinking, the importance digital skills, rethinking value propositions, investment, and the meaninglessness of the word 'digital'.

Next Episode

undefined - Episode 032 - Fran Sanderson (Nesta) on shifting how they support the arts, what effective funding looks like, and thinking differently about value and risk

Episode 032 - Fran Sanderson (Nesta) on shifting how they support the arts, what effective funding looks like, and thinking differently about value and risk

A conversation with Fran Sanderson, Director of Arts Programmes and Investments at Nesta (which was originally set up in 1998 as the National Endowment for Science, Technology, and the Arts).
Fran is in the process of exploring a major shift in the way Nesta goes about making investments in the arts.
We discuss the funding landscape for culture in the UK and the changes that need to happen. We explore what effective funding for digital projects might look like, how the cultural sector could think differently about value, risk appetite, new business and investment models, how the sector views popularity, learning in the open, and loads more.
Here is more information about some of the programmes and schemes that we mentioned.

And here is the trailer for David Byrne's American Utopia.

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