BPS 291: Inside One of the Most Dangerous Film Shoots in History with Jon Gustafsson

04/19/23 • 68 min

We have all heard stories of difficult and even dangerous film shoots before but today's story tops them all. In today's episode, we welcome filmmaker Jon Gustafsson. This filmmaker was in the belly of the beast as they say. His documentary Wrath of Gods documents one of the most dangerous and difficult films shoots in modern film history.
When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications, and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves.
Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf’s warriors, he’s one set with his camera as the crew battles hurricane-force winds and he’s in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision.I'm also honored to announce that you can watch Wrath of Gods on the Indie Film Hustle TV. Plus you'll get exclusive bonus materials not available anywhere else. If you liked Lost in la Mancha or Burden of Dreams you will probably like this one.
Enjoy my conversation with Jon Gustafsson.
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Previous Episode

BPS 290: Writing for Spielberg & Creating the Cult Classic Tremors with S.S. Wilson

S.S. Wilson, the screenwriter of such films as Tremors and Short Circuit, has just finished his second novel Fraidy Cats. Wilson also wrote a book on special effects, stop-motion animation, PUPPETS, AND PEOPLE. In 1983 Wilson and Maddock sold their spec script SHORT CIRCUIT. Directed by John Badham, it was their first produced feature. In quick succession, they wrote SHORT CIRCUIT 2, BATTERIES NOT INCLUDED, GHOST DAD; and served as consultants on Steven Spielberg’s animated THE LAND BEFORE TIME.
In 1990 they sold another spec, TREMORS, on which they also served as producers. Directed by fellow USC alum Ron Underwood and starring Kevin Bacon, Fred Ward, Michael Gross, and Reba McEntire, the film became a revered cult classic, spawning three sequels and a TV series. Wilson and Maddock joined with Nancy Roberts (producer of all the Tremors sequels) and Ron Underwood to form Stampede Entertainment in 1992. The first Stampede project was HEART AND SOULS at Universal, starring Robert Downey, Jr.
The TREMORS franchise grew with Wilson debuting as a director on TREMORS 2: AFTERSHOCKS for Universal Family Home Entertainment. During the same time period, he and Maddock wrote the green-light draft of Warner Bros. 1999 tent pole release WILD WILD WEST, starring Will Smith.
In 2001 it was TREMORS 3: BACK TO PERFECTION, with Stampede partner Brent Maddock directing and Wilson handling the second unit. 2004 saw both the debut of TREMORS: THE SERIES for the Sci-Fi Network (Wilson co-created and co-executive produced with Maddock and Roberts) and TREMORS 4: THE LEGEND BEGINS, with Wilson again at the helm.In addition to screenwriting, Wilson is branching out into fiction. His first book is an action-adventure tale Tucker’s Monster.
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Next Episode

BPS 292: The Million Dollar Mini-Movie Screenwriting Method with Chris Soth

Chris Soth developed the “Mini-Movie Method” after years of success as a Hollywood screenwriter. Chris has multiple projects in development at major Hollywood studios. This master story teller is also an expert in pitching and selling - necessary tools for a screenwriter in Hollywood.Chris holds an MFA in screenwriting and a BA in Dramatic Literature. He is the only seminar instructor whose work has been produced by a major Hollywood studio.
MILLION-DOLLAR SCREENWRITING presents a method of story design that is easy to understand and easy to do, The Mini Movie Method! This is the key to unlocking your future as a working screenwriter in Hollywood. It turns writing into an effortless, step-by-step process, makes beginners into experts and experts into masters of the craft. The secret to successful screenwriting has finally arrived:
The Mini-Movie Method!-THE MINI-MOVIE METHOD WAS INVENTED FOR MOVIES!-When film was born story changed forever. Traditional “Three-Act Structure” was invented for the theater, but movies are shot, edited and projected on “reels”. Each reel contains its own piece of the story, like chapters of a novel, called “sequences” or “Mini-Movies”. The Mini-Movie Method is a way of “sequencing” your story that is specifically designed for movies, tailored to movies, unique to movies, because The Mini-Movie Method was CREATED for movies.
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