Bulletproof Screenwriting™ Podcast

Today on the show we have writer, director and actress Carlson Young. Carlson is the creator of the new film The Blazing World.
Ever since Margaret (Carlson Young) was six years old, she has been haunted by the memory of watching her sister drown during an explosive fight between her parents. As a young woman, she slides further into her twisted inner life, ultimately finding herself on the brink of suicide. Through an epic journey down the smokiest and scariest corridors of her imagination, she tries to exorcise the demons pushing her closer and closer to the edge.The Blazing World is Carlson Young’s debut feature; it is based on her short of the same name, which premiered at the 2018 Sundance Film Festival.
Young brings to life in striking vibrancy an internality that is at once darkly beautiful and entirely terrifying.Blending horror and fantasy, this film is imaginative and gutsy, painting Margaret’s inner life as at once an alien realm and a devastatingly familiar emotional landscape. Manifesting her trauma through a series of lusciously unnerving locations and moving, bizarre interactions, Young unearths something often quietly, privately buried in our struggles toward the light.
As the writer, director, and star, Carlson took her decade of on-set acting experience appearing in film directorial debut, THE BLAZING WORLD MTV’s SCREAM TV Series, KEY AND PEELE, and Netflix’s EMILY IN PARIS, and developed the feature which was shot during the height of the pandemic in Austin, Texas and also held its premiere at the Sundance Film Festival in 2021.The film co-stars Dermot Mulroney, Vinessa Shaw, and horror icon Udo Kier. The Blazing World premiered at the Sundance Film Festival 2021 to rave reviews.
We discuss the difficult process of bringing this personal film to the screen, how she used a short to get the feature film made, how she got financing, shooting durning COVID and much more.
Enjoy my conversation with Carlson Young.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

We have all heard stories of difficult and even dangerous film shoots before but today's story tops them all. In today's episode, we welcome filmmaker Jon Gustafsson. This filmmaker was in the belly of the beast as they say. His documentary Wrath of Gods documents one of the most dangerous and difficult films shoots in modern film history.
When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications, and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves.
Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf’s warriors, he’s one set with his camera as the crew battles hurricane-force winds and he’s in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision.I'm also honored to announce that you can watch Wrath of Gods on the Indie Film Hustle TV. Plus you'll get exclusive bonus materials not available anywhere else. If you liked Lost in la Mancha or Burden of Dreams you will probably like this one.
Enjoy my conversation with Jon Gustafsson.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

In 2002, Jon Erwin founded a production company with his brother, Andrew. Their first ventures were commercials, documentaries, and music videos. The brothers soon were directing videos and producing concerts and television programs for platinum recording artists such as Amy Grant, Michael W. Smith, Casting Crowns, Switchfoot, Skillet, and others.
They received 11 GMA Dove Awards nominations and 3 wins for Music Video of the Year. Jon and Andrew have also produced and directed several documentaries, including the multiple award-winning 9/11 story, THE CROSS AND THE TOWERS. In 2010, Jon and Andrew began exclusively developing dramatic feature films. In August 2018, they partnered with Kevin Downs and Tony Young to launch Kingdom Story Company, in an exclusive partnership with Lionsgate, which creates life-changing content from a variety of talented storytellers.
Their features have all opened in the top-ten box office and they have received the coveted A+ CinemaScore® three times. Early hits include OCTOBER BABY, MOMS’ NIGHT OUT, WOODLAWN, and the surprise hit I CAN ONLY IMAGINE, which became the #1 independent film of 2018, earning more than $86 million at the box office. Others include I STILL BELIEVE, a biopic about CCM megastar Jeremy Camp which was released by Lionsgate in 2020, followed by the 2021 release of THE JESUS MUSIC, sharing the untold story of how Jesus Music transformed into the multi-billion-dollar industry of Christian Contemporary Music.
AMERICAN UNDERDOG followed in 2021, which told the story of NFL MVP and Hall of Famer, Kurt Warner. JOHNNY CASH: THE REDEMPTION OF AN AMERICAN ICON, is a documentary that details the true story of a music legend’s spiritual quest and releases Dec 2022. Their latest film, JESUS REVOLUTION based on The Jesus Movement that changed the course of history and comes to theaters Feb 2023.
Jon is also the author of the book Beyond Valor: A World War II Story of Extraordinary Heroism, Sacrificial Love, and a Race Against Time, which tells the amazing true story of his grandfather Red Erwin, who received the Congressional Medal of Honor in World War II. Beyond Valor was published in August 2020.
Enjoy my conversation with Jon Erwin.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Roger William Corman was born in Detroit, Michigan, on April 5, 1926. Initially following in his father's footsteps, Corman studied engineering at Stanford University but while in school, he began to lose interest in the profession and developed a growing passion for film. Upon graduation, he worked three days as an engineer at US Electrical Motors, cementing his growing realization that engineering wasn't for him. He quit and took a job as a messenger for 20th Century Fox, eventually becoming a story analyst.After a term spent studying modern English literature at England's Oxford University and a year spent bopping around Europe, Corman returned to the US, intent on becoming a screenwriter/producer. He sold his first script in 1953, "The House in the Sea," which was eventually filmed and released as Highway Dragnet (1954).
Horrified by the disconnect between his vision for the project and the film that eventually emerged, Corman took his salary from the picture, scraped together a little capital, and set himself up as a producer, turning out Monster from the Ocean Floor (1954). Corman used his next picture, The Fast and the Furious (1954), to finagle a multi-picture deal with a fledgling company called American Releasing Corp. (ARC). It would soon change its name to American-International Pictures (AIP). With Corman as its major talent behind the camera, it would become one of the most successful independent studios in cinema history.
With no formal training, Corman first took to the director's chair with Five Guns West (1955) and, over the next 15 years, directed 53 films, mostly for AIP. He proved himself a master of quick, inexpensive productions, turning out several movies as director and/or producer in each of those years--nine movies in 1957 and nine again in 1958. His personal speed record was set with The Little Shop of Horrors (1960), which he shot in two days and a night.In the early 1960s, he began to take on more ambitious projects, gaining a great deal of critical praise (and commercial success) from a series of adaptations of Edgar Allan Poe stories, most of them starring Vincent Price. His film The Intruder (1962) was a serious look at racial integration in the South, starring a very young William Shatner. Critically praised and winning a prize at the Venice Film Festival, the movie became Corman's first--and, for many years, only--commercial flop.
He called its failure "the greatest disappointment in my career." As a consequence of the experience, Corman opted to avoid such direct "message" films in the future and resolved to express his social and political concerns beneath the surface of overt entertainment.Those messages became more radical as the 1960s wound to a close, and after AIP began re-editing his films without his knowledge or consent, he left the company, retiring from directing to concentrate on production and distribution through his own newly formed company, New World Pictures. In addition to low-budget exploitation flicks, New World also distributed distinguished art cinema from around the world, becoming the American distributor for the films of Ingmar Bergman, Akira Kurosawa, Federico Fellini, François Truffaut, and others. Selling off New World in the 1980s, Corman has continued his work through various companies in the years since--Concorde Pictures, New Horizons, Millenium Pictures, and New Concorde. In 1990, after the publication of his biography "How I Made A Hundred Movies in Hollywood And Never Lost A Dime"--one of the all-time great books on filmmaking--he returned to directing but only for a single film, Frankenstein Unbound (1990)With hundreds of movies to his credit, Roger Corman is one of the most prolific producers in the history of the film medium and one of the most successful--in his nearly six decades in the business, only about a dozen of his films have failed to turn a profit.
Corman has been dubbed, among other things, "The King of the Cult Film" and "The Pope of Pop Cinema," and his filmography is packed with hundreds of remarkably entertaining films in addition to dozens of genuine cult classics. Corman has displayed an unrivaled eye for talent over the years--it could almost be said that it would be easier to name the top directors, actors, writers and creators in Hollywood who DIDN'T get their start with him than those who did. He mentored Francis Ford Coppola, Ron Howard, Martin Scorsese, Jack Nicholson, James Cameron, Robert De Niro, Peter Bogdanovich, Joe Dante, and Sandra Bullock. His influence on modern American cinema is almost incalculable. In 2009 he was honored with an