
6. Jules Wièse, “Bracelet,” about 1855
02/03/17 • 2 min
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7. Eugène Fontenay for Fontana et Cie, “Necklace,” about 1865
This necklace shows fine workmanship in the techniques of filigree (intricate patterns made from thin strands of metal) and hand-embossing (hammering out a design in relief). At the 1867 Universal Exposition in Paris, Eugène Fontenay won praise for Neo-Greek jewelry like this. In admiring and emulating the remarkable skill of ancient goldsmiths, Fontenay helped initiate the 19th-century archeological style.
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5. Artist Unknown, France, “Amethyst Parure (Jewelry Set),” 1820–1830
The restored monarchy and its court could more easily afford semi-precious stones, such as these amethysts imported from Brazil, than the much costlier rubies, emeralds, or diamonds. The creator of this jewelry set placed amethysts within wide frames of embossed and delicately chiseled gold, which he treated with economical milled edges.
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