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VISION ON SOUND - VISION ON SOUND EPISODE 158 - TX OCTOBER 15 2023

VISION ON SOUND EPISODE 158 - TX OCTOBER 15 2023

10/15/23 • 59 min

VISION ON SOUND

A QUARTET OF USTV SEVENTIES COP SHOWS

First broadcast on FAB RADIO INTERNATIONAL at 19:00 on October 15th 2023

This week, PAUL CHANDLER, THE SHY YETI, is back with another quartet of TV shows that he’s been watching in his quest to discover what sort of television he might be able to find when he’s off on his travels and far, far away from his own personal archive of DVDs, blu-rays, and other television that he might have about the house to entertain himself with.

This week he’s reached the early 1970s and has been watching four American series that, coincidentally, all happened to be popular crime dramas from that era, which, perhaps shouldn’t be all that surprising to us really, as, with the popularity of the Western fading fast in the television output of the time, it was the crime drama towards which the Networks and Production Companies turned in order to find their next sure fire hit in a turbulent and often gritty, grimy, and crime-ridden decade in which fear and anxiety often stalked the urban streets on both sides of that vast continent, and TV crime was fought mostly by the Cops, the Lawyers, or the Private Eyes.

So, during the next hour, PAUL will be talking about BARNABY JONES in which BUDDY EBSEN moved from spending many years as a comic oil millionaire into the more murky world of Private Detective work in L.A., KOJAK, in which TELLY SAVALAS was a streetwise cop fighting crime in the bankrupt city of NEW YORK, PETROCELLI, in which BARRY NEWMAN took on cases in Californian Courtrooms, and POLICE WOMAN featuring ANGIE DICKENSON as PEPPER ANDERSON in a ground-breaking yet hard-hitting police drama.

PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show

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A QUARTET OF USTV SEVENTIES COP SHOWS

First broadcast on FAB RADIO INTERNATIONAL at 19:00 on October 15th 2023

This week, PAUL CHANDLER, THE SHY YETI, is back with another quartet of TV shows that he’s been watching in his quest to discover what sort of television he might be able to find when he’s off on his travels and far, far away from his own personal archive of DVDs, blu-rays, and other television that he might have about the house to entertain himself with.

This week he’s reached the early 1970s and has been watching four American series that, coincidentally, all happened to be popular crime dramas from that era, which, perhaps shouldn’t be all that surprising to us really, as, with the popularity of the Western fading fast in the television output of the time, it was the crime drama towards which the Networks and Production Companies turned in order to find their next sure fire hit in a turbulent and often gritty, grimy, and crime-ridden decade in which fear and anxiety often stalked the urban streets on both sides of that vast continent, and TV crime was fought mostly by the Cops, the Lawyers, or the Private Eyes.

So, during the next hour, PAUL will be talking about BARNABY JONES in which BUDDY EBSEN moved from spending many years as a comic oil millionaire into the more murky world of Private Detective work in L.A., KOJAK, in which TELLY SAVALAS was a streetwise cop fighting crime in the bankrupt city of NEW YORK, PETROCELLI, in which BARRY NEWMAN took on cases in Californian Courtrooms, and POLICE WOMAN featuring ANGIE DICKENSON as PEPPER ANDERSON in a ground-breaking yet hard-hitting police drama.

PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show

Previous Episode

undefined - VISION ON SOUND EPISODE 157 - TX OCTOBER 08 2023

VISION ON SOUND EPISODE 157 - TX OCTOBER 08 2023

THE FUTURE OF ARCHIVE TV WATCHING.

First broadcast on FAB RADIO INTERNATIONAL at 19:00 on October 8th 2023

Recently I was pointed in the direction of a particular streaming platform because it happened to have made available, gratis, for free, and without any need to subscribe to anything, the opening episode of STAR TREK: STRANGE NEW WORLDS season two, so that the more disinclined, or financially challenged, amongst us might have a look at it and perhaps find out what all of the fuss was about when it comes to this new iteration of STAR TREK that seems to have made fans of the classic series very happy.

The series does take several of the elements that made the original 1960s series so popular, give them a modern twist so that they can be viewed without the perceived shortcomings that the old show might have to modern audiences, and take the show broadly as it appeared in its original Pilot, and boot it well into the television landscape of this century.

But watching it did set me thinking about modern styles of television in general, because, whilst I did find that episode to be a very enjoyable hour of television, with its effects heavy visuals, smart, snappy dialogue, and complex storytelling techniques, it resembled the original in very minor ways, and I began to wonder whether viewers brought up on this brand new spin on the old show, might find little to enjoy in the original series any more if they went off to watch it after seeing this high octane version.

In the end I was wondering whether the old series would now seem far too slow, creaky, simplistic, or downright silly once this sophisticated, glossy new version, often resembling the high speed narratives involved in playing a video game, had been experienced.

And that set me wondering how many, or indeed if any, older television series might still appeal to viewers brought up almost exclusively on such programmes, and whether the kind of Archive Television that I enjoy talking about on this show, will one day be consigned to sitting unwatched, mouldering in dusty archives somewhere, whilst all the newer, flashier descendants are being loved and adored in their place.

In short, are we perhaps the last generation who will remember watching the old style of television that we adore, and, more to the point, are we the last which will want to watch it?

And as to whether future generations will be as interested in them, I do wonder, and the same can also be said for the television of the distant past, and, as I was recently told, even the more recent past.

Sometimes, it would seem that, no matter how much we might bang on about classic comedies, or significant dramas, or just fun old shows, even television that is as little as five years old has little appeal to the general viewer in the modern era.

This week, VISION ON SOUND once again welcomes back WARREN CUMMINGS from THE CINEMATIC SAUSAGE podcast, and we both try to get to the core of the knotty problem of whether, in the future, once the likes of us have slipped from this mortal realm, anyone else will care about the kind of television we enjoy watching, or will it be left to fester unloved in such archives as might exist whilst the mighty television machine rolls ever onward without looking backwards for anything other than inspiration for far flashier, and yet possibly lesser works.

Basically, what do we have to do to persuade anyone growing up in the modern television era, that the Archive TV we watch is actually worth watching, and isn’t just boring old nonsense as destined to be forgotten about as, apparently, even those brand new “must see” shows of the moment are.

PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show

Next Episode

undefined - VISION ON SOUND EPISODE 159 - TX OCTOBER 22 2023

VISION ON SOUND EPISODE 159 - TX OCTOBER 22 2023

LISA GETS RANDOM

First broadcast on FAB RADIO INTERNATIONAL at 19:00 on October 22nd 2023

This week we welcome back our good friend LISA PARKER, one half, alongside ANDREW TROWBRIDGE, of the team behind the rather fabulous ROUND THE ARCHIVES PODCAST for yet another of our random chats about this wondrous thing that we still prefer to call Archive Television rather than simply “old telly”.

“I can’t watch that sort of stuff, it’s before my time!” might be the kind of words we are hearing more and more these days, but between us, the Archive TV community are doing our best to keep those fascinating programmes very much in the here and now.

Anyway, during the next hour, LISA will be updating us on their progress through that mammoth DVD box set of CROSSROADS that both of them joined me to talk about a few months ago, before our discussion moves on to the undeservedly rather obscure detective series which was broadcast around the cusp of the dawn of the 1970s, THE MIND OF MR J G REEDER, and we have a little chat about that in anticipation of their own podcast covering the show in far greater detail.

We also have a short discussion about the link between television and literary detectives before moving on to consider whether THE GREAT EGG RACE has any modern television equivalents, and finally we have a chat about MODERN FAMILY, the differences between American and British sitcoms, and all sorts of other nonsense that I know that you’re going to enjoy.

PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show

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