Universe of Art

NASA is preparing to send humans to Mars. Although the launch date has been pushed back over the years, the agency says it wants to get there in the 2030s. And it has a lot on its to-do list. NASA needs to build new rockets, new habitable living spaces, new spacesuits, and new radiation shielding, just to name a few items.

But what if the one of the biggest challenges of these missions is not the engineering, but the mental health of the astronauts? Can all of the crew members get along with each other and stay alive over the course of three years in tight quarters and unforgiving environments? How will they cope with being separated from their families and friends for so long? And what lessons can they learn from astronauts who’ve lived on the International Space Station—and from our collective experience of isolation during the pandemic?

A new documentary, out March 8, explores all these questions and more. It’s called “The Longest Goodbye,” and it dives into NASA’s Human Factors program, which includes a group of psychologists who are trying to figure out the best way to preserve astronauts’ mental health on a long and demanding mission.

Host D. Peterschmidt spoke to the film’s director, Ido Mizrahy, and one of its featured astronauts, Dr. Cady Coleman, about how NASA is thinking about tackling loneliness in space and what we can learn from astronauts who’ve already lived on the space station.

Plus, a listener shares his experience about performing a drumroll for the solar eclipse.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

Last month, Netflix released its adaptation of the Hugo Award-winning sci-fi book The 3 Body Problem by Cixin Liu. It follows the journey of several scientists, from the Chinese Cultural Revolution to the present day, as they seek to understand why their fellow researchers are dying and why their scientific results no longer make sense. Along the way, they discover an ultra-advanced VR game and a dark secret that suggests we might not be alone in the universe.

Guest host Arielle Duhaime-Ross sits down with the show’s science advisor, Dr. Matt Kenzie, an associate professor of physics at the University of Cambridge, to talk about what exactly the three body problem is, why he gave the actors physics lessons, and what he hopes audiences take away from a show focused on scientists.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

The fields of science, technology, engineering, and math (also known as STEM) are not particularly diverse. And despite a gradual uptick in diversity over the last decade, a 2023 report from the National Science Foundation showed that only 24% of people in these industries are Hispanic, Black, or Native American.

Dr. Carlotta Berry is working to change that, taking an untraditional approach to encourage people from marginalized backgrounds to enter the sciences. She is, as she puts it, an engineering professor by day and romance novelist by night. Working under the pen name Carlotta Ardell, she writes youth-friendly romance novels featuring Black protagonists who work in STEM fields.

SciFri producer and host of the Universe Of Art podcast D. Peterschmidt sat down with Dr. Berry, who is a professor of electrical and computer engineering at the Rose Hulman Institute of Technology, to talk about how she got started on this journey and why she wants to make STEM a little steamier.

Further Reading

• Explore NoireSTEMinist, Berry’s consulting company that aims to improve diversity in STEM.

Looking into space can be pretty daunting. How do we make sense of the vast expanse above our heads, the millions of stars we might be able to see, and the billions more we can’t?

Now, what about listening to space? That’s the task that Sam Harnett and Chris Hoff gave themselves, for their series “Cosmic Visions.” They’re the team behind “The World According to Sound,” a podcast that’s brought our listeners close to the sounds of science over the last few years.

This new series takes listeners through the history of astronomy and the study of the cosmos, from ancient Babylon to the Hubble Telescope. Harnett and Hoff join guest host John Dankosky to talk about why different ways of knowing are helpful for scientists, how images of nebulae share a striking resemblance to photos of the American West, and what their favorite space sounds are.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music and produced the original segment. Our show art is illustrated by Abelle Hayford. And support for Science Friday's science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

If you’ve played Rollercoaster Tycoon, Cities: Skylines, the Civilization series—even Animal Crossing—you’re probably familiar with this gameplay pattern: extract some kind of resource from the land, industrialize it into a theme park or a city, and (step three) profit, ad infinitum.

But Terra Nil, a new game from the studio Free Lives, fundamentally challenges this oft-used game loop. Instead of maximizing profit at the expense of the local ecosystem, the player’s focus is to make a healthier, natural landscape instead. You start with a barren wasteland (one that you assume has been completely desolated by human activity, perhaps the aftermath from one of the previously mentioned games), and with the help of advanced eco-tech—like wind turbines, soil purifiers, irrigators, and more—restore it to a thriving, diverse ecosystem. The player’s ultimate goal is to take all the tech they used to restore the land, recycle it into an airship, and fly away, leaving no human presence behind.

SciFri producer Dee Peterschmidt speaks with Sam Alfred, the lead designer and programmer of Terra Nil, about how Free Lives designed this “reverse city-builder,” how the studio took inspiration from the flora of their local Cape Town, and how he hopes the game challenges players how they think about traditional gameplay systems and their effect on our world.

Universe of Art is hosted and produced by Dee Peterschmidt, who also wrote the music. Our show art is illustrated by Abelle Hayford. And support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].