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Theory & Thoughts for Magicians - Weakness Is Strength

Weakness Is Strength

04/24/22 • 19 min

Theory & Thoughts for Magicians

A look at your personal style as a performer, as defined by your strengths, weakness, and limitations. Magicians generally tend to be all happy-go-lucky razzle-dazzle, but being yourself means bringing both the best and worst of yourself to the stage.

Suggestions for further watching and listening:

If you'd like to hear my favourite musical artist, John Hartford I recommend starting with his album "Aereo-Plain." https://www.youtube.com/playlist?list=PL2sh1eP4JA_O-HkoIOrRiiGJTzjPd4W-l

Alan Watts speaking about Wu Wei, the principle of not forcing. https://www.youtube.com/watch?v=ZzaUGhhnlQ8&t=635s

Jazz pianist Kenny Werner speaks about "Effortless Mastery" https://www.youtube.com/watch?v=pAZOamxuw5w

Music used in this episode

"Naptime" by David Benedict ...not John Hartford :)

Three pieces played on the guzheng by Annie Zhou

"Hidden Heart" by Lux Inspiria

All tracks are licensed for use from Artlist https://artlist.io/Ryan-18742

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A look at your personal style as a performer, as defined by your strengths, weakness, and limitations. Magicians generally tend to be all happy-go-lucky razzle-dazzle, but being yourself means bringing both the best and worst of yourself to the stage.

Suggestions for further watching and listening:

If you'd like to hear my favourite musical artist, John Hartford I recommend starting with his album "Aereo-Plain." https://www.youtube.com/playlist?list=PL2sh1eP4JA_O-HkoIOrRiiGJTzjPd4W-l

Alan Watts speaking about Wu Wei, the principle of not forcing. https://www.youtube.com/watch?v=ZzaUGhhnlQ8&t=635s

Jazz pianist Kenny Werner speaks about "Effortless Mastery" https://www.youtube.com/watch?v=pAZOamxuw5w

Music used in this episode

"Naptime" by David Benedict ...not John Hartford :)

Three pieces played on the guzheng by Annie Zhou

"Hidden Heart" by Lux Inspiria

All tracks are licensed for use from Artlist https://artlist.io/Ryan-18742

Previous Episode

undefined - Weakness Is Strength

Weakness Is Strength

A look at your personal style as a performer, as defined by your strengths, weakness, and limitations. Magicians generally tend to be all happy-go-lucky razzle-dazzle, but being yourself means bringing both the best and worst of yourself to the stage. Suggestions for further watching and listening: If you'd like to hear my favourite musical artist, John Hartford I recommend starting with his album "Aereo-Plain." https://www.youtube.com/playlist?list=PL2sh1eP4JA_O-HkoIOrRiiGJTzjPd4W-l Alan Watts speaking about Wu Wei, the principle of not forcing. https://www.youtube.com/watch?v=ZzaUGhhnlQ8&t=635s Jazz pianist Kenny Werner speaks about "Effortless Mastery" https://www.youtube.com/watch?v=pAZOamxuw5w Music used in this episode "Naptime" by David Benedict ...not John Hartford :) Three pieces played on the guzheng by Annie Zhou "Hidden Heart" by Lux Inspiria All tracks are licensed for use from Artlist https://artlist.io/Ryan-18742

Next Episode

undefined - Hooked On Classics

Hooked On Classics

In 1954 the Magic Circle presented the Hoffmann Memorial Lecture by Charles Harrison on "The Qualities of a Classical Feat of Magic." In it he suggests eight common features of a trick which make it a "classic." Not everyone is on the same page. In his introduction to "Magic By Misdirection" Dariel Fitzkee makes the opposite argument; that no trick is, in itself, "great." In this episode Ryan Pilling takes a look at both sides, and asks why any particular trick does or does not become immortalized as a classic of magic, including one curious trick which was once a regular feature, now lost to history. Corrections: The "Six Card Repeat" was originated by Tommy Tucker, not Tommy Windsor. (Windsor is known for inventing the Dye Box... which is different than the Die Box!) --- References: "The Qualities of a Classical Feat of Magic" - A lecture by Charles Harrison, published as a bonus supplement with the Magic CIrcular, August 1954. "Magic by Misdirection" - Dariel Fitzkee, 1945

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