
A Love of Film with Carolina Jiménez García, Lead Layout Artist, Scanline | TVAP EP25
02/16/22 • 57 min
This week Daniel caught up with Layout Artist who has 7 Oscar Nominated films, as well as an Emmy and a Goya under her belt!
Many of our Spanish speaking audience may already be familiar with Carolina as she runs an incredibly popular VFX and film Youtube, blog and Twitter account as Okingrafia. Carolina is a Lead Layout Artist at Scanline, most recently on projects like Free Guy, Moonfall and Eternals. Her career spans the Globe and major studios such as Dneg in London, Scanline in Canada, and Weta in New Zealand where she fulfilled her dream by working with the Lord of Rings crew on the Hobbit trilogy.
In this episode we roll back the curtain on the Layout Department, a little understood and vitally important part of VFX and animation pipelines. We find out what it takes to become a Layout Artist and Layout Lead, hear Carolina’s advice for artists, learn a little about working in Canada and find out about her favourite projects.
íDisfrutamos!
Timestamps:
00:00:00 : What to expect and Intro
00:02:25 : Meet Carolina
00:05:47 : He's a pandemic dog
00:06:48 : Layout and overview of the department
00:12:29 : The start of Carolina's Career
00:15:16 : Software used in Layout
00:18:03 : OKinGrafia - Carolina's filmmaking channel
00:19:50 : A snippet from OKinGrafia (Spanish)
00:20:15 : Carolin'a research for her content channels
00:24:06 : Favourite Project to Work on: The Hobbit Trilogy
00:26:39 : Taking those first steps in the industry
00:28:04 : Planet of the Apes
00:30:20 : When your work gets cut from the movie
00:31:59 : Overtime and keeping the team happy
00:33:01 : Working in different countries
00:38:23 : Different perspectives on filmmaking
00:39:20 : Typical working day and working from home
00:41:15 : Why working from home is more productive
00:44:05 : Blended working
00:45:24 : Vancouver
00:46:47 : Are Leads involved in recruitment
00:47:55 : Maya, custom tools and the pipeline
00:51:00 : Layout for Animation vs Live-Action
00:52:02 : The hierarchy and approval process
00:53:49 : Reshoots
00:55:06 : Where to find Carolina online
00:56:56 : Goodbye and outro
Rendered: 2022-02-14 19:49:27
Powered by [Chaptered.app](https://Chaptered.app)
Links:
Geek is the New Sexy, blog (Español)IMBDCourses (Español)Twitter (Español)Instagram (English)Youtube (Español)
Thank you for your support!
This week Daniel caught up with Layout Artist who has 7 Oscar Nominated films, as well as an Emmy and a Goya under her belt!
Many of our Spanish speaking audience may already be familiar with Carolina as she runs an incredibly popular VFX and film Youtube, blog and Twitter account as Okingrafia. Carolina is a Lead Layout Artist at Scanline, most recently on projects like Free Guy, Moonfall and Eternals. Her career spans the Globe and major studios such as Dneg in London, Scanline in Canada, and Weta in New Zealand where she fulfilled her dream by working with the Lord of Rings crew on the Hobbit trilogy.
In this episode we roll back the curtain on the Layout Department, a little understood and vitally important part of VFX and animation pipelines. We find out what it takes to become a Layout Artist and Layout Lead, hear Carolina’s advice for artists, learn a little about working in Canada and find out about her favourite projects.
íDisfrutamos!
Timestamps:
00:00:00 : What to expect and Intro
00:02:25 : Meet Carolina
00:05:47 : He's a pandemic dog
00:06:48 : Layout and overview of the department
00:12:29 : The start of Carolina's Career
00:15:16 : Software used in Layout
00:18:03 : OKinGrafia - Carolina's filmmaking channel
00:19:50 : A snippet from OKinGrafia (Spanish)
00:20:15 : Carolin'a research for her content channels
00:24:06 : Favourite Project to Work on: The Hobbit Trilogy
00:26:39 : Taking those first steps in the industry
00:28:04 : Planet of the Apes
00:30:20 : When your work gets cut from the movie
00:31:59 : Overtime and keeping the team happy
00:33:01 : Working in different countries
00:38:23 : Different perspectives on filmmaking
00:39:20 : Typical working day and working from home
00:41:15 : Why working from home is more productive
00:44:05 : Blended working
00:45:24 : Vancouver
00:46:47 : Are Leads involved in recruitment
00:47:55 : Maya, custom tools and the pipeline
00:51:00 : Layout for Animation vs Live-Action
00:52:02 : The hierarchy and approval process
00:53:49 : Reshoots
00:55:06 : Where to find Carolina online
00:56:56 : Goodbye and outro
Rendered: 2022-02-14 19:49:27
Powered by [Chaptered.app](https://Chaptered.app)
Links:
Geek is the New Sexy, blog (Español)IMBDCourses (Español)Twitter (Español)Instagram (English)Youtube (Español)
Thank you for your support!
Previous Episode

How Animation Changed My Life - Michael Morgan - Part 2 | TVAP EP24
In this episode, we conclude our two-part episode with Michael Morgan, a U.K. based senior character animator and animation mentor about his journey into the industry and working with some of the most highly respected studios in the world.
Michael has over two decades of experience in the VFX industry, and has contributed to some of your favourite movies and characters on the big screen, ranging from Marvel's Black Panther, Guardians Of The Galaxy: Vol 2, Star Wars: Clone Wars, Venom, Pacific Rim: Uprising and more!
In this episode, we discus his journey into the industry, his experiences leading and supervising teams. We also go on to discuss what qualities he looks for in animators, as well as the common practices and mistakes animators do, showreel advice, motion capture, and more
As always, if you liked this episode, please like, comment, subscribe and share!
You can find Michael on Linkedin
Chapters:
00:00 - Pre roll and what to expect in this episode
00:38 - Imposters syndrome
10:02 - Common mistakes animators make
16:16 - What transferable skills or knowledge can be passed on to a 2D animator or a stop motion animator?
19:32 - What advice would you give to anyone putting together an animation showreel
24:34 - Recommending good universities and courses
31:46 - What’s been a memorable highlight of your career so far
36:46 - As a family man, how do you organise things with loved ones, when you have to leave for work
44:04 - What are you aspiring for in the next few years?
48:57 - Working with Daniel Miller on Broken Toy short film
50:58 - How to engage with Michael online
52:02 - Conclusion
Listen to all episodes on our website
#vfxpodcast #animator #vfxanimation
Thank you for your support!
Next Episode

What is Previs, and why it's important - with Jamie Bakewell, founder of Bigtooth Studios | TVAP EP26
On today’s episode, we have Jamie Bakewell in the hot seat to discuss all things previs and postvis, starting from his journey into the industry , to the decisions which led to the creation of his Previs studio in the midlands - Bigtooth Studios.
Jamie’s incredible first job with Aardman, soon after graduating in 2009 from Staffordshire University led him to work on The Pirates! In an Adventure with Scientists!, spiralling a great friendship with Pawl Fulker, co-owner of Proof Inc, (before it was called Proof!), who then ended up inspiring Jamie to set up his previs studio.
We dive into what it takes Jamie to wear two hats on a daily basis, as an artist and entrepreneur, as well as what it took for him to transition into that role.
Of course, focusing the topic around previs, we couldn’t leave out what previs and postvis is all about and the use of Blender vs Maya for previs.
Strap in, and we hope you enjoy this episode.
As always, if you liked this episode, please like, comment, subscribe and share!
Links:
Bigtooth Studios
Chapters:
00:00:00 Coming up..
00:03:05 Episode overview
00:03:30 Jamie intro
00:04:43 Story behind the name
00:06:00 Industry journey before Bigtooth Studios
00:19:30 Shows worked on
00:22:39 Epiphany moment, leading to the creation of Bigtooth Studios
00:58:00 Runing and managing Bigtooth Studios during the pandemic
01:03:22 Advantages and disadvantages of running your business in the midlands
01:06:00 Tools and software
01:14:16 Why should anyone decide to work in the visualisation industry
01:15:55 Would you recommend working in previs and postvis before working in VFX studios to deliver finals?
01:17:52 Balancing being an artist and an entrepreneur on a daily basis
01:21:06 Best and worst decisions made as an artist and a business owner
01:24:21 What should be the key differences for anyone making a previs/postvis reel and a VFX finals reel
01:27:31 Unreal engine and Virtual Production
01:30:43 Conclusion
Listen to all episodes on our website
#vfxpodcast #previs #blender
Thank you for your support!
The VFX Artists Podcast - A Love of Film with Carolina Jiménez García, Lead Layout Artist, Scanline | TVAP EP25
Transcript
i didn't know anything about leia and i was i panicked at one point because you're supposed to pick what what department what speciality you want to have and i didn't know i like everything a little bit and i didn't know which one to choose and it turns out that's good news because in layout we do a little bit of everything we have to we have to build the scene in a way that it is presentable to the director
because the reason why i dec
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