
An Interview With Dee Wallace
08/12/24 • 60 min
The incomparable Dee Wallace joins The Spiel to discuss her work on Steven Spielberg's E.T. Wallace takes us behind the scenes of the making of the movie, including stories about how she got the part of Mary, what it was like the first time she saw E.T., the one time she had a disagreement with Spielberg on the set, her beliefs on what real life aliens are like, and the legacy of the film some 40+ years after its release.
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The incomparable Dee Wallace joins The Spiel to discuss her work on Steven Spielberg's E.T. Wallace takes us behind the scenes of the making of the movie, including stories about how she got the part of Mary, what it was like the first time she saw E.T., the one time she had a disagreement with Spielberg on the set, her beliefs on what real life aliens are like, and the legacy of the film some 40+ years after its release.
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Previous Episode

Laura Lux on Arachnophobia
Model, Streamer, and Kingcast favorite guest Laura Lux makes her first appearance on The Spiel and she brings a hell of a title with her. This is our very first time talking about a movie that Spielberg produced, but didn't direct. That's right, it's 1990's Arachnophobia directed by Spielberg's longtime producer Frank Marshall and starring Jeff Daniels, John Goodman, and Julian Sands... and a shit-ton of spiders.
Our guest is from Australia, so she's uniquely adept at discussing big-ass spiders, which we do. The conversation also covers our childhood thoughts on the movie vs. how we perceive it today, trying to lock down what exactly the "Amblin feel" is, plus some brainstorming on what other kinds of creatures would we want to avoid swarming our house.
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Next Episode

Josh Gondelman on Men In Black
Comedian Josh Gondelman (Last Week Tonight with John Oliver, The Marvelous Mrs. Maisel) joins us to talk a little about the very first Men In Black. How does the film hold up? Is it okay to like Will Smith again? How good was Barry Sonnenfeld at making this type of goofy genre movie? Why won't Hollywood just give Rick Baker a trillion dollars to keep making movie magic? All these questions and more are answered as Vespe, Wampler, and Gondelman look back at the highest earning movie of 1997.
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