The Modern Art Notes Podcast - Bonus: Darkwater Project 2022 digital colloquium, session one

Bonus: Darkwater Project 2022 digital colloquium, session one

09/13/22 • 84 min

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Audio from Session One of The Darkwater Project's 2022 digital colloquium, "Historical American Art, Whiteness, and the Idea of the American Nation."

Watch the session on YouTube.

Follow The Darkwater Project on Instagram.

Audio from Session One of The Darkwater Project's 2022 digital colloquium, "Historical American Art, Whiteness, and the Idea of the American Nation."

Watch the session on YouTube.

Follow The Darkwater Project on Instagram.

Previous Episode

B. Ingrid Olson, Reinventing the Américas

Episode No. 566 of The Modern Art Notes Podcast features artist B. Ingrid Olson and curator Idurre Alonso.

The Carpenter Center for the Visual Arts at Harvard University is presenting two concurrent B. Ingrid Olson exhibitions, "History Mother," and "Little Sister" through December 23. Each exhibition is on a separate floor of CCVA's building. Olson's exhibitions feature site-specific presentations that engage with doubling and mirroring, gendered forms, the interplay between photography and sculpture, and between the body and the built environment. The exhibitions were curated by Dan Byers. A catalogue will be available.

This week, the Secession in Vienna closed an exhibition of Olson's work titled "Elastic X." In addition, Olson's work has previously been featured in solo presentations at the Albright-Knox Art Gallery in Buffalo, NY and at The Renaissance Society at the University of Chicago.

Alonso discusses her new exhibition "Reinventing the Américas: Construct. Erase. Repeat" at the Getty Research Institute in Los Angeles. The exhibition considers the ways in which artists have helped construct ideas about the Western Hemisphere, particularly in the decades after the arrival of Europeans. It is on view through January 8, 2023.

Instagram: B. Ingrid Olson, Idurre Alonso, Tyler Green.

Next Episode

Rose B. Simpson, George Masa

Episode No. 567 features artist Rose B. Simpson and author Brent Martin.

The Institute for Contemporary Art, Boston is showing "Rose B. Simpson: Legacies," an exhibition of 14 sculptures Simpson has made over the last eight years. It was curated by Jeffrey De Blois and is on view through January 29, 2023.

Rose B. Simpson is included in two other New England presentations: her Counterculture is installed at Field Farm, a Trustees property in Williamstown, Mass.; and in "Ceramics in the Expanded Field," at MASS MoCA. Counterculture was organized by Jamilee Lacy and will be on view through April 30, 2023. "Ceramics," which is up until early March 2023, was curated by Susan Cross.

This fall The Fabric Workshop and Museum in Philadelphia will feature "Rose B. Simpson: Dream House." The exhibition opens October 7.

Across ceramic sculpture, performance, installation, and more, Simpson's work addresses ideas as far ranging as resistance, apocalypse, spirituality, and automobile design. Museums such as the University of New Mexico Art Museum (Simpson lives in Santa Clara Pueblo), Nevada Museum of Art, the Savannah College of Art and Design's SCAD Museum of Art, and the Pomona College Museum of Art have all presented solo exhibitions of her work, and Simpson has been in group shows at the Henry Art Gallery, the Pennsylvania Academy of Fine Arts, the Cleveland Museum of Art, the Denver Museum of Art, and plenty more.

Martin discusses his new book "George Masa's Wild Vision," which was recently published by Hub City Press. Masa was an Asheville, North Carolina-based photographer who had a significant impact on the establishment of Great Smoky Mountains National Park and on determining the Southern route of the Appalachian Trail, the two crown jewels of the eastern United States' natural infrastructure. Amazon and Indiebound offer the book for around $25.