LS018 - Bad To Me - Lecture Series (bonus)

10/27/24 • 37 min

In this lecture, Kenyon delves into "Bad to Me," a 1963 song written by John Lennon for Billy J. Kramer with the Dakotas. The discussion covers the song’s lyrical themes, musical structure, and Lennon's use of innovative harmonic techniques. Kenyon examines the track's Buddy Holly influences, lyrical motifs involving nature, and the unique chord progressions that set it apart from other early Beatles compositions. He contrasts the Beatles' original demo with Billy J. Kramer with the Dakotas' recorded version, exploring how subtle changes in arrangement and production by George Martin shaped the final sound. The analysis extends to Lennon's evolving songwriting style, including the influence of his personal experiences on the song's content. This lecture provides a deeper appreciation of "Bad to Me," revealing the intricacies of a song that connects the dots between the Beatles' early pop roots and their future musical experimentation.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Previous Episode

EP017 - I'll Be On My Way

Peter and Kenyon dive into "I'll Be On My Way," a Beatles song written by Paul McCartney at 17 and given to Billy J. Kramer with the Dakotas. The hosts explore the song’s Buddy Holly-inspired style, lyrical themes, and unique musical elements, including its distinctive chord changes and vocal harmonies. They discuss the track's history, from its early days to the BBC recording, and compare the Beatles’ version with Kramer’s, examining the differences in interpretation and arrangement. Along the way, the episode offers insights into the Beatles’ songwriting process, early collaborations, and the cultural backdrop of the 1960s Liverpool music scene.

Hosted on Acast. See acast.com/privacy for more information.

Next Episode

EP018 - Bad To Me

Peter and Kenyon dive into "Bad to Me," a song written by John Lennon in 1963 and gifted to Billy J. Kramer with the Dakotas. They explore the track's origins, detailing Lennon’s songwriting process, including the rumored inspirations behind its lyrics and the distinct Buddy Holly influence. The discussion extends to the recording history, contrasting the Beatles' original demo with Billy J. Kramer with the Dakotas' produced version, and assessing how George Martin's production style shaped the final sound. Peter and Kenyon also touch on the broader context of the era, from the Beatles' relentless touring schedule to Lennon's evolving role within the band. This episode offers an engaging exploration of how a lesser-known Lennon-McCartney composition fits into the Beatles' musical evolution and provides insights into their collaborative relationships with other artists during their early years.

Hosted on Acast. See acast.com/privacy for more information.