
Turning the Tables - FARGO
02/21/21 • 88 min
1 Listener
EPISODE 91 - TURNING THE TABLES - FARGO
Team Deakins gets the tables turned on them in this episode. Cinematographer Joshua James Richards (Nomadland, The Rider, God's Own Country) turns the spotlight on us and asks questions about the movie Fargo. We speak about specific shots and how they were done. We also talk about covering wider subjects, how a camera move can add to the strength of the scene, working with different directors, and the importance of cinematographer supporting the performances using natural light, and what limitations can give to a movie. We cover a lot of ground, including finding inspiration, the Coen Brothers’ unique talents, as well as the importance of the DP understanding editing. So we go into detail about the movie Fargo as well as many broader topics. Josh was thorough!
PDF Clip List can be found here.
RECOMMENDED EPISODE VIEWING - Fargo
EPISODE 91 - TURNING THE TABLES - FARGO
Team Deakins gets the tables turned on them in this episode. Cinematographer Joshua James Richards (Nomadland, The Rider, God's Own Country) turns the spotlight on us and asks questions about the movie Fargo. We speak about specific shots and how they were done. We also talk about covering wider subjects, how a camera move can add to the strength of the scene, working with different directors, and the importance of cinematographer supporting the performances using natural light, and what limitations can give to a movie. We cover a lot of ground, including finding inspiration, the Coen Brothers’ unique talents, as well as the importance of the DP understanding editing. So we go into detail about the movie Fargo as well as many broader topics. Josh was thorough!
PDF Clip List can be found here.
RECOMMENDED EPISODE VIEWING - Fargo
Previous Episode

Bradford Young - Cinematographer
EPISODE 90 - BRADFORD YOUNG - Cinematographer
Team Deakins sits down with cinematographer Bradford Young, (ARRIVAL, SOLO: A STAR WARS STORY, SELMA), for a great conversation. We talk about many things - among the topics are his belief that the cinematography must always serve the story, how he chooses his projects, what his process is on starting a film, his lens choices, and his desire to shoot it the way you want rather than fixing it in post. He shares his experiences on Arrival and that it was his first experience working with storyboards and also speaks about his work on Star Wars. We learn his unique way of lighting where he blacks everything and then adds light, “subtracting is adding”. And much, much more. You won’t want to miss this conversation with a true artist.
Next Episode

Bob Yeoman - Cinematographer
EPISODE 92 - BOB YEOMAN - Cinematographer
Team Deakins has a great conversation with cinematographer Bob Yeoman (THE GRAND BUDAPEST HOTEL, MOONRISE KINGDOM, SPY). He’s a frequent collaborator with Wes Anderson and he walks us through how they work together. We learn their way of prep and how they collaborate on the set. It becomes clear why their work together is so special. We should warn you that after listening to this episode you will want to be part of their collaboration! He shares with us how Wes works with actors, how he negotiates his lighting with Wes and breaks down specific scenes on the film Darjeeling Limited. He also touches on his experience with Paul Feig, the problems of working with multiple cameras and operating the camera. You won’t want to miss his story about the film shot on the 27mm lens! A fun, informative episode!
RECOMMEND EPISODE VIEWING: Darjeeling Limited
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