'Henry: Portrait of a Serial Killer' with Producer Heather Buckley

Explicit content warning

09/12/19 • 44 min

Heather Buckley is a grand maester of film and horror. The first feature she produced, Jenn Wexler’s The Ranger, for Glass Eye Pix and Hood River Entertainment, premiered at SXSW and played numerous festivals on an international run before it was released in NYC and LA. Heather’s work as a film analyst and journalist spans over a decade, with bylines in Vulture, Dread Central, and Fangoria. Her background in SFX work includes: Circus of the Dead, Dead Still, and We Are Still Here. She is currently a Blu-Ray special features producer, creating documentaries for Kino Lorber, Lionsgate/Vestron, Arrow Films and Shout Factory releases, including John Carpenter's The Thing, Barton Fink, The Long Riders, Saw 10th Anniversary Reissue, and Army of Darkness.

The movie that Heather chose this week is a real doozy - Henry: Portrait of a Serial Killer. Heather talks about how she believes it's one of the most important films ever made. She discusses how this film forces the audience to root for violence. She elaborates on the fact that this movie has no moral center, and how it's the audience's job to gauge morality. And she and April also discuss the controversy this film sparked upon release and why the movie was initially difficult to get a hold of.

You can see Heather's work all over the place. Plus, you can watch The Ranger on Shudder.

And if you haven't seen Henry: Portrait of a Serial Killer yet, be careful.

With April Wolfe and Heather Buckley.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at [email protected].

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

You can see Heather's work all over the place. Plus, you can watch The Ranger on Shudder.

And if you haven't seen Henry: Portrait of a Serial Killer yet, be careful.

With April Wolfe and Heather Buckley.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at [email protected].

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Previous Episode

'Dead & Buried' with 'Riot Girls' Director Jovanka Vuckovic

Jovanka Vuckovic is an award-winning filmmaker and writer. In the past two decades, she has worked as a visual effects artist, earning a Gemini Award, and cemented a reputation as a genre film authority—she was twice named one of the most important women in the history of horror, serving for a time as editor-in-chief of famed Rue Morgue Magazine. In 2016, she spread her wings into the US film market, joining the DGA after directing a segment of XX, the first-ever all-female horror film anthology from Magnolia Pictures, which had its premiere at Sundance 2017. Her debut Riot Girls, written by Katherine Collins, will see its release this year. The film tells the story of two young women who must save a young man from the clutches of a little psychopath on the wrong side of Potter’s Bluff — a town divided after a mysterious disease wiped out all the adults.

The movie that Jovanka has chosen to discuss is a grossly underappreciated classic - 1981's Dead & Buried. Jovanka talks about how she named the small town of Potter's Bluff in Riot Girls after the Potter's Bluff of Dead & Buried. She even goes as far to say she envisions that both films exist in the exact same town. Jovanka also opens up about her intense fear of death and how that influences her films. And she and April discuss the struggles of getting a movie made as a female filmmaker.

You can see Riot Girls in theaters and on demand on September 13th.

And if you haven't seen Dead & Buried yet, you simply must!

With April Wolfe and Jovanka Vuckovic.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at [email protected].

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Next Episode

'Picnic at Hanging Rock' with 'The Office' and 'Maniac' Writer Caroline Williams

Caroline Williams is a screenwriter originally from Atlanta, Georgia. In 2008 she created the ABC series Miss Guided starring Judy Greer and Chris Parnell, about a high school guidance counselor who must relive her unpopular high school days when another old classmate joins the faculty and staff. From there, Caroline went on to write for The Office, Modern Family, Up All Night, BoJack Horseman and others including, most recently, Arrested Development and Maniac for Netflix. In addition to television, Ms. Williams has written on studio features and directed short films, and she’s currently setting up her feature directorial debut. She is also married to fellow filmmaker Drew Goddard, Oscar nominated writer of The Martian and director of Cabin in the Woods and Bad Times at the El Royale.

The movie that Caroline chose to discuss can be found in the video store under "dreamy" - that would be Peter Weir's Picnic at Hanging Rock. She and April explore the makings of a good mystery and how sometimes things are better left unexplained. Caroline elaborates on the importance of writing structure - by both knowing when to follow it and when to stray. And she also talks about the joy of being able to direct something she has written.

You can see Caroline's work all over the place.

And if you haven't seen Picnic at Hanging Rock, you simply must!

With April Wolfe and Caroline Williams.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at [email protected].

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.