
Denis Maksimov about art institutions and the future and power dynamics in contemporary art and society
10/24/19 • 74 min
Welcome to another very special episode at Surviving Art. We’re doing market research in London as part of a cultural residency, provided by Slovenia’s Ministry of Culture and will be conducting a series of interviews and talks about the art market in London. In the series, I’ll be chatting with book publishers, both emerging and well-established artists, gallerists and other art world professionals and today I have the immense pleasure to introduce the wonderful Denis Maksimov:
Denis is an aesthetico-political scholar and independent curator based in London and Athens. His research focuses on the supranormal phenomena of power in European mythography, world history, literature, arts, and audiovisual cultures.
His advisory practice covers the issues of political technologies, EU-Russia, and international relations. In his artistic projects, many of which are developed under the aegis of Avenir Institute, he investigates political potentiality in futures, something we explore in-depth in the coming chat.
We talked about the future & avenirs, art institutions and art fairs in the age when accelerating neoliberal capitalism reigns over defining value, questions of power and attention in the arts and much, much more. Enjoy:
Links:
Avenir institute’s FACEBOOK: https://www.facebook.com/avenirinstitute/
Avenir institute’s WEB: http://www.avenirinstitute.info
Avenir institute’s IG: https://www.instagram.com/avenir.institute/
Denis Maksimov’s webpage: https://maksimov.eu
Welcome to another very special episode at Surviving Art. We’re doing market research in London as part of a cultural residency, provided by Slovenia’s Ministry of Culture and will be conducting a series of interviews and talks about the art market in London. In the series, I’ll be chatting with book publishers, both emerging and well-established artists, gallerists and other art world professionals and today I have the immense pleasure to introduce the wonderful Denis Maksimov:
Denis is an aesthetico-political scholar and independent curator based in London and Athens. His research focuses on the supranormal phenomena of power in European mythography, world history, literature, arts, and audiovisual cultures.
His advisory practice covers the issues of political technologies, EU-Russia, and international relations. In his artistic projects, many of which are developed under the aegis of Avenir Institute, he investigates political potentiality in futures, something we explore in-depth in the coming chat.
We talked about the future & avenirs, art institutions and art fairs in the age when accelerating neoliberal capitalism reigns over defining value, questions of power and attention in the arts and much, much more. Enjoy:
Links:
Avenir institute’s FACEBOOK: https://www.facebook.com/avenirinstitute/
Avenir institute’s WEB: http://www.avenirinstitute.info
Avenir institute’s IG: https://www.instagram.com/avenir.institute/
Denis Maksimov’s webpage: https://maksimov.eu
Previous Episode

Chatting about art school and creativity with Lizzie Reid from Lizzie's Lines
Welcome to a very special series of episodes at Surviving Art. We’re doing market research in London as part of a cultural residency, provided by Slovenia’s Ministry of Culture and will be conducting a series of interviews and talks about the art market in London. In the series, I’ll be chatting with book publishers, both emerging and well-established artists, gallerists and other art world professionals. And to kick it all off, today’s run-and-gun podcast (meaning, please excuse the London traffic in the background, it’s inevitable), is with Lizzie Reid from Lizzie’s Lines. We talked about art school and why going to art school might not be the best option (at least not in places, where education isn’t free (I’m still amazed that people come out of college with debt almost as large as the GDP of a small country). And we also explored her views on the possibilities curatives have in London at this very moment, how a longer hiatus can actually be good for you and much, much more. Enjoy. In her words: “Illustration, design and poetry are the facets that make up Lizzie's Lines. Sourcing her creativity from the subconscious mind, Lizzie uses instinctive mark-making and metaphorical language to reveal her current thoughts, emotions and beliefs of her place in the world. Predominantly using paint and ink, Lizzie draws in moments of creative desire and adopts a patient approach to enable her eye for visual balance to define the poetic relationships between her signature lines, shape, colour and space.” And here’s all the link paraphernalia anyone curious about what Lizzie’s work looks like could want, enjoy: Website: www.lizzieslines.com Instagram: @Lizzies_Lines Portfolio: https://lizziereid.myportfolio.com
Next Episode

Chatting with Oreet Ashrey about the art world
After a (too) long hiatus, we're back with a conversation with performance and conceptual artist Oreet Ashrey, and we chatted about the art world, not being boxed up as an artist and how there actually was a time when being an artist was considered as being an affluent individual!
Her website: http://oreetashery.net
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